By Sound On Sound
4.5
1515 ratings
The podcast currently has 54 episodes available.
In this first part of an occasional series exploring modular synthesis and live performance. William Stokes talks to experimental electronic musician Scanner about his career, the choice of his favourite modules he'll showcase in his closing performance and the friendliness of the modular community.
Chapters
00:00 - Introduction
01:13 - The Tate Modern Installation
02:52 - Working With Laurie Anderson
06:40 - The Origin Of The Name Scanner
10:47 - Module 1: Morphagene
14:30 - Module 2: Mimeophon
18:52 - Module 3: Equation Composer
24:08 - Module 4: QU-Bit Prism
26:51 - Finding Your Sound With Modular
29:22 - Module 5: QU-Bit Nano Rand
31:16 - Module 6: Instruō øchd DivKid
33:12 - Modular Social Community
35:31 - Modular Aesthetics
38:38 - Module 7: Bela Gliss
42:37 - The Performance
Morphagene - https://www.makenoisemusic.com/modules/morphagene/
Mimeophon - https://www.makenoisemusic.com/modules/mimeophon/
Equation Composer (discontinued)
QU-Bit Prism - https://www.qubitelectronix.com/shop/p/prism
QU-Bit Nano Rand - https://www.qubitelectronix.com/shop/p/nano-rand
Instruō øchd - https://www.instruomodular.com/product/ochd/
Bela Gliss - https://uk.shop.bela.io/products/gliss
Robin Rimbaud Biog
Scanner (British artist Robin Rimbaud) traverses the experimental terrain between sound and space connecting a bewilderingly diverse array of genres. Since 1991 he has been intensely active in sonic art, producing concerts, installations and recordings, the albums Mass Observation (1994), Delivery (1997), and The Garden is Full of Metal (1998) hailed by critics as innovative and inspirational works of contemporary electronic music.
To date he has scored 65 dance productions, including the hit musical comedy Kirikou & Karaba Narnia, Qualia for the London Royal Ballet, and the world’s first Virtual Reality ballet, Nightfall, for Dutch National Ballet.
More unusual projects have included designing sound for the Philips Wake-Up Light (2009), the re-opening of the Stedelijk Museum, Amsterdam in 2012 and the new Cisco telephone system used in many offices around the world. His work Salles des Departs is permanently installed in a working morgue in Paris whilst Vex, the residential house by Chance de Silva architects, featuring his permanent soundtrack, won the RIBA London Award 2018.
Committed to working with cutting edge practitioners he collaborated with Bryan Ferry, Wayne MacGregor, Mike Kelley, Torres, Michael Nyman, Steve McQueen, Laurie Anderson and Hussein Chalayan, amongst many others.
http://www.scannerdot.com
William Stokes Biog
William Stokes is a producer, writer and artist in three-piece avant-psych band Voka Gentle. As well as being a critic and columnist for Sound On Sound, conceiving the popular Talkback column and heading up the Modular column, he has also written on music and music technology for The Guardian, MOJO, The Financial Times, Electronic Sound and more.
As an artist in Voka Gentle he has made records with producers from Gareth Jones (Depeche Mode, Grizzly Bear, Nick Cave) to Sam Petts-Davies (Radiohead, The Smile, Roger Waters), has had songs featured on franchises from FIFA Football to The Sims and has toured across the UK, Europe and the USA, playing festivals from Pitchfork Avant-Garde in Paris to SXSW in Austin, Texas. He has collaborated with artists including the Flaming Lips’ Wayne Coyne, Morcheeba, Panda Bear and Sonic Boom.
Alongside being a guitarist and pianist, he is a synthesis enthusiast with a particular interest in sampling and explorative sound manipulation. As a producer and engineer, he has made albums with acclaimed avant-garde musicians from composer Tullis Rennie to Mute Records artist Louis Carnell. “I’m always seeking out the most ‘out-there’, experimental, risk-taking musicians I can find to work with,” he says, “to capture vibrant, detailed recordings and create three-dimensional mixes of music that might otherwise struggle to know where to begin in the studio environment.”
Stokes currently lectures in Music Production at City, University of London.
https://www.vokagentle.com/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Jason Singh is a sound artist, producer and performer. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works include live performance, immersive installations, studio recordings, broadcasts and sound walks.
In this show he talks about how he makes music using the MIDI Sprout interface, a device that senses the electrical voltage of plants and converts it into MIDI information. He then uses the notes to control Ableton to produce the sounds he used in his recordings and immersive installations.
Chapters
00:00 - Introduction
01:48 - Getting Started in Audio
06:17 - Collaborating With Other Creatives
09:46 - Studio Toys
12:48 - Custom Built Instruments And Interfaces
14:08 - Live Performances
19:41 - Collaborating With Nature Using Biofeedback
25:07 - Using The MIDI Sprout and PlantWave
29:47 - Experiencing Nature Sounds In Real-Time
31:44 - Creating An Immersive Installation For Womad
40:54 - Opening Your Ears To Everyday Sounds
Audio Credits:
Afternoon - a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire.
Passing Light - an Ambient Jazz piece featuring trumpet player Yazz Ahmed.
Rhubarb - is a biosonfication track from the latest release "The Hidden Music of Plants and Trees", created in collaboration with a Rhubarb plant.
MIDI Sprout - https://www.midisprout.com/
PlantWave - https://plantwave.com/en-gb
Jason Singh Biog
Jason Singh is sound artist, nature beatboxer, producer, dj, curator, facilitator and performer. Jason’s life and work is rooted in listening - he follows a multi-sensory and cross-species approach to sound and music. His creative output is an exploration of the natural world, voice and a wide range of music technologies. Works includes live performance, immersive installations, studio recordings, music for film and theatre, deep listening and well being experiences, sound walks, broadcasts, music workshops, podcasts, soundtapes and immersive DJ sets.
Collaborations and commissions include a diverse range of organisations and artists including BBC, Yorkshire Sculpture Park, V&A Museum, Earthshot Prize, WOMAD, Kew Gardens, Chester Zoo, SONOS, Luke Jerram, BFI, Celtic Connections, RNLI, National Trust, Tate Britain, Nitin Sawhney, George Ezra, Big Narstie, Yazz Ahmed, Shabaka Hutchings, Sebastian Rochford, Leafcutter John, Graham Massey (808 State), Natacha Atlas, Sarathy Korwar, Talvin Singh and Rokia Traore to name just a few. Jason is an associate Soundscape artist with D&B audiotechnik.
https://jasonsinghthing.com/
Credits:
Afternoon - was a commission by National Trust to create an entirely vocal piece which mimics the sounds of a woodland area in Tatton Park in Cheshire, England.
Passing Light - Ambient Jazz piece featuring trumpet player Yazz Ahmed
Rhubarb - is a biosonfication track from the release "The Hidden Music of Plants and Trees" created in collaboration with a Rhubarb plant.
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
In an impromptu chat, Tom Oberheim tells Sam Inglis about his early years as an engineer and his accidental route into creating electronic musical instruments. As he celebrates his 50th year since the launch of the SEM, Tom talks about the rise of digital, the resurgence of analogue and the launch of the new TEO-5.
Chapters
00:00 - Introduction
00:26 - An Accidental Engineer
02:46 - Building For Musicians
06:34 - Becoming a Distributor For The ARP 2600
11:05 - Designing The SEM
12:43 - The Filter Design
15:03 - The OB-1 And Patch Memories
16:36 - OB-X - Polyphony And Programmable Presets
19:35 - The Oberheim Sound
22:37 - The Digital Takeover
24:40 - The Resurgence Of Analogue
28:01 - Launching The OB-X8 With Focusrite
29:23 - The Oberheim TEO-5
30:37 - Utilising New Technology
Oberheim Biog
Oberheim is the 21st century return of the legendary company that helped fuel the original electronic music revolution in the 1970s. Now, just as then, Oberheim is guided by the vision of engineer and inventor, Tom Oberheim. Tom’s genius for innovation introduced the world to the first commercially available poly synth and other groundbreaking electronic instruments that literally changed the sound of music.
Today, Oberheim reawakens this extraordinary legacy by bringing the famed Oberheim sound to a new generation of instruments and artists. The company’s passion remains unchanged by time or technology — to once again provide the world with the finest-sounding analog synthesizers ever made.
https://oberheim.com/
Sam Inglis Biog
Editor In Chief Sam Inglis has been with Sound On Sound for more than 20 years. He is a recording engineer, producer, songwriter and folk musician who studies the traditional songs of England and Scotland, and the author of Neil Young's Harvest (Bloomsbury, 2003) and Teach Yourself Songwriting (Hodder, 2006).
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Electronic Music artist Jlin talks about her processes for creating a new work, being ready to tour straight from the studio and staying grounded and focused when your work starts to gain recognition.
Chapters
00:00 - Introduction
01:27 - The Journey So Far
03:09 - Using FL Studio
03:50 - Live Performance With Ableton
09:23 - Developing A Sound World
10:51 - Focusing On The Detail
12:12 - CPU: Clean, Precise And Unpredictable
14:55 - Favourite Plug-ins
16:02 - Preparing For A New Project
18:36 - Being Disciplined
21:33 - Staying Humble And Working Hard
23:55 - Preparing For A Tour
26:13 - Stereo Vs Immersive
29:14 - Going With The Flow
Jlin Biog
Jlin (Jerrilynn Patton) has quickly become one of the most distinctive composers in America and one of the most influential women in electronic music. Jlin’s thrilling, emotional and multidimensional compositions have earned her praise as “one of the most forward-thinking contemporary composers in any genre” (Pitchfork). She is a recipient of a 2023 US Artist award and a 2023 Pulitzer Prize nomination.
Her mini-album Perspective was released to critical acclaim on Planet Mu 2023. Her much-lauded albums Dark Energy (2015) and Black Origami (2017) have appeared on “Best of” lists in The NY Times, The Wire, LA Times, Rolling Stone, The Guardian and Vogue. Jlin has been commissioned by the Kronos Quartet, Third Coast Percussion, the Pathos Quartet, choreographers Wayne McGregor and Kyle Abraham, fashion designer Rick Owens and the visual artists Nick Cave and Kevin Beasley.
Her next release, Akoma (Planet Mu March 2024) features collaborations with Philip Glass, Bjork and Kronos Quartet.
https://www.jlintheinnovator.com/
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
The drum machine has progressed massively since the days of the home organ player. Here Oli Freke takes us through a brief history with lots of audio examples, highlighting the most iconic models to have been released during the last 40 years and the part that they have played in shaping musical trends.
Chapters
00:00 - Introduction
00:51 - Early Rhythm Machines
02:57 - The First Korg Rhythm Machine
04:03 - The Invention Of The Transistor
08:02 - Solid State Rhythm Machines
13:48 - Using Drum Machines In Mainstream Hits
17:05 - The First Programmable Drum Machines
21:59 - The Introduction Of Drum Pads And Brains
25:27 - The Arrival Of Digital Samples And The Linn Drum
30:59 - The Era Of Sampling Drum Machines
37:11 - The Impact Of The Roland TR-808 and TR-909
42:54 - Other Notable 80s Drum Machines
44:41 - The Introduction of MIDI
46:51 - Standardised Layouts And Spec
50:12 - Analogue Circuit Modelling And Software
53:45 - Back To Hardware With Eurorack Modular
54:52 - Drum Pattern Generation With AI
Oli Freke Biog
Oli Freke is a London based musician, artist and author who has had a life-long passion for electronic instruments, synthesizers and electronic music. Currently working for the BBC, he has previously enjoyed success with electro band Cassette Electrik supporting the Human League on tour, written music for television and produced dance music since the 1990s.
His Synth Evolution range of posters, celebrating the synthesizer and electronic music culture, launched in 2017 and led to the definitive, hand-illustrated book, ‘Synth Evolution: From Analogue to Digital (and Back)’, featuring every commercial synth of the 20th century.
www.synthevolution.net
www.linktr.ee/olifreke
CREDITS
1. Chamberlin Rhythmate - audio.com (@Drum Machine)
2. Wurlitzer Sideman - Internet Archive (archive.com)
3. Korg Doncamatic - Korg (Germany)
4. Korg Minipops 3 - Corsynth Modular (Corsynth.com)
5. Ace Tone F-1 - @YouAreTheRobots
6. Roland TR-77 - @vintageaudioinstitute
7. Mattel Bee Gees Rhythm Machine - Thomas P. Heckmann (https://www.youtube.com/watch?v=Jn8mxHfY4vM&t=4s)
8. Maestro MRK-2 - @organ61
9. Korg KR-55 - Steve Porter (synthmagic.co.uk)
10. Roland CR-78 - AnalogAudio (https://www.youtube.com/watch?v=r0CHoU24Dis&t=129s)
11. Eko CompuRhythm - Hainbach (https://www.youtube.com/@Hainbach)
12. Paia Programmable Drumset - Thomas P. Heckmann (https://www.youtube.com/watch?v=T2afPnOpv4U)
13. Boss DR-55 - Leonard de Leonard (https://www.sound-provider.eu/)
14. Movement Computer System - @Theccrstudio
15. Pollard Syndrum - recording: Joe Bataan, ‘Rap-O, Clap-O’
16. Simmons SDS-V - Alain Levesque
17. Linn LM-1 - John Diligio (@javd007)
18. LinnDrum - @zibbybone
19. Sequential Circuits DrumTraks - AnalogAudio (https://www.youtube.com/watch?v=OxhRyEEZCYA)
20. E-Mu Drumulator - @synthmania
21. E-MU SP-12 - AnalogAudio (https://www.youtube.com/watch?v=rDpvKBoJjug&t=287s)
22. Oberheim DMX - @synthmania
23. Roland TR-909 - @DoctorMix
24. Roland 707 - AnalogAudio (https://www.youtube.com/watch?v=0eRhSRHFkMA)
25. Yamaha RX-11, Casio RZ-1 - @synthmania
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
As a tribute to Ryuichi Sakamoto on the first anniversary of his passing, Caro C talks to Richard Barbieri, Natalie Beridze and Carsten Nicolai, aka Alva Noto, three musicians who were fortunate enough to collaborate with him. Here, they share some insights into his mindset and methodologies.
Chapters
00:00 - Introduction
01:44 - Richard Barbieri
09:04 - Natalie Beridze
19:45 - Carsten Nicolai / Alva Noto
Ryuichi Sakamoto Biog
Ryuichi Sakamoto was a multi award-winning keyboardist, songwriter, composer and producer who along with Haruomi Hosono and Yukihiro Takahashi, became pioneers of the electronic music genre in Honsono's band Yellow Magic Orchestra.
Prior to his success with the band, Sakamoto earned a B.A. in music composition and worked as a session musician and producer. Alongside his success with the band, he continued his solo work, releasing solo albums and collaborations, experimenting with various genres and fusing traditional with electronic. This work led to him scoring more than 30 films throughout his career, his most famous being Merry Christmas, Mr Lawrence and The Last Emperor. In his later career he composed a multimedia opera, sampled a glass building for use in one of his works and traveled to the Arctic to record the sound of melting snow.
Richard Barbieri Biog
Hailing from London, Richard joined the British band Japan in 1975 and saw huge success around the world until they split in 1982. He continued to work with David Sylvian, as well as Sylvian’s brother, Steve Jansen on separate projects. He reunited with Sylvian, Jansen and bass player Mick Karn for the Rain Tree Crow project and continued to play with Steve & Mick as part of ‘JBK’. In the early 1990s, the three of them teamed up with Tim Bowness and Steven Wilson as part of No-Man and it was here that Barbieri and Wilson would begin their long musical association. Porcupine Tree had initially been a Wilson solo project but he recruited Richard in 1993 and over the next 17 years, became one of the shining lights of the neo-prog / pop scene, embracing a more heavy style as the years went on. Reuniting in 2021, they released the first Porcupine Tree album in 12 years with 2022’s ‘Closure/ Continuation’, a critically acclaimed return to form. Richard has a large body of solo work which he started to release in 2005 and still does to this day.
http://www.richardbarbieri.co.uk/
Natalie Beridze Biog
Natalie Beridze is a Georgian music composer and songwriter. Since 2003 Natalie has been performing live concerts worldwide, and has been known as the first female electronic music artist from Georgia. From 2002-2008 she lived in Cologne and produced music under the artist name TBA. She’s released music in Europe on Max.E, Monika Enterprise, CMYK, Laboratory Instinct, CES Records DADO records, Apollo Records Chainmusic, CES Records and ROOM40.
In addition to her solo projects, Beridze has collaborated with artists such as Thomas Brinkmann, AGF (Antye Greie), Gudrun Gut, Joerg Follert, Marcus Schmickler, Nika Machaidze aka Nikakoi, Ryuichi Sakamoto, Gacha Bakradze, Alex Kordzaia, Annika Henderson, Antye Greie-Fuchs, Barbara Morgenstern, Beate Bartel, Danielle De Picciotto, Gudrun Bredemann, Lucrecia Dalt, Merja Kokkonen, Mommo G, Natalie Beridze, Pilocka Krach, Sonae. Beridze’s music is part of Adam Curtis’s recent BBC Documentary series “Can’t get you out of my head”. She also creates works for piano, orchestra and choir, which have been performed by a number of artists and the Tbilisi state opera orchestra. Her recent compositions for piano, keyboard, soprano and tape are part of the ongoing program of Zurich based Kiosk
Ensemble.
Beridze, alongside Nika Machaidze teaches songwriting and music production at CES (creative education studio).
https://natalieberidzetba.bandcamp.com/
Carsten Nicolai / Alva Noto Biog
Under the pseudonym Alva Noto, Carsten Nicolai is one of the best-known representatives of contemporary electronic music. Concerts have taken him to the Solomon R. Guggenheim Museum in New York, the San Francisco Museum of Modern Art, the Centre Pompidou in Paris, and the Tate Modern in London. His various musical projects include collaborations with Ryōji Ikeda, Mika Vainio, Iggy Pop, Blixa Bargeld and Ryūichi Sakamoto. With the latter, Nicolai composed the score for Alejandro González Iñárritu's Oscar-winning film The Revenant, which was nominated for a Golden Globe, a BAFTA, a Critics Choice Award and a Grammy.
https://alvanoto.com/
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Henrietta Smith-Rolla, known professionally as Afrodeutsche, gives Caro C insights into her musical journey, from her introduction to the music industry in Manchester, finding her sound, getting signed to Skam Records and becoming a BBC 6 Music DJ with a prime-time Friday evening slot.
Chapters
00:00 - Introduction
01:22 - BBC 6 Music
04:05 - Becoming A Musician
06:40 - Getting Signed To Skam
10:11 - Equipment Used On Debut Album
13:59 - Using Synth Pads
16:19 - More Recent Projects
18:19 - Creating Sample Packs For Spitfire
20:11 - Working With The Kyma
27:09 - Being Productive
32:30 - Balancing Different Projects
Afrodeutsche Biog
AFRODEUTSCHE (Henrietta Smith-Rolla), is a British born Ghanaian/Russian/German artist, composer, producer, and DJ based in Manchester, UK. Her polyrhythmic compositions integrate a wide array of musical genres, including Afrofuturistic electro and techno, classical solo piano and Detroit legacy house; all memorable journeys into deep, abstracted sound.
Praised by the Guardian for enacting a new wave of club music, named by Dummy Mag as one of 2019’s most exciting artists, Afrodeutsche’s spectacular debut album ‘Break Before Make’ was released on the legendary Skam label in 2018, followed in 2019 with the debut release on Eclair Fifi’s label River Rapid and a much praised remixes for artists as diverse as Marie Davidson (Ninja Tune), Joep Beving (Deutsche Grammophon) and Nathan Fake (Cambria Instruments).
AFRODEUTSCHE has written and performed scores for films and documentaries including the BAFTA nominated ‘Kamali’ about a young girl skateboarder in India, and a live re-score of renowned Earth documentary ‘Baraka’ at The Royal Northern College of Music.
The soundtrack for ‘Kamali’ was released by SA Recordings in September 2020, alongside a sample library for Spitfire. The audio library illuminates much of Henrietta’s writing process as a self-taught musician and composer. Inspired by her work with the Kyma sound design environment, it’s a set of tools for composition based around colour. Her aim is to offer a new perspective and a sense of freedom for those delving into the library, no matter their level of experience.
In the summer of 2022 she scored Bottega Veneta’s SS2023 collection runway show, during Milan Fashion Week working, closely with head designer Matthieu Blazy throughout the process.
In 2023 she premiered a new string ensemble commission for MIF at the prestigious new Factory International venue. Henrietta lent her own vocals and piano playing alongside a sting ensemble from the Manchester Camerata, arranged and conducted by Robert Ames.
After years hosting a regular radio show ‘Black Forest’ on the renowned NTS, AFRODEUTSCHE now leads BBC 6 Music’s Friday night schedule with the Peoples Party, a peak time show that entrances listeners with her idiosyncratic combinations of crate dug party tunes from any point in the last 50 years, acid, rave, electro, breaks, footwork, ghetto tech and jacking house. In 2022 she has regularly presented BBC 6 Music live coverage of festivals at Glastonbury and Cardiff. At the end of the summer she curated the 6 Music stage for London festival ‘All Points East’.
Her DJ style is a synthesis of Drexciyan and Underground Resistance-inspired selections, intercut with a variety of forward thinking UK techno such as Bola and Lego Feet. Forever evolving a fully live hardware show, AFRODEUTSCHE debuted it at the opening of CTM Festival at Berghain in February 2020, integrating classical piano and hardware along with visuals.
https://linktr.ee/afrodeutsche
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
Richard James Burgess is a man who wears many hats. In a career that spans over five decades, Richard was first and foremost a drummer. In the 1970s, he became a part of the London music scene as a session drummer, as well as with the ground- breaking band Landscape.
Richard combined his passion for music, drumming and electronics when he worked closely with Dave Simmons on the Simmons SDS-V drum kit. After Landscape dissolved, he began to work more behind the desk, being one of the first to own a Fairlight CMI in the U.K. He would go on to work with the likes of Kate Bush, Spandau Ballet, Visage and Colonel Abrams.
The 1990s saw Burgess re-enter the world of academia and he would go on to write some of the most comprehensive guides on music production. Recently, Landscape released ‘Landscape A Go-Go’, a comprehensive 5 CD anthology of their work covering their entire recorded output between 1977 and 1983.
Richard recently chatted to Rob from his New York apartment, where he talked about his journey with electronic music and his future plans as an author, musician and producer.
Chapters
00:00 - Introduction
01:49 - Looking Back On Working With Landscape
04:43 - Using New Technology Live On Stage
06:19 - Starting The Journey With Music Technology
08:00 - The Threat Of Electronic Drums And Drum Machines
10:37 - Working With JJ Jeczalik
12:25 - Involvement With The Simmons SDS V
16:47 - Modern Electronic Drums
18:03 - Using Drum Sample Libraries
22:19 - The Fairlight CMI
29:00 - The Introduction Of Page R
32:23 - The Move Into Production
37:51 - The New Romantics
39:43 - Working With A Variety Of Artists
42:07 - Richard Burgess The Author
46:39 - A.I. In Music
50:20 - Compensating Musicians For Their Work
53:51 - Current Projects
55:24 - A Landscape Reunion?
Richard James Burgess Biog
Born in London, Burgess’ family emigrated to New Zealand in 1958 when Richard was aged 10. He studied at both Berklee and London’s Guildhall before forming Landscape. His musical career included being a session drummer, producer engineer and inventor.
Burgess re-entered academia where he both lectured and advised on music production and the music business in both the U.K. and the United States. His books, ‘The Art of Music Production’ and ‘The History of Music Production’ are considered essential reading for anyone in the industry.
Richard remains entrenched in the music business to this day, chairing the American Association of Independent Music, having also served on the boards of the National Academy of Recording Arts & Sciences and the Smithsonian Music Committee.
https://landscape.band/
Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.
www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: https://www.facebook.com/failedmuso/
Catch more shows on our other podcast channels: https://www.soundonsound.com/sos-podcasts
In May of 1983, the world of synthesizers and electronic music as we knew it would change forever with the launch of the Yamaha DX7. To celebrate 40 years since its launch, Rob Puricelli spoke to Dr John Chowning, the developer of FM synthesis, Dave Bristow and Gary Leuenberger, sound designers for the original DX7 and Manny Fernandez, who has worked on all Yamaha’s FM projects from the Mk.II DX7 through to today’s Montage M series.
See the Show Notes for further details.
Chapters
00:00 - Introduction
01:55 - First Experiences Of The DX7
12:49 - Did The DX7 Meet Expectations?
16:57 - The Feedback Loop
17:51 - Creating And Sharing Sounds
22:47 - A Career From Creating Patches
27:55 - Sound Design Using FM
31:36 - Hearing Your Own Sounds
34:26 - Working With Don Lewis
44:26 - Demonstrating The DX7
57:00 - FM Synthesis 40 Years On
01:07:12 - Formant Shaping And The Future Of FM
Dr John Chowning Biog
Born in Salem, New Jersey in 1934, John Chowning spent his school years in Wilmington, Delaware. Following military service and four years at Wittenberg University in Ohio, he studied composition in Paris with Nadia Boulanger. He received a doctorate in composition (DMA) from Stanford University in 1966, where he studied with Leland Smith.
Chowning discovered the frequency modulation synthesis (FM) algorithm in 1967. This breakthrough in the synthesis of timbres allowed a very simple yet elegant way of creating and controlling time-varying spectra. In 1973 Stanford University licensed the FM synthesis patent to Yamaha in Japan, leading to the most successful synthesis engine in the history of electronic musical instruments.
He taught computer sound synthesis and composition at Stanford University's Department of Music. In 1974, with John Grey, James (Andy) Moorer, Loren Rush and Leland Smith, he founded the Center for Computer Research in Music and Acoustics (CCRMA), which remains one of the leading centres for computer music and related research. Although he retired in 1996, he has remained in contact with CCRMA activities.
Chowning was elected to the American Academy of Arts and Sciences in 1988 and awarded the Honorary Doctor of Music by Wittenberg University in 1990. The French Ministre de la Culture awarded him the Diplôme d’Officier dans l’Ordre des Arts et Lettres in 1995. He was given the Doctorat Honoris Causa in 2002 by the Université de la Méditerranée, by Queen’s University in 2010, Hamburg University in 2016, and Laureate of the Giga-Hertz-Award in 2013.
Dave Bristow Biog
Dave was born in London and worked as a professional keyboard player recording and touring internationally with a variety of artists including Polyphony, Slender Loris, June Tabor, Tallis and 2nd Vision. Active in synthesizer development, he played a central role in voicing the Yamaha DX7 synthesizer and is internationally recognized as one of the important contributors to the development and voicing of FM synthesis, co-authoring a textbook on the subject with Dr John Chowning.
He spent three years at IRCAM in Paris, running a MIDI and synthesis studio working with contemporary music composers and artists, then moving to the United States in the 1990’s to work for Emu Systems, Inc. on sampling and filter-based synthesizers. In 2002, he began working again with Yamaha developing ringtones and system alert sounds for the SMAF audio chip series used in cell phones and mobile devices.
He has been an instructor at Shoreline Community College teaching electronic music production and synthesis for ten years, but still finds plenty of time for composing and playing piano with RedShift jazz quartet and developing his interest in computer arts.
Gary Leuenberger Biog
Gary started in music at a young age and, in 1975, founded G. Leuenberger & Co. in San Francisco. It soon became one of the world’s largest retailers of pianos, synthesizers and electronic keyboards. In 1980 he started working with Yamaha as part of their product development team. It was through this that he was recruited, along with the likes of Dave Bristow and Don Lewis, to create the factory presets for the DX7.
Gary’s most famous, or infamous, patch was the legendary E.Piano 1 which became equally one of the most popular and despised sounds ever! Nevertheless, his association with Yamaha continued until 2000, at which point Gary went back into education, gaining his Bachelors of Music and Masters in Classical Piano Performance from San Francisco State University in 2007.
Since then, he has taught electronic music at SFSU and gives private tutoring to budding musicians of all ages.
Manny Fernandez Biog
Dr. Manny Fernandez has been involved in synthesizer programming and development with many manufacturers for over 35 years. Initially self-taught prior to traditional university study of analogue synthesis, in the late 1970’s - early 1980’s the emerging digital synthesis techniques caught his attention with their expanded timbral possibilities.
He acquired a DX7 in the fall of 1983 and using Dr. Chowning’s original academic articles as a guide began exploring FM synthesis in depth. In 1987 he began his relationship with Yamaha, programming for a wide range of their synthesizers through the years to the current Montage M. Acknowledged as one of the world’s foremost FM synthesists and having extensive experience with physical modelling synthesis as well, his programming approach is to create unique and dynamic timbres with interesting yet useful real-time controller implementations.
Rob Puricelli Biog
Rob Puricelli is a Music Technologist and Instructional Designer who has a healthy obsession with classic synthesizers and their history. In conjunction with former Fairlight Studio Manager, Peter Wielk, he fixes and restores Fairlight CMI’s so that they can enjoy prolonged and productive lives with new owners. He also writes reviews and articles for Sound On Sound, his website Failed Muso, and other music-related publications, as well as hosting a weekly livestream on YouTube for the Pro Synth Network and guesting on numerous music technology podcasts and shows. He also works alongside a number of manufacturers, demonstrating their products and lecturing at various educational and vocational establishments about music technology.
www.failedmuso.com
Twitter: @failedmuso
Instagram: @failedmuso
Facebook: https://www.facebook.com/failedmuso/
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In celebration of Delia Derbyshire Day 2023 and the 60th Anniversary of the Doctor Who theme, Caro C is joined by fellow devotees Mark Ayres, David Butler and Cosey Fanni Tutti to discuss the Delia Derbyshire Day archives and the importance of her contributions to the development of electronic music.
Chapters
00:00 - Introduction
01:26 - Delia Derbyshire Archive
Mark Ayres
03:15 - Mark Ayres Introduction
07:44 - The Beginnings Of Electronic Music
10:12 - Electronic Sound Sources
13:10 - The Delia Derbyshire Archives
18:40 - Favourite Piece - The Makeup Tape Of Blue Veils
22:21 - The Future Of The Archives
David Butler
24:38 - David Butler Introduction
28:59 - The Contents Of The Archives
33:17 - Building A Network Of Collaborators
35:03 - Methods And Techniques Revealed
36:59 - Manipulating The Voice
39:05 - Favourite Piece - Two Houses And Demo Cue
Cosey Fanni Tutti
41:42 - Cosey Fanni Tutti Introduction
43:42 - Delia Derbyshire Musical Influences
45:24 - A Background In Physics
48:50 - Favourite Piece - Amor Dei
53:34 - The Importance Of The Archives
https://deliaderbyshireday.com/dd-archive/
Delia Derbyshire Biog
Delia Derbyshire (1937-2001) was a key figure in the development of electronic music in the UK. Born in Coventry but evacuated to Preston during the Blitz, Delia cites the sound of air raid sirens as inspiring her interest in electronic sound. She went on to study Maths and Music at Cambridge University and launched her career at the BBC in 1960 as a trainee Studio Manager. She moved to the Radiophonic Workshop in 1962, where she spent the next 11 years developing experimental sounds and music for their TV and radio shows, in addition to working as a freelancer on film, theatre and other live projects. Her most famous work is her electronic arrangement of Ron Grainer’s Doctor Who theme, created in 1963.
Delia composed and produced electronic music using tape, plus early synthesis and sampling methods before specific instruments were created for these purposes. Her work has influenced and inspired many modern artists including The Chemical Brothers, Aphex Twin, Portishead, Nainita Desai, Amon Tobin and Cosey Fanni Tutti, while Pink Floyd, Orbital and Hannah Peel have reinterpreted her work.
Mark Ayres Biog
Mark Ayres is a composer, arranger, sound designer, mixer and mastering engineer. Mark wrote incidental music for Doctor Who in the 1980s. More recently he wrote the music for, sound-designed and mixed the reconstructed 'lost' Tom Baker adventure, “Shada”, and a celebratory feature length version of the original 1963 “Daleks” serial transmitted on BBC4 on 23rd November 2023, Doctor Who’s 60th birthday. He has also composed for television and film including scores for 1996 feature "The Innocent Sleep" and the more recent "Scar Tissue".
Mark was involved in the BBC Radiophonic Workshop’s final days and went on to become their archivist. A personal friend of Delia Derbyshire, he was entrusted with her personal archive after her death in 2001, which is now on permanent loan to the University of Manchester John Rylands Library and accessible for study. He is a Trustee of the Delia Derbyshire Day Charity.
His devotion to the Workshop after Doctor Who ceased broadcasting in 1989 proved vital in regenerating interest in their work, and he is now the driving force behind their live revival on the festival circuit and in the creation of new works including the score for Matthew Holness' disturbing psychological horror film, "Possum". He has produced and mastered many recordings for Silva Screen Records and others, and his work remastering classic television programmes including Doctor Who, Quatermass, and the films of Ken Russell and Alan Clarke for broadcast, DVD and Blu-ray, including 5.1 remixes of many titles, has been highly acclaimed.
David Butler Biog
David Butler is a Senior Lecturer in Drama and Film Studies at the University of Manchester. He helped to bring the Delia Derbyshire Archive to the John Rylands Library, Manchester in 2007 and is one of the archive's lead researchers and curators. David is the chair of trustees for Delia Derbyshire Day and helped set up the charity in 2016.
Cosey Fanni Tutti Biog
Cosey Fanni Tutti is a musician and writer, best known for her part in experimental electronic bands Throbbing Gristle and Chris & Cosey. Cosey interacted with the Delia Derbyshire Archive when she composed the soundtrack for Caroline Catz's film ’Delia Derbyshire: The Myths And The Legendary Tapes’ and in the writing of her book Re-Sisters: The Lives and Recordings of Delia Derbyshire, Margery Kempe and Cosey Fanni Tutti published by Faber in 2022.
https://www.coseyfannitutti.com/
Caro C Biog
Caro C is an artist, engineer and teacher specialising in electronic music. Her self-produced fourth album 'Electric Mountain' is out now. Described as a "one-woman electronic avalanche" (BBC), Caro started making music thanks to being laid up whilst living in a double decker bus and listening to the likes of Warp Records in the late 1990's. This 'sonic enchantress' (BBC Radio 3) has now played in most of the cultural hotspots of her current hometown of Manchester, UK. Caro is also the instigator and project manager of electronic music charity Delia Derbyshire Day.
URL: http://carocsound.com/
Twitter: @carocsound
Inst: @carocsound
FB: https://www.facebook.com/carocsound/
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The podcast currently has 54 episodes available.