In music, experimentalism is more than just "that one time in college." This week, we cover the albums that dared to be different, were fearless in their pursuit of breaking new ground, and subverted traditional expectations of what music should sound like.

The spirit of experimental music is alive and well on The Sound, the debut solo album by guitarist, cellist, composer producer, arranger, painter, and educator Knox Chandler. This project is a musical memoir depicting the shift in his surroundings from the urbanism of New York, London, and Berlin to the serene rural setting of the Connecticut shoreline. Through 10 diaristic and transportative soundscapes, The Sound incorporates Knox's "Soundribbon" style of meditative, powerfully cinematic guitar, accompanied by upright bass and percussion, and is paired with a book of paintings, sketches, and writings.

You no doubt have heard Knox Chandler's work throughout a career that has spanned four decades, as a member of The Psychedelic Furs, Siouxsie & The Banshees, Cyndi Lauper's band, and The Golden Palominos. He's also played, composed, produced, and arranged on dozens of records including REM's Automatic For The People, Depeche Mode's Exciter, David Gahan's Paper Monsters, Paula Cole's Harbinger, and many more.

Special thanks to Howard Wuelfing from Howlin' Wuelf Media for the introduction and coordination.

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