At the end of September 2019, the Hurdy Gurdy player from Guelph, Canada, named Ben Grossman came to Marseille to play in the premier of Guillaume Orti’s “… ence” at the Festival Les Emouvantes. He stayed the weekend and we organized a concert in a beautiful cave in the stunning Calanques National Park just […]

A little over a year ago I visited Justin Evans in Charlotte, North Carolina, for his residency showcase at Goodyear Arts. I originally got in touch with Justin after coming across his indescribable experimental podcast project Mystery Meat. We met at the Goodyear Arts building and recorded a little echo chamber. I’m overjoyed listening […]

A little over a year ago I visited Justin Evans in Charlotte, North Carolina, for his residency showcase at Goodyear Arts. I originally got in touch with Justin after coming across his indescribable experimental podcast project Mystery Meat, and was blown away by the group performance he gave of shouted texts he’d worked on […]

I had the honour to be invited to the home of Canadian composer John Beckwith in autumn last year. He came to see Tandem in concert at Toronto and I took the opportunity to sit down with him later on and have his thoughts on the art of musical composition. Topics varied from writing […]

I spent several days last summer with composer, improviser and spinet-player Christoph Schiller at his somewhat legendary studio in Basel. Given the concentrated subject matter, and the sheer length, of the discussions, I decided to make a three-part Echo Chamber special that deals overall with the question of freedom in musical composition:- composition as […]

I spent several days last summer with composer, improviser and spinet-player Christoph Schiller at his somewhat legendary studio in Basel. Given the concentrated subject matter, and the sheer length, of the discussions, I decided to make a three-part Echo Chamber special that deals overall with the question of freedom in musical composition:- composition as […]

I spent several days last summer with composer, improviser and spinet-player Christoph Schiller at his somewhat legendary studio in Basel. Given the concentrated subject matter, and the sheer length, of the discussions, I’ve decided to make a three-part Echo Chamber special that deals overall with the question of freedom in musical composition:- composition as […]

Mon invité pour le dix-septième épisode fut le saxophoniste improvisateur Sébastien Branche. On s’est retrouvé chez lui à Leipzig en printemps pour prendre le thé et discuter les origines et la continuité de sa pratique de musicien expérimental, ainsi que celle de masseur shiatsu et professeur de mathématiques. Je m’intéresse beaucoup à son approche […]

Yves Arques m’a rejoint l’été dernier pour une balade dans la forêt noire, à côté de la ville de Freibourg-im-Breisgau, où il habite depuis quelque temps. Nous avons profité de l’occasion pour discuter de mes sujets favoris – la vie de musicien, le pourquoi d’une pratique expérimentale dans l’art, l’inévitabilité d’une intellectualisation dans l’emploi […]

Mon invité pour la quatorzième édition de Echo Chamber est violoniste, improvisateur et compositeur Paul Ramage. En se demandant où se mettre pour faire notre discussion sur la nature de la composition électroacoustique, l’influence des sons sur le corps, et l’envie de défaire en quelque sorte nos formations classiques, nous avons trouvé les couloirs ouverts […]