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A career professional at Levi Strauss & Company, Eileen Lee learned about dyeing, weaving, and sewing on an international scale: giant factories full of loud looms weaving 2/2 twill, pattern pieces cut out of four-foot-high stacks of cloth, and no possibility of adding a tuck here or a dart there without retooling. During her years in the industry, Eileen saw major shifts in the market for the company's signature product, as their target customer began to look elsewhere and their manufacturing shifted overseas.
A century ago, Eileen's grandmother saw a tradition on the cusp of changing, even disappearing. Hawaiian quilting grew from the basic stitches taught by Christian missionaries into a distinct cultural tradition, with large appliqué motifs and echo quilting lines. But the quilters who made these quilts didn't share them outside their families; some quilts were burned to keep their designs a secret. Hannah Ku´umililani Cummings Baker threw open her cache of quilt designs and taught the skill to anyone who cared to learn, creating both a wider market and a fresh generation of quilters. One of her students was her granddaughter Eileen, who wrote about her grandmother in PieceWork Summer 2021.
From her grandmother's tutelage to a career in mass-market textiles to her current studio and teaching practice, Eileen Lee's story is woven and stitched together.
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198198 ratings
A career professional at Levi Strauss & Company, Eileen Lee learned about dyeing, weaving, and sewing on an international scale: giant factories full of loud looms weaving 2/2 twill, pattern pieces cut out of four-foot-high stacks of cloth, and no possibility of adding a tuck here or a dart there without retooling. During her years in the industry, Eileen saw major shifts in the market for the company's signature product, as their target customer began to look elsewhere and their manufacturing shifted overseas.
A century ago, Eileen's grandmother saw a tradition on the cusp of changing, even disappearing. Hawaiian quilting grew from the basic stitches taught by Christian missionaries into a distinct cultural tradition, with large appliqué motifs and echo quilting lines. But the quilters who made these quilts didn't share them outside their families; some quilts were burned to keep their designs a secret. Hannah Ku´umililani Cummings Baker threw open her cache of quilt designs and taught the skill to anyone who cared to learn, creating both a wider market and a fresh generation of quilters. One of her students was her granddaughter Eileen, who wrote about her grandmother in PieceWork Summer 2021.
From her grandmother's tutelage to a career in mass-market textiles to her current studio and teaching practice, Eileen Lee's story is woven and stitched together.
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