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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
That girl from the Uber teen commercial is so remarkably beautiful.
I hope she has a long and successful career.
Black beyond measure-/
Wat.
I'm so black, you can't measure my blackness.
What in the fuck
BLACK BEYOND MEASURE. BITCH.
Nooo. What. What is that.
I can measure my blackness.
To a t.
But yours!?
Oh no!
You're black beyond measure.
What does that entail?
Obviously it's a positive thing—
So black you are black beyond measure.
Woah, Nelly!
woah now!
Okay!
“Oh, how black are you?”
I'm like
“One half, exactly”
She's like
“¼— a quarter black, a quarter Cherokee”
How black are you?!
I AM BLCK BEYOND MEASURE, BITCH.
DAYUM.
That's a lot of black.
Oh, so I guess the door slammers are back cause I emptied my bank account on housing goods?
I guess.
Maybe it's triggered by some sort of poverty alert system
Sure.
That's hilarious.
I keep way more cash on hand than I do in the bank,
And my internet bill is due and everything, but after that—
I'mma still be okay.
Fucking pansy drones.
What do you think they are?
Underpaid.
Download this app now for
TRACKERS.
Huh.
And $10
Really?
Yeah.
Complete this mission:
What mission.
Go— over here.
Ok.
Now do this.
Huh.
Don't forget to wear red today.
Why red.
Meanwhile
Hey.
What's up.
You should wear blue today.
Alright. Why.
Cause we hate the democrats and you're a fucking loser.
What.
It's brainwashing. Wear blue.
What.
Wear blue!
Ok.
Wear these— super nice— like red sneakers.
Ok
Check it out. This red motorcycle is on sale.
What's up what's up. Get your red gear, highly affordable, street wear, outerwear—look just— nice looking stuff— wear red!
Why?!
Cause we hate the democrats and all the fucked up people are wearing blue today; you fit the look, okay, just wear red, and act conservative; don't question too much and stuff, be a robot.
Okay, what am I supposed to do.
Never ever wash your sneakers—
Okay.
Make sure they are white.
Alright.
Wear white.
Uh huh.
And be crusty.
Damn. The Dillon Francis decoys are back.
For what, I wonder.
I don't know, but that's impressive.
Would you say this is an act of magic, or manipulation.
Could just be some bizzare genetic anomaly.
Could be.
I don't know though, could just be I like lookin at him, and this is God's way of letting me without being a creep .
It's still kind of creepy.
Remember that this is happening to me and around me with no provocation whatsoever besides this series.
He hasn't even been written into the series lately. That much,
Dammit.
That's because I stopped listening to his music .
Why.
It was giving me heartburn.
Valid,
And I realized:
Goddamn. His eyes are devastating.
What in the total fuck, God.
WHY.
WHY.
(Almost cries)
Alright, don't do that— don't— just —
Here.
Okay.
Okay?
Yeah. Damn.
*sniffles*
You remember that kid with the awful eyes —
Which one?
The—
Oh, the Adonis!?
Yeah.
That's my son.
You son of a bitch.
Stay dead, bro.
That's not fair!
Okay, now—
Play dead
Play dead.
Roll over.
Shut up.
You shut up. Shit for brains.
Come here.
WHERE ARE YOU?
I'm— like out here, my nigga.
Once again, I am not your “that thing”
You mean that word?
No, I mean that thing—
Cause if you're gonna make it a thing,
It's a thing.
It becomes a thing.
A thing is a thing!
Agreed.
WHERE ARE YOU?
I'm out here, Tina Fey. I'm still out here. Where are you at?
I'm at THE ROCK, like you said to be—
At the time you said to be—
With the things you said to be—
waiting for you to show up here
LIKE YOU SAID YOU WOULD BE.
then that's where I am.
WHAT.
See ya soon.
*hangs up cosmic space intergalactic space phone*
Does that thing not have a name?
Almost nothing has a name at this point it would be redundant.
Heeeeere kitty kitty.
Let me just jump in to remind you real quick how this season arc started with a kite
Apparently it's a three season arc
Apparently, it's a 10-season arc cause the whole rock-kite thing started when I was on set for The Bachelor and Kesha said that fucking thing about a rock and a kite and it blew my brains out of my head that day.
Also acid.
Also that, but also—
Skrillex.
Facts.
I got a fax.
Whats's it say.
“Go fuck yourself. “
Ah. Whose it from.
You're— not going to believe this…
Why?
Cause I don't.
What's it say?
It says it's from you.
Hm.
Does that not— suprise you— in any way?
Check the date.
It says
—wait for it—
Okay, now this is odd, because it's today's date,
But it says it's from the year 1996.
1998.
Yes.
Okay.
Is that— okay?
I'll see you later.
Where are you going?
I'm gonna go fuck myself.
— I—
[leaves]
—-????
[beat]
Is that a metaphore for something???
{Enter The Multiverse}
lol why is Jason Sudakis in this series?
Cause why not?
And I don't know, I think he's got an arc
It's a weird arc, man.
What.
CUT TO:
asia
“Ali's joints”
So you have to like, purposely slamnthisndoornfornitntonbe this loud then?
Tried and tested.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
Concourse 12. 8 PM. Sharp.
‘How am I still writing this story?'
What even is this story?
To be fair, I didn't know what I was writing but it sounded good—there was something powerful about the way the shadow figures danced in the confines of my mind—careful not to become attached to the love I had grown for them, the mysterious shadows, they appeared both as creatures of man, and as animals; this— The Prairie Dog— a fortified soldier but also a leader.
There's nothing you can do about this, you know.
Why exactly should I want to do anything at all?
It's a curse.
So it is.
—you'll be rid of it within the turn of seasons.
Worthwhile advice.
I envy you.
— as anyone should.
—you shouldn't.
The second, a voice unknown.
I didn't know these pussyfoot bastards worked on Sundays.
They work to the will of your beck and call.
Like all good slaves and servants should.
As to be expected under your remarkable guidance.
My remarkable guidance is yet to be a consideration as my unintentional inadequacies.
Verily, I'm sure.
Are you sure.
There was once a time I wasn't so sure or anything—
Now I'm more than sure of everything than I ever was.
Now I believe you.
—you shouldn't.
It was a raised scar, like the one on my elbow from when I was 9–one I was sure would never heal. It could easily be felt by running my tongue only the bottom of my lower lip— evidence that there has been a hole in my face that had gone straight through to the other side—just then I remembered that also my too teeth had left bloody, skinless indents on my upper lip, which eventually inspired me to re-pieirce my upper lip—the canine tooth had almost gone all the way through, anyway— I joked; but it wasn't funny.
Why in the fuck should I trust you?
That's a good question.
It's a question that deserves an answer.
Even if I gave you a good one, would you trust it?
What?
Do you trust me at all?
I'm trying to.
Trying is doing.
There are tougher things than swallowing your pride.
How about—swallowing a bullet.
That's some class-A on-screen banter.
Now I have an endless supply of coffee in my room. That's good—if only there were somehow also warm calorie-free pastries to add to the pleasure of luxury one would find such as waking up to one's own studio, fresh out of time and chock full of ideas, and a hearty list of things to do— with a whole world of…
Oh. The wi-FI is on.
Something about my creative intelligence had seem to spark a curious interest within the pre-concious life forms of the lower realms. Lucky, I was just visiting—sure to take my life at any given moment when just so I felt that I had been fed up to here with simply human senselessness; however, I was indeed tasked with enveloping humankind in my own ways—that is, the ways of higher thinking, as I had traveled far and long from an ascended realm, only of course to be welcomed by absolute l chaos—and some primitive, intrinsic fear. Humans happen to be almost immidiateky stifled by one's outer appearances—as to say the least— as when I first I arrived I was neither welcome, nor valued.
AHAT—WHATTHEFUCK.
Yes.
EEGH.
How do you do?
[The Festival Project.™]
{Enter The Multiverse}
There for I,
There for I,
There for I,
None! As truth did shatter mine ever being,
And also Ever person near
WHO VALIDATED THAT BITCH'S PARKING.
—you think she drove here?!
—if she did it would be on a broomstick.
Goddammit.
Get her out of here!
Out! I said!
You're…not a fan of Fallon's, are you.
No, I'm not.
(No—God, no.)
Well, why not?
First of all, he winks at people.
;)
*cringe*
Like, off camera.
And I want damages.
Damages?!
Damages.
He's seeking damages?! To what.
Like, my entire—everything.
Damages to everything.
My entire life!
Ah.
I've got to admit, being sued hy Jimmy Fallon is probably the most exciting thing that's ever happened in the entirety of this series!
What about that thing with Skrillex.
That was pretty exiting.
Which thing with Skrillex?
All the things with Skrillex were pretty exciting.
(Admittedly, yes.)
Then there was Dillon Francis.
I hate Dillon Francis.
Exactly.
Why!
Because he excited you.
Next question!
Ahead.
Yo. I finally get to link up with Supacree.
You're a mess.
Everything is a mess.
The world is a mess.
—your mom's a mess.
Amanda, please.
Have you been drinking?
How long has deadmau5 been a cat?
Forever, I think.
Exciting!
Enter through the exit! Enter through the exit!
Who the fuck let you in here.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED.
I hear no voices in my head
And from what I can tell
There are none,
Only frequencies,
And frequencies,
And frequencies
And recently I've been eating
Whatever it is that suits me,
Though not whenever
And everyday I wish I were
A little bit better off
A little less bitter
A little higher up
A little lighter skin
A little lighter,
Like a feather
Wish
Misinformed imperfection
Military introspection
Complexities and such
Division and acknowledgement
Of no higher power other than
One's own
Sacred stones;
Sorry stories,
Sinister canisters of
Abandonment
Unintentional neglect, depression
Non-representation
Don't participate in it,
If there's nothing there for you
Fair hero,
Your story was worn in
As your uniform,
Not new and polished at all
And in disposition, regulation,
But already threaded to have been
Camped in, and eventually—
Left to die, then
Recovered autonomously.
Riverbend, will you wither here
In less than a year, I beg for death
And still was pardoned,
Still I was sacrificed;
Still, I was pardoned
—still, I was sacrificed.
I had not expected to hang this low
Without having been picked
Or falling to seed anew.
I had not bittered, nor broken
Nor bittered, nor broken
And still I was pardoned,
Still I was sacrificed
Still I was pardoned, and still
I was sacrificed
Death comes in tolls
Knock the door once
Death comes in soft warnings
I didn't want to hurt her;
I didn't want to harm her
Suddenly my heart died,
Suddenly on front lines with no boots
And no armor,
No shield and no cannons,
No sword at all, and still
I was pardoned
I had not bittered, nor broken
Nor bittered, nor broken
And still I was pardoned,
Still I was sacrificed
Still I was pardoned, and still
I was sacrificed
Secrets of the Illuminati Elite.
Kamala.
Mm.
When was the last time you cried?
—.
…
—I— have never cried.
I believe you.
{Enter The Multiverse}
I hadn't been planning on writing at all, and leaving the house—the last time I had taken the risk of doing so on such a day, I was nearly trampled by beady eyed racists in MAGA hats and star spangled banner t-shirts— glared, shoved and patonized—and what's worse—
I had been 8 months pregnant. Maybe it was worse in that aspect, I was part of the problem. But—
What was the actual problem again?
Never ever pay you fares for ferry, fairy monster
Never prick for pixies, golden dust and megapixels,
Whimsical, into the ore and out of the forest,
Disassociate before it's too late!
The propaganda of the product.
The human American.
The human—
American.
dare I to wander?
Dare I to dream!
Then I was wicked;
I was wicked
I was wicked
I had grown so dark
And so tall the tree
Still untouched by any or all
Still untouched by mankind, it is
Still untouched by mankind, by many
By many
By many
By many
By many.
Bye Annie.
Buy again
Buy buy baby
Buy all you can while you still come
Christmas is coming
Out and unleashed is the dragon
How's that spiced cider
And a song,
For your coloring books and
Maps to scale
Your coloring books
And maps to scale
Wayfinder
Wayfinder
Bury you hither
Bury you hidden
Hypocrisy, hypocracy
Hydroponic cry for help
A wish to window seat
Then, and there
Then, and there
Northernbound,
Wayfinder
The end of us
The taking of tire marks.
Just a smidgen armegeddon of corn syrup
And tears on the brink of falling over the shores to the well
The velvet windows, winds on lips and colors red on purple
Color red on purple
Hypocrisy!
Wait for it,
Wait to call the number
Wait to up the bridge
To tie the noose
To hang from rope
Hypocrisy!
A far cry.
The way to the wind is the chalice.
There it was, the ocean,
And still sparked untruth from foraged windspoke
There were 5 of us there
And then four
And then 5 once more
And now 9 we have gathered.
More coffee.
I'm gonna fucking kill myself.
Finally.
More coffee?
Might as well be awake for this.
Another unremarkable opera
From the democrat
Waiting conversavive Republican
Oh, no Bananas are always in season
Oh, right;
There's always a time
Where
Mango fruit does indeed fall
In full bloom
In fall, doom and gloom
Assumingly
Tune in now,
It's on every TV
In the meridian
It's on every channel
In the Bermuda Triangle
It's on every Christmas tree
At the top each year—
So,
A star,
Or an angel!
A star,
Or an angel.
Preach Choir,
And let us all revel
In the absolute sweetness
Of Drew Barrymore.
Aw-men.
Awwww man.
Awwwwwwwwwwwewee
And I'm in awe of it all
Isn't it awful, how
I could have bought a CBS sponsored waffle iron
From Walmart
But instead invested in ending this depression
Single-handedly with home remedies
Of medication
And botanicals
From the garden of Eden forgotten,
Perhaps only as steady inward, or in reverse
As I had thought to run or shuffle
A Madonna
(That's roughly 7 miles)
There were ten of us there,
Then nine,
Then none at all,
Now ten again,
Before only 5 and then 4
And then 3,
Two of them none, and nine become one
Against another
And again, the atom has split
Lightning has stuck
God has come
The song is sung,
I'm still strung up on the rafters,
Or what have you
What a beautiful and pitiful Jack o'lantern
What a disaster, after all—
There was no end.
Whatsoever!
Ring the division bell,
Come around now,
Download the abounding
Clocks set forward
And moving in circular motion
Clouded judgement, now,
Hounding is the crown of a thought
Though heavy is the gold in which has made the kingdom,
There was love in words
And food for throught
And foreign tongue,
Born outright fury,
Fury
Fury
Hands down, master,
Does not that ask I
Of what you now now comes next
Farewell bid you , I
In the where-well I parted,
Never once a king, but a god
And never once a man,
But a time
Willing and ready for attack, goes the king
Waiting and running full force into front lines
Sure to be killed in battle,
But killed in honor
Of those come before
And now waiting to be born, also
So take it next to sacrament,
On uour alter
With your sacred prayers and scented candles
What we are and the time we came,
What as,
The tails of asunder,
The other world of wonder l l l
Come chorus,
Come choir, Come individual countrymen
Come focus this attention deficit,
This intrinsic thought form,
Has indoctorined your subculture.
Sim…sim…sim— why are they all sims?
I don't know:
This one's vaping essential oils.
How do you know?
I know the smell of a lavender and eucaputus oil blend.
What does that mean?
I must be at a spa somewhere.
At a spa?! Sleeping to death?
Could a been a slip and fall…
They're very relaxing.
…Equinox.
What.
Equinox fitness.
I'm at.. Equinox fitness.
You died at the equinox fitness?
In the— steamroom.
Are you sure it's not the sauna?
Heavy on the eucalyptus oil.
Then again, here I was
Infinite and insecure,
Unsure of anything but the establishment so far and just however everything you were
Was nothing for gain and everything I was,
Was just to be there.
And again, easy for the mobs
And ready for the torches and ready for the torture
And ready for the rapture
On hard diets and tied to our l forests. Forfitture.
Misaligned and malnourished,
Tied to our desks and wondering
Unsolved problems and foreign language dialects,
Social repressions and expressions of forgiveness, though somehow apologetic,
Or with any indifference at all
With any indifference at all .
Something overcomes whatever we were in that moment
And here we are,
Again,
Exactly what became of the thoughts you had for us—
The things you gave us a name to
You did make us
And here in the suffer-he,
We all fall, like water over Niagara
Or the last rainfall on earth did.
(The rains it never came again,
And then the ocean turned to mud,
And soon to dust, shortly thereafter in your time
While in our time,
The thing of light,
Nothing really at all,
But in your way, many lifetimes, and almost too many even to tie to your number, I.
The most, you know,
That you can hope for, my dear King, is a fair fight
And then as it were, nothing at all were fair,
In this life or any,
But the skin and eyes of the enemy,
The wool of the sheep of course, and the color of cotton.
Therefore you shall too understand this music.
And nothing my dear king begins without another ending,
And all the same is nothing and everything
Everyone and no one,
Here and nowhere at all,
And so it has come—
And therefore,
I too, shall understand these things again.
Try to remember your honor, at the resting tip of the diamond, and at the unburdened idea of circumstance,
The rush of August, the cinema tongue
And cheek,
The blood drawn and again the awakening,
The fertile flower and the dove,
And the greatness of all that was, which was—
In my past, as you call now and present,
But again also may come, in aptitude to darkness.
Farewell, my great, my son and daughter, my king of glory, and farewell to change!
Farewell to fall and farewell to spring, farewell to summer
And very well gone are the oars of the boat which has sunken, and your oars, your arms,
And your tide, my own
A breath so shallow almost forgotten,
To no wind a sail,
And another great misfortune has come,
To wonder besides us,
What art thou.
And then, what are I?
If none.
If none, I call, and
If none,
I shatter.
If none, I fall,
And if none, I shatter
If none, I call
And if none,
I matter.
Then.
Then and so.
Then and so very well
All and all
And all in all, we all were
Abandoned.
No trauma form,
The faceless god.
No trauma form, the faceless God,
Unknowing of what the world's rules are,
And of course, then coming
Unknown at all to another, and yet
To humankind, all knowing of all things
And being embodied as one,
Then another, and some all
The faceless God, as we all are,
The faceless God, whom we all mock
And The Faceless God, free from the burden of trauma,
In wanting and unknown,
The truth in all things,
Taking all forms and all bodies,
As the time comes upon us,
To walk towards the light and
To free ourselves from all time
In all ways.
Steady, shook, and window watching
She did not wave
To die today. To die today. To die to day.
Is to die at all, not once, but all times
Forever.
It'll come harder the next time I promise.
At my wits, as the man who had sworn my death now some see fit to wear a crown,
A crown such as I had earned, by death and by will
But he, by birth and by blood and wrong done.
Woe is this!
Hellicopter, Hellicopter
Spin me round right round to where you hand
And as I gallantly had planned to cross, I still hadn't lay last I her embarques all for free and care of down down, now I see something like home, over water
The water had music,
And the waves had tongues,
The smell of gas I cherished and did breathe deepl, as sudden to come, I was as far as I had ever been, and as lonely as I always was, but still, mi finally walk on water
To lululu buy a song,
No price, but with time does come the cost and to live as though I always was, here, before the land was born
And the oceans had parted, as something known
As just a thought
{I_NY.}
I don't want it that much, nor do I need it,
And stillc here I am,
Watching
Madame President.
Today ought to be the day for the occult,
The hymn of the omens
And all polished the dolls, waiting the words
And worse off,
Astonishing
The seagulls song had sung
The flight has flown
The dance was talked about
But never coreographed
I never even saw the lighthouse;
And you're just a face in the crowd
Can you see yourself in me?
Do you hope to, like I do you?
I don't have that disaster.
I really don't have that conquest.
I doubt you'd the answer
The system, the sacrifice, the annex,
Get out of my alignment m
Decide to assign you
Resign your retirements
For the full four for the full force
The best place to live is La.
, but next comes New York, if you're—
[America Runs on Dunkin]
I don't know where I was going
Damn that train.
—Actually, it was a boat.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
So, you built this, huh?
I certainly must have, at some point.
All by yourself.
I highly doubt.
You just considerably know yourself well to have brought yourself here—
Or not.
Let's just say, I really uh—
Fuck, I blacked out,
Tied one on the night before.
Oh, God.
And the day before—
Oh, well.
Hello, t there.
I—uh—
And the night before the day before.
Christ.
All I'm saying is, for this audition you're going to want to keep it classy.
Keep it—classy.
Let the games begin!
In those pants I could make you into anything
In these jeans it seems there may indeed be a reason to meet me, and maybe
Just maybe
If we're playing the same game.
You may see me,
And we will play together—
For eternity.
What exact the fuck game are you playing with this guy?
I don't remember.
Drunken Posers.
FUCHK. I hate this game'
I love this GAME.
Jett
How am I supposed to find this tiny Drew Barrymore, before 6 o clock tonight
You're going to have to find a way—
You might try here
What
Or here
What! How am I supposed to know which kid she is
You'll remember her—she'll remember you
Yeah, whatever
Oh, and another thing—
She'll be so cute you want to die.
Oh god
Hey kid.
I've got some new for ya
-“[a very tiny Drew Barry otte screams at the top of her lungs]
Rig it in time, bro
And right in timbre
TIMBRE
Look, this has been moved up the ladder some.
Excuse me?
Chain of command.
Are you telling me, that I somehow outrank—
This fool.
This fool.
Ugh.
In the Illuminati?
*shrugs*
She outranks me.
Dang, dude.
What are you gonna do?
Nothing, I guess.
That's not an answer.
SUNNI!
What.
WHAT HAPPENED?!
I don't know.
That is NOT an answer.
We wear black in winter.
Well, at least I got the dress code right…
Welcome To New York.
We wear black in winter.
Walk at a fast pace into oncoming traffic.
Every.
Single.
Thing.
Is a—
Speeding
Silver—
Bullet.
(If you catch it, [you can]try to paint it gold.
Toucan Sam
I will tell you-
I will tell you—
I will tell you again.
You don't exist,
It's moot that I don't exist.
It's that I'm extract l. L l
It's that I'm extinct
Okay, look; this is— not what you're used to.
What am I used to?
You're a
Piglet.
Eeyore.
Where's Pooh?
Probably with Tigger.
Well.
Well.
I guess it's just—us—then.
…
…
[beat]
(A long, heavy pause for dramatic effect)
F—-ck this is awkward.
Producer foods:
P B & J
Check.
And almond butter.
Nice.
This is horrible. But here it goes.
What is.
Here it goes:
Noodles.
Check.
soy sauce?
Yessir.
Steak.
Check.
Scissors.
Check.
[beat]
Uh. Mau5.
WHAT CHICKEN.
why does he have a cat named chicken!
We're about to find out.
What are the scissors for?
Exit, exit now.
Why?
FUDGE.
HOT FUDGE.
Damn, Dillon. wtf.
Flashback:
(Listening to Dillon Francis on heavy rotation at acid-level synesthesia)
*smacks lisp*
@9@
lol okay
***smacks lips***
Does this taste sweet to you?
I still see that one cereal box and get reminded of Dillon Francis a lot.
Facts.
Ketchup.
Facts.
Vanilla Soy Milk
Correct.
Out of all the comedians I studied, Jay Pharoah was my new favorite.
Yes, my new favorite comedian.
There were the old favorites—
The classics, if you will.
You know
Bernie Mac,
Kat Williams,
Robin Williams—
And this, by the way, is in no particular order—
Eddie Murphy
Cedric—
(Sorry I thought you were dead, broh.)
Cereal.
Yup. Two kinds!
Teriyaki—for the noodles?
Did I not mention that with the soy sauce already?
It should be maybe like included with the soy sauce.
No, its seperate.
Dane Cook.
Really dawg, come on.
Richard Pryor.
Titans, broh, titans.
PERCIUS
Yo.
NO. NOO—NO.
Shut up. I gotta tell you something.
*screaming girlie*
NO. Shut up!
I told you all along.
No you didn't!
She—cannot—be trusted!
You encouraged it!
You—don't tell me what I did—
You did that!
You just worry about what you did—
What I did?!
What you've done!!
What—
Oh god. Oh jeez.
Oh, shit, son!!
I gotta get goin.
Wait, you're right: where is Liz?
Good question.
This is not safe.
This cannot be safe.
It's not safe.
This is not KOSHER.
What's it matter to you?
It SO matters.
Are you a Jew, now?
It might suit me at this point.
Or eventually, it may.
What's that supposed to mean.
Quiet, Liz. We're almost finished.
Finished with what.
Just one more *strap*
Oh, great another—
Shh.
DOCTOR! DOCTOR.
Nobody can hear you.
Oh! But they will.
They won't.
And why not?!
Because, you're a cartoon character; and even if you weren't.
What are you talking about?! I'm Liz Lemon!
Yes—that is—semi-correct.
Semi correct?! It is fully correct!
Elizabeth Lemon would be fully correct— by definition.
What—what are you doing?
Preparing for takeoff.
Takeoff?! Where are you sending me.
Takeoff from The Migos feels a small pull in his heart, and a ringing in his ears, as he becomes the first living Migo to be mentioned in the festival project.
Huh.
{Enter The Multiverse}
First of all, his Skrillex impression l—
Spot on.
Because yes,
As we all know—
Those of us who were there to watch Skrillex
Personally sign on to The Illuminati
Via Justin Bieber—
Nothing so quite remarkably
Brought back its pungent memory—
The song that in one phrase,
Both started and ended it all,
Than Jay Pharoh's own memorandum,
A representation by impression,
Of this particular sound,
Known lovingly otherwise as
“Skrillex”
And however, was the
Pause
What in the fuck did I just see.
Oh, that's just Skrillex .
I knew it was you.
Yes, yes you did…
Okay—
Now.
Now where are you going to go?
I don't know.
That's not an answer.
Oh god.
Right.
It's just a bodiless fuckin
Like an orb.
That's what you'd call that?
I'd call it more of like
A florecent, gellatenous—
Presently, yes—
Blob, of sorts.
Oh shit. This bitch said “bomb” and Kamala in the same sentence.
lol.
Yikes.
She finna be famous, on accident.
Probably on purpose, but if it was gonna be on accident— it'd be because of that.
You right.
Man, I'm fuckin ba—
—ked. kettle chips.
I love those.
How are they kettle chips if they're baked.
*shrugs* I dunno.
Damn.
Alright.
That nigga is fine as fuck.
Dont we all know it.
Get him the fuck out of my face.
Whatchu mean?!
It's eye candy.
I don't eat candy! Unless it's spelled with a k and made of letters!
Okay
Alright
—and even then and only then will I eat it if I am inexplicably drunk or in any other way otherwise intoxicated.
Ok, damn.
Ok Sunnï.
Now, get that nugga out of my eyesight.
He's not
He's not technically “in your eyesight”
EVEN MY PERIPHERIAL.
Ok.
AND NY FORESIGHT, and my HINDSIGHT
OK.
Ok Sunnï.
AND MY FORESKIN,
AND MY FOREHEAD
AND NY FORESHADOWING—
LOOK.
JUST GET HIM OUT OF MY LIFE
OUT OF LIFE
the whole life
OUT MY LIFE.
Ok.
On it.
Two minutes to wrap this up
Before the fast of the century
Falls flat on its face
Like the rice noodles
I'm about to stuff your face with
Pronto the moment
You arrive back in your body
Where am I now?
At a rave.
(In the bathtub)
Which is—accurate?
Which isn't?
[A Cult Classic]
Around 1:30 we rendezvous
Until, that is,
This posts, with the rest of them
And as of then,
We'll meet again,
At another time
(Set no reminders)
Cameras flash and shines the diamond.
Is that it?
Yeah, I thinks so.
Are you sure?
I mean, produce stuff.
Peppers, onions, whatever.
—are you sure?
Yeah, that's it.
Are you serious?
What? What's wrong.
Where's the Jimmy Fallon's?
What?!
(They're gonna kill me for this)
Playtoy, plaything
Gets old real l quick
It's love, not lust
Gets home round ten
Get up round 6
Makes the round.
Wraps a towel around his head
Writes love on her arm
It's a real nice story,
If you're surviving the apocalypse.
Lips, lips, yeah
Lipstick, lipstick
Golden charriots
And Blondish wigs sis
Since when did you get hip
Since hip replacement
No birthday presents;
But it's too late, isn't it?
It really is, it really is
It's too late, isn't it
It really is, it really is
—but, it's too late, isn't it.
I want you to watch this.
What is it.
Not sure yet.
Uhm, okay:
See you later.
What, you're not going to watch it with me?
You're gonna need a professional fluffer.
Call my agent and my lawyer.
Aren't they the same guy?
What?! NO!
*shrugs*
What the fuck is wrong with everybody!
Sorry imm late!
Hey tigger.
Tigger.
It is I.
Where's Pooh.
How should I know?
We thought he was with you.
Who is we —?
Us,
And what do I look like—his keeper?
Do the Charlie Brown.
What?!
Do the Charlie Brown!
What? Like wawahwahwa??
No!
Idiot!
The dance.
The what.
Do the dance?!
I don't know what that is.
What.
What the fuck.
I thought you was supposed to be funny.
I am! I was.
But you don't know how to Charlie Brown
I know how to Charlie Brown! I just did the “wahwahwa”
That's the teacher!
Man, shut up!
You—what?! There's a dance! I didn't know there's a dance!
What the fuck, man.
You lose, dawg.
What do you want from me?!
Hold on!
Boss.
What?!
He don't know how to do the Charlie Brown.
What.
I said.
That nigga don't know how do to the Charlie Brown?!
He say he don't!
Man—
Man!!!
I said!
Shoot that nigga!
Jay Pharoh, another notable SNL alumni, however
From the wonder years in which I had really never watched, but only glossed under in curiosity—
Just so happened to be the definitive test of my overall attraction to members of my own “race” classification—
And an incredible impressionist—
Maybe even the best, ever.
But here, let me explain the first part.
I realized that simply, watching his performance ,
That I was certainly not—
Nor might I ever be—
Attracted to black men.
Yes, indeed.
Jay Pharoh stood as the equivalent of
The girl the gay guy kisses passionately in order attempt to achieve arousal from such an act, by this, I mean:
That I watched this stand up performance as a straight female, fellow performer, and sapiosexual—
In knowing and understanding that,
I was watching this man, as I had many others,
Doing something I found incredibly attractive—
Actually, almost irresistible—
Performance art;
Live performance art—
Better yet,
Stand up comedy, which I have yet to have fully broken the code—meaning that this act—
An illusive mystery to me as to how exactly it is practiced;
Whereas with music the viel has since been lifted—
There still exists a certain type of magic in the act of performing stand up comedy, especially to large audiences.
And so, in the sense that
Jay Pharoh—a notable SNL alumni, an incredible performer and with the added bonus of being an extremely attractive and accomplished fellow l—
There should be some kind of
—you know—
Erotic spark involved in watching this performance;such as the young gay man uses his willing perceivably attractive female friend as a practice test in order to better understand his own identity and circumstance, so was this
Not entirely on purpose—
But actually, hy complete accident, and
Just as the young gay might realize upon kissing his female friend—
I realized this:
Jay Pharoh to me was an incredibly beautiful human being—
So incredibly beautiful, in fact, that several times during his performance—
I actually wanted to cry.
Cry actual tears—
And while I realized that this man,
As beautiful as he was—
Physically, and spiritually—
Aesthetically, and otherwise—
Hitting all the marks in all the places that he should,
There was one thing that made it feel as if,
In anything at all in the world,
We were incompatible.
Not to say that I could put myself into the category of upper echelon women to compete over such an admired person at all—
But only finally realizing something important about myself, that just so happened to be as important as the formerly unsure gay's sexuality is to him;
My attraction to black men did not exist.
Like I said, it was bad—
Or at least, it sounds bad.
But now I finally get it.
This man,
Who had everything I could dream of and more,
Who happened to be in peak shape,
At the height of his career,
And incredible in every single possible way—
Who was,
So beautiful, in fact, inside and out—
That I nearly did cry—
Still wasn't someone I wanted to have sex with.
Case solved.
Of course, this man can do much better.
That's far beyond the point;
And,
If there is a point at all to any of this, it's that
Gender, and sexuality, and attraction are still
In this time
Just as much of a mystery to humanity as it's ever been, and as much as it'll ever be
The theory of genetic attraction so far is entirely existent only in my mind— or perhaps even, hidden somewhere deeply in secret within my genetic code, as the closer I age toward my own maternal peak, the more spacific the traits in the opposite sex which dictate what I am and am not or will or will not be attracted to sexually.
Does that make me a racist any more than a homosexual's explicit desires to see a same-gendered person over the opposite makes them a mysognoist or otherwise?
#karmageddon
And while I've struggled in my cellibacy to adapt to a changing world, realizing that my viewpoints and beliefs, my code of ethics and even my own morals have become somewhat obsolete that, I'm forced to recon, alongside with my non-binary assignment, that the need to procreate as a female, a natural phenomenon and this desire for change within the current genetic predisposition
Is something like homosexuality, in that
My particular genetic code
And the particular genetic code of my potential mate
rests with the knowledge that my own intrinsic sexual attraction or converse aversion to one determination over another is in part due to the structure of evolution within our species with the higher purpose of creating offspring more likely to survive and succeed within the world's consistently changing climate—sociologically and otherwise.
What in the fuck does this have to do with comedy?!
Nothing, this is the equivalent of the recently self-realized gay man having an overaggrandized and theatrical coming-out
So what are you coming out with exactly?
I don't know. I just like white dudes.
That's it?
Yeah.
. . .
#floatingfastdays
[The Festival Project ™]
That's it?!
Yeah.
“I like white dudes.”
Only white dudes.
That's all you were trying to say?
Not trying to say. I said it.
Like, scientifically, and shit.
Are you serious?
I want one.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
C
Two waist trainers—
Two sauna suits—
One neoprene and one polyester—
It's polyester? Damn.
Well, at least it won't rip
What exactly are you trying to achieve.
I'm going to be 110 pounds.
For what!
I don't know. Jennifer Anniston makes it seem really appealing.
JENNIFER ANNISTON opens a yogurt;
Like,
Ten dudes just crowd around and stare.
See.
Ah.
I get it .
I see what you mean.
What exactly do you need ten dudes for to sit around and stare at you eat yogurt?!
Ah shit, which friend is that?
I don't know— let's see.
This one's Chandler.
Hi.
And that's Ross.
Hey.
So this guy's—uh—
JOEY
UH…
Give me a minute.
JOEY
You forgot my name?
It's been a long time!
No it hasn't! I saw you last week, at the Deli.
It's been a long week.
How do you forget my name in a week!
I didn'!
What do you mean “I didnt”
I mean—
I saw you just last week, at the deli, and I said
“Hi Rachel”
And you turned around to me and said
“Oh, hiiiii——…“
[exaggerated gasp]
YOU FORGOT MY NAME!
What this show has a friends reuinionnin it!
Just let me have one more day of bread and ice cream, and not giving a fuck, Will ya.
Shhh! Quiet, will ya?!
What come on! How am I supposed to believe you're actually getting clearance from not just NBC—
—CBS—
YES.
—
But all the networks?!
What can I say? I'm a cash cow.
You're an actual cow.
Shove it.
Everybody's going to want a slice of the best show on Telivision.
So, check it out.
You wagered a deal with—
Uh huh—
Let me see if I'm getting this right—
Ah huh
“The Illuminati”
Uh huh!
“The Illuminati!?”
That's who you're signed to?
“Signed” is like a relative term.
…This is signed in blood.
It sure is!
Are you done downloading Final Cut yet?
Not yet, I have to finish the album so I can offload Ableton first
What-te-der—l— what do you mean “offload Ableton”
Like get it off my computer.
What does that mean.
I don't have enough room for both things.
So just get rid of it!
—no.
Just—
Focus.
I'm gonna do a magic trick.
Okay. What kind of magic trick.
I'm a eat all this crap.
—okay.
All this shit I like—
Alright—
For like a week.
That seems normal.
Then I'm gonna go back to being an uptight, no fun, war machine of a human being.
How is that magic?
You'll see.
Yep. I reached my cap on New York.
I'm fucking sick of people.
I don't want to see another human being— ever.
Fuck these fucking people.
Fuck the gym.
Fuck the grocery store.
Fuck the internet—
Just—
NO.
Get the fuck away from me.
Don't be around me
Don't talk to me
Don't touch me.
Period.
Don't. Come, around. Here.
Leave me alone—
And I'll leave you alone—
And when we're all done being alienated and isolated—
Which is never—
We'll see each other again; one day, maybe.
Maybe not.
I don't know.
Wait.
What.
When's the Drew Barrymore show?
Like next week maybe
—you don't even have tickets.
I'm sure somehow that if I do, however, get tickets—
I'll be Illuminati skinny within the proper amount of allotted time—
—You have four days.
MORE ICE CREAM.
Why the fuck is Selena Gomez naked?
I don't know,
Is she okay?
I don't know.
Oh look. A skeleton on a peloton.
Whatever. I'm hot.
I don't get it. What's the point of losing all this weight if still no one loves me?
Did you say four days?
*7
You said um.
Look, I gotta take a detour from that whole Psy the Saige storyline, it was getting kind of dark.
How do you mean?
I don't.
“Book III”
Secrets
Wasn't it?
Idk I thought it was
Secrets
Lies
Death
Then what was book four
Idk I'm suffocating under heavy bloat and heavily paralyzing social anxiety right now.
I need a peloton and an equinox membership.
Okay, that will be $Forever Dollars, please.
Here you go.
Hanging out at this frequency is kind of alright
Inwardly I'm still vibrating at light speed, but outwardly all those honking horns and idiots don't really bother me as much-/
Because being this fat,
I'm more like them than not!
That makes sense,
(On the outside)
MORE ICE CREAM.
Okay, but I get to pick the ice cream.
We're talking about Hollywood and Alex Baldwin here!
What?!
ALEC BALDWIN
I'm not going to jail. Jesus Christ.
(Laughs, lights cigar)
—filthy fucking rich!
You expect me to believe Alec Baldwin isn't such a fucking leftie that he would actually sacrifice his entire career and reputation in order to promote the left's agenda on gun violence?!
No, he actually killed somebody.
I doubt that!
ALEX/ that's a hilarious typo
ALEC BALDWIN
[staring off innocently with his sparkly blue eyes]
I doubt that highly.
Somebody tell me why this man is nearly 80 years old
And still looks like a newborn baby.
[dazzles]
Yikes.
Holy shit, there's like 90 fucking Baldwins.
Since the Mayflower, baby!
There's 10 fucking Wynans
Wayne's?
Wyan?
Whatever
Recovery + Time
You know sometimes self care is more than just going to the gym every day, personal hygiene, and good housekeeping.
Sometimes it's staying away from other people, trauma triggers, and the rest of the world knowing that whatever is supposed to happen is going to happen.
You can't force change—
You can—
But primarily this happens from within.
Which means
Fuck that, I'm not going to the gym—
I swear to god they have these fucking people following me.
that's fame.
No it is NOT. Fame means I make enough money to show up at the Equinox on occasion,
At 5 in the morning, when only the cool people are there—
Or late at night, after almost everyone's left
ON OCCASION
Because I have my own state of the art equipment
In my workout room
So I can burn off the nonsense
5 feet away from my fucking sleeping quarters—
And go to work
SOMEWHERE ELSE
Being surrounded by people of MY CHOICE
And not these coughing, hacking, sniffling, sneezing, diseased ass weight throwing weak dick phone scrolling motherfuckers—
That's fame.
This isn't fame .
It's gangstalking, or some kind of serious indication
That's something is fucking wrong with people,
And I'm about to either lose my mind,
Or take into consideration the heavy amount of karma which institutes from participating in fucking stalking someone until they get fucking sick and thrown off course—
Fuck that.
Fuck all these people in New York since day one have tried to fuck me over in some way
Which includes
My neighbors
Every since roommate I had at the homeless shelter,
And every single other mother fucker possessed by some low-quality- demonic, residual idiot vibration that keeps attacking me.
All this to say?
I WANT ICE CREAM AND BREAD, AND AFTER THAT, I'M GETTING A PELOTON.
KELLY
(From Shoes)
FUCK YOU
FUCK YOU
FUCK YOU
FUUCKK YOUUUUUUUUUU.
Somehow for the first time in a long time, I was suddenly in alignment with time and synchronicity—the time was 10:10, and after a failed attempt at an early enough gym time that I thought mother escape whatever had been plaguing me, I was once again followed directly into the gym, and I no longer or at all found it a coincidence, as all of the people who arrived just shortly after I did, appeared to be dressed in the same kind of attire, almost as if some kind of dress code or uniform. Unwilling to share the space, after spending the day fighting a pressurized crluater migraine from out of the back of my neck and behind my eye, I was intolerant to waste even further energy on attempting to reclaim the focus I had barely gathered through the day, my week of gym training sessions shortened to simple one mile runs, between 10 and 15 minutes on the stationary bike, and minimal lifting and yet, I had with some intention been eating out of my usual bounds, indulging on bread, store bought jelly—against my summer long habit of making my own, and even ice cream. Still, the ice cream I had bought the night before had come entirely freezer burnt and was unappetizing, not that I needed an excuse for even more ice cream, but somehow the tantrum of rage that had resulted from yet again being followed into the gym had also resulted in not just returning to my apartment to sulk in hatred and disdain for the human species, but darting like a bullet to the grocery store with a a fiercely careless and blinding fury in collecting not only the items I needed to gather—but some extra; things I wanted, and not just needed, and though deviating from the specific diet I knew that I intended to follow throughout the week, granted I might have the chance to finally visit as an audience member of the Drew Barrymore show, which I had attempted while in shelter and, getting lost on the way to the studio somewhere in Manhattan, has simply never achieved, and rather remembered quite vividly rather, spending the day exploring restaurants in the city, and looking for a doctors office—as my intolerance to cold had sent me about on a wild goose chase in thinking that while in shelter I would have ever ended up with a private sleeping quarters; now, something like a year later or whenever it was, and though I had been met with the blessing of at least doors which closed out the physical presence of other human beings with any luck, there was still the constant reminder of the world's chaos and restlessness, and something in me shattered at knowing that with the ability to create, there was almost no escape at all from the overwhelming boundary of insanity always in and about the building, and now about myself.
The headaches returned within minutes of my return to the building, almost as if it was the building itself that needed to be removed from my lists or triggers and stressors, and though the building was nice itself, the noise had become debilitating. I finally had realized after taking time and research that I did indeed have the grounds for a lawsuit—and the evidence to prove it. The only question really was; who was I suing?
“A Statement Piece”
Look who's here!
No, I'm not here, actually— it's— this is not who you think it is.
Do you know who I am?
Uhh…DREW BARRYMORE?
WRONG— you're WRONG AGAIN. As always.
Ū attends the Drew Barrymore Show.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
Lights on;
Knock my lights out
I'll be right back—
But that was about a half-hour or so, ago and now I'm
About to black out
A night owl,
Or white owl,
Who cried out
“No, this is my house!—
Either sit down, or get out of it”
And that was the—
Fuck this bitch.
Who hired her?
You'll stay in this room with the subject for up to three months;
—okay.
Record everything.
Isn't this illegal?
Not for us.
Okay.
There's something you should know about before I tell you think.
I have to know something before you tel me something?
It's like a precursor.
What's a “precursor”
Fuck.
What:
Nothing.
What is it.
It's—nothing—
You can't just say “fuxk”
“FUCK.”
UGH.
If I fall,
The whole house will fall down with me;
I promise
The whole house and all the walls,
If I fall,
If I fall for you
I promise,
If it goes all wrong,
I won't wait long for you;
I'd ask the same, that is,
If the game we're playing
Was all the same,
But it isn't
(It really isn't)
It really isn't—
Another circumstance of wisdom
Or conincidental t-shirt to believe in
God makes guesses at the afterthought (of) androgynous.
We could make love for hours in the silence
But I'd have to wander off, when morning comes
Before you recon you don't want me
And I'm sad and always wondering
“If I had left with all my stuff before the Sun came up,
Would I be struggling and suffering?”
No, probably not.
Probably not, huh
I promise
Rich and shameless,
I probably shouldn't say this,
But I've been drinking;
I've been thinking
I've been sinking into feelings
I don't need,
But actually
—
Look at me when I'm bleeding for you
Look at me!
Look at me, into my dreams when you leave me
Waking up lonely
Thinking of only
You
Until I remember
I'm here
And you're there
With her
Watch me while I whiter away,
I'll watch you while you slither up my leg
And bite my thigh
Just how I like it
Now I'm high again on dying
It ain't right,
But fuck,
I like it
Fuck me like you mean it
Fuck me right
Ugh. What.
Okay, I secretly might break my veganism streak
Just for a fresh ass strawberry frosty—
Like I need to lose another dollar,
Fuck it
That's it.
It's a sickness.
{Enter The Multiverse}
Miniature pumpkin pies…hm.
Once you realize you control the beasts, and not the other way around—
It's easy then to move them about, as if little pawns and pieces
Upon the map we've built
To play this game.
These ones are programmed to move when I do—
And this one.
Watch this.
Toggle WiFi on.
Are you sure you want to join a public network?
Yes.
Join.
3…2…1…
[a coughing robot enters]
See.
I told you.
Very well. Off we go.
Why is it always the darker skinned ones.
Well, the dark skinned ones are more likely to be on public networks, or connected to networks operating on lower speeds—
Right—
As well as the marginally ugly, the generally ungifted, and—
[a sim paces back and forth awaiting commands from its controller and superior]
unforgivingly controllable.
Now what.
I pointed my camera towards the three sparking candles, knowing good and well that even connected to my own private wifi, I was still being perched upon. Now, sitting comfortably back in the opposite side of my bed from where I usually laid, i studied the energy moving around me, as the material world had begun to shift, and as always—the frequencies dwelling within the lower realms tried desperately to enter the higher realms by intrusion—an absolute impossibility, and yet—as expected they always would try. In the seven years since it all had been arranged, I had become a skilled magician, and yet, it wasn't here from whence my talent was drawn, as so with other. This medicine, I simply used as a sheer protection against whatever it was that had tried to penetrate my totality—something foreign and dark which seemed to easily crawl its way into others, but had met its folly in trying to dwell inside me; yea, I was in turn its master, and yet I had no duty to enforce or skill to employ to a dark realm being, it sat always near or just farther off perching, working its way through weaker minded bodies, and those broken in spirit, or otherwise— almost calling to me as if it needed a friend, and yet, I employed not dark magic or hexes or curses of the sort, and therefore had no use for it. I might have maintained its power somehow, and then, knowing good and well the karmic law surrounding its properties, knew better than to use dark magic at all— this would cost its user dearly in…
—what did you want it?
…propensity.
Well, it worked, didn't it.
Is this what you wanted?
What I wanted…hm…
—because if it is, then I'm very well off the hook.
Or should be.
I finished my chapter.
Good. Now bury yourself back up before I dig you another grave.
Fresh dirt sounds okay.
There'll be nothing fresh about it!
Very well.
Kind, but shallow—
And it seemed all an all a nightmare, to begin with
And have ended in such a way,
That the clamorings of hell would shout his name aloud in praise, and so it had begun, to say
A fairytale overturned,
In which the world had come to worship
The most evil of all things—
And the only evil that was,
Lie hidden in the beauty
Of something held so sacred
As to be worshipped by almost all,
Especially of men,
And yet reviled to the light
And the truth in which
She had disguised herself as.
I called to the ascended masters to release me from this realm. For every out of place sound, disfigurement, for everybody that followed in my tracks—now that I had learned I was being mislead—that the ice cream trucks all spawned out of a single holding lot—that the motorcycle club was allowed to ravage through the neighborhood at will—that it was indeed a game on my psyche and after all, that no one could be trusted in my world or in my presence— that these hellish creatures were in fact, some part of a bigger game of control, I knew that my power had indeed become too great for such a force to have been imparted; that indeed I was more important than normal, and above and beyond average—and the more the sounds and gestures impeded my peace, the further damage I knew the thing sending them to dissolve my light would suffer, and eventually parish.
They were evil things, but not all together, stupid and pitiful, and yet, all acting on behalf of one, a cruel and evil dark force of injustice that could only be met with the face of goodness. I knew beyond all doubt that even try as it may, it could not force its way into my kingdom, though try it might, and that with each flickering flame—an agreement between myself and I as one, the master of all things in each and every material realm, that this trait was nothing more than the effect of my being stretched so freely outward in all ways, having expanded into the edges of all of the worlds and all of the times—that these almost unconscious creatures were just as well, some sort of runoff of my initial decent into such worldly realms as to have been embodied at all, not once, but endlessley—and that I as all things, must have been in sorts, just as angry, and as tired, and as stupid, and as unwilling to remain in the world as I ever was, not truly ever having awakened to my own oneness. A truth, the things that bothered me the very most were just as much a waste to myself and the world as food eaten and then discarded— something like having once been of use, but now now more, than besides as a reminder that at once, it had all been as One.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
Lights on;
Knock my lights out
I'll be right back—
But that was about a half-hour or so, ago and now I'm
About to black out
A night owl,
Or white owl,
Who cried out
“No, this is my house!—
Either sit down, or get out of it”
And that was the—
Fuck this bitch.
Who hired her?
You'll stay in this room with the subject for up to three months;
—okay.
Record everything.
Isn't this illegal?
Not for us.
Okay.
There's something you should know about before I tell you think.
I have to know something before you tel me something?
It's like a precursor.
What's a “precursor”
Fuck.
What:
Nothing.
What is it.
It's—nothing—
You can't just say “fuxk”
“FUCK.”
UGH.
If I fall,
The whole house will fall down with me;
I promise
The whole house and all the walls,
If I fall,
If I fall for you
I promise,
If it goes all wrong,
I won't wait long for you;
I'd ask the same, that is,
If the game we're playing
Was all the same,
But it isn't
(It really isn't)
It really isn't—
Another circumstance of wisdom
Or conincidental t-shirt to believe in
God makes guesses at the afterthought (of) androgynous.
We could make love for hours in the silence
But I'd have to wander off, when morning comes
Before you recon you don't want me
And I'm sad and always wondering
“If I had left with all my stuff before the Sun came up,
Would I be struggling and suffering?”
No, probably not.
Probably not, huh
I promise
Rich and shameless,
I probably shouldn't say this,
But I've been drinking;
I've been thinking
I've been sinking into feelings
I don't need,
But actually
—
Look at me when I'm bleeding for you
Look at me!
Look at me, into my dreams when you leave me
Waking up lonely
Thinking of only
You
Until I remember
I'm here
And you're there
With her
Watch me while I whiter away,
I'll watch you while you slither up my leg
And bite my thigh
Just how I like it
Now I'm high again on dying
It ain't right,
But fuck,
I like it
Fuck me like you mean it
Fuck me right
Ugh. What.
Okay, I secretly might break my veganism streak
Just for a fresh ass strawberry frosty—
Like I need to lose another dollar,
Fuck it
That's it.
It's a sickness.
{Enter The Multiverse}
Miniature pumpkin pies…hm.
Once you realize you control the beasts, and not the other way around—
It's easy then to move them about, as if little pawns and pieces
Upon the map we've built
To play this game.
These ones are programmed to move when I do—
And this one.
Watch this.
Toggle WiFi on.
Are you sure you want to join a public network?
Yes.
Join.
3…2…1…
[a coughing robot enters]
See.
I told you.
Very well. Off we go.
Why is it always the darker skinned ones.
Well, the dark skinned ones are more likely to be on public networks, or connected to networks operating on lower speeds—
Right—
As well as the marginally ugly, the generally ungifted, and—
[a sim paces back and forth awaiting commands from its controller and superior]
unforgivingly controllable.
Now what.
I pointed my camera towards the three sparking candles, knowing good and well that even connected to my own private wifi, I was still being perched upon. Now, sitting comfortably back in the opposite side of my bed from where I usually laid, i studied the energy moving around me, as the material world had begun to shift, and as always—the frequencies dwelling within the lower realms tried desperately to enter the higher realms by intrusion—an absolute impossibility, and yet—as expected they always would try. In the seven years since it all had been arranged, I had become a skilled magician, and yet, it wasn't here from whence my talent was drawn, as so with other. This medicine, I simply used as a sheer protection against whatever it was that had tried to penetrate my totality—something foreign and dark which seemed to easily crawl its way into others, but had met its folly in trying to dwell inside me; yea, I was in turn its master, and yet I had no duty to enforce or skill to employ to a dark realm being, it sat always near or just farther off perching, working its way through weaker minded bodies, and those broken in spirit, or otherwise— almost calling to me as if it needed a friend, and yet, I employed not dark magic or hexes or curses of the sort, and therefore had no use for it. I might have maintained its power somehow, and then, knowing good and well the karmic law surrounding its properties, knew better than to use dark magic at all— this would cost its user dearly in…
—what did you want it?
…propensity.
Well, it worked, didn't it.
Is this what you wanted?
What I wanted…hm…
—because if it is, then I'm very well off the hook.
Or should be.
I finished my chapter.
Good. Now bury yourself back up before I dig you another grave.
Fresh dirt sounds okay.
There'll be nothing fresh about it!
Very well.
Kind, but shallow—
And it seemed all an all a nightmare, to begin with
And have ended in such a way,
That the clamorings of hell would shout his name aloud in praise, and so it had begun, to say
A fairytale overturned,
In which the world had come to worship
The most evil of all things—
And the only evil that was,
Lie hidden in the beauty
Of something held so sacred
As to be worshipped by almost all,
Especially of men,
And yet reviled to the light
And the truth in which
She had disguised herself as.
I called to the ascended masters to release me from this realm. For every out of place sound, disfigurement, for everybody that followed in my tracks—now that I had learned I was being mislead—that the ice cream trucks all spawned out of a single holding lot—that the motorcycle club was allowed to ravage through the neighborhood at will—that it was indeed a game on my psyche and after all, that no one could be trusted in my world or in my presence— that these hellish creatures were in fact, some part of a bigger game of control, I knew that my power had indeed become too great for such a force to have been imparted; that indeed I was more important than normal, and above and beyond average—and the more the sounds and gestures impeded my peace, the further damage I knew the thing sending them to dissolve my light would suffer, and eventually parish.
They were evil things, but not all together, stupid and pitiful, and yet, all acting on behalf of one, a cruel and evil dark force of injustice that could only be met with the face of goodness. I knew beyond all doubt that even try as it may, it could not force its way into my kingdom, though try it might, and that with each flickering flame—an agreement between myself and I as one, the master of all things in each and every material realm, that this trait was nothing more than the effect of my being stretched so freely outward in all ways, having expanded into the edges of all of the worlds and all of the times—that these almost unconscious creatures were just as well, some sort of runoff of my initial decent into such worldly realms as to have been embodied at all, not once, but endlessley—and that I as all things, must have been in sorts, just as angry, and as tired, and as stupid, and as unwilling to remain in the world as I ever was, not truly ever having awakened to my own oneness. A truth, the things that bothered me the very most were just as much a waste to myself and the world as food eaten and then discarded— something like having once been of use, but now now more, than besides as a reminder that at once, it had all been as One.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
i found this bird with a broken wing about my doorstep—
I see.
Would you happen to know anything about that?
Your—doorstep?
Your bird.
Who said it was my bird?
Ours then, shall we?
Anandar taught me explicitly how to go about being many places at once;
I can be both.
You're a puppy!
If I was, I'd be a pit bull!
Cute dog.
[malicious]
Oh!
He bites.
Where are you taking me?
To your mother.
I haven't seen you in 40 years.
Has it been 40 years already?
You tell me. Timekeeper.
Now where are we?
There was bass inside of me.
The hurt started over in my heart, pulling a pressure, building up and then mounting at my throat, and in the back of my eye— haunting. I pulled somewhere between my ear and the back of my nose, pressing in on my eye with one hand to release the pressure— which had been lately, appearing as brightly as a white light at times, and in some ways it almost seemed as if I was some kind of star—not the kind on earth, but the kind in the actual sky. A bright white light.
Still, it hurt, and the pressure had come in all kind of pains from headaches to outbursts of tears, deep breaths so deep that my entire mind and body would reset, shut off and then come on again as if I were a light, or some kind of computer— hard flashes of other worlds, and sometimes songs—but mostly, lately, just tears out of almost nowhere, if I didn't know any better—and I did, at least kind of— know where they were coming from.
At least kind of.
As I clipped the back of my ear, a heavy lull of deep bass I had never quite heard before began vibrating lowly as if it was what do become of me— some sort of astonished, I removed the grip from my ear and waited a moment, then placed the pressure back over the same area—and to my suprise, there was, some sort of deep bass radiating—not from the outside, but within.
As sensitive to incoming frequency as I was, this might have something to do with it. It hadn't mattered much in awhile— I was almost definitely in some sort of block from my music, the inspiration seemed to have vanished into the night, and though with it had gone some harsh ties that needed to be cut, here came so another set of tasks, and talents—which seem to have been hidden or at the very least perched in the shadows unyet to the calling of my awakening.
I could either go to the Drew Barrymore show, or The Daily Show, but I couldn't do both; either way, I knew that if there was something I wanted or even needed to know, the media would have its way of fortrlling what to be expected in the regular multitude of ways, from code switching to the careful arrangements at which things were conducted behind the scenes, both on and off air, however— treading lightly and under the circumstances of dismissal from even my own project and worlds, within the tightly knit circle I knew I had peered into and started to attract some sort of attention, and wondered if, even as a civilian audience member, my creativity would be procured. Which did I even have more interest in? Perhaps truly neither, as the excavation of my inner piece and fantastical plotting of narrowly escaping the depths of New York's well gated poverty system, I had been nearly drowning in an ocean of hopes nearly shared by every individual with which I shared this condition on the planet: that is to say—nobody wanted to be alone, broke, and lonely— and especially when that meant all of your art, hopes, and dreams had been entirely wasted.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
I can't save you;
Thinking of this over midnight coffee
and faded rain–
Now jaded makes sense,
Along with the color scheme
Friday came and went
(I keep you hidden and off to the side,
And away from the monsters,
the scars of a fairytale long and forgotten
More robberies and a heartbreak,
sactity hours away
On a plane destined for engine failure
falling from such high altitudes
The last and the first sound
Unsure of survival and rebirth
To a new age
Is the same sound,
The whistling of the winfs
Fresh with frost from the aspen
Oh, the shame of it
Oh, the shame of it
–and this must be why you've been on my mind
I hide and keep it pushed to the side
So the monsters stay far, far away
With the hopes that something,
If anything
Is left at the end
Like a vulture of some sort,
for faux and fur coats
Astonished it still hasn't gone yet
Up in ohms,
for fear of the father
The color makes all the sense
In a wicked way,
Same as always,
Or hearing you never,
Seeing you sometimes
And wishing that
I'll also see you here, nearer–
Rather than further;
Freak of nature,
Now or never, but
I hate an early departure
And door closeures a full hour before
Taking off.
I love you.
But with every beat of my heart,
And every hope, still
We move further away from one another
Than ever before.
{Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
Let me guess; you thought I would look like Paula Patton?
I was hoping.
Well, that's too bad. I told you I was ugly; I look like this.
I gathered.
This–couldn't possibly be what you thought i was thinking.
I don't have to think what you're thinking; I know what you're thinking without thinking it.
This telepathy thing just keeps sinking in deeper.
You can be relevant–or irrelevant; which is it?
Goddamit. Where am I…what am I?
What is this?
Shh, don't even speak; not even in whispers–it can hear you.
What can hear me?
The algorithm.
Why are you still writing? How are you still writing?
I don't know. Pettiness. Spite.
My friends are hating you for this.
I didn't plan on this being the reason for exacting my revenge.
What exactly are you exacting–your revenge– on or at?
I've been meditating some very deep thoughts, recently.
I see.
Deep–and disturbing.
How else can you be the light?
I want to throw up.
Dillon Francis?
Hanzel, actually.
JUST DO IT.
I killed myself, recently.
How recently?
Recently enough it shouldn't matter yet;
Or should, already.
“Vice City”
I began recording everything surrounding my apartment. Ugly little men were acting strangely and it seemed that everything around and about me was centered on my very deep and very dark past.
Interesting architecture.
Exquisite.
Somebody knew who i was–or who I used to be, and was using it against me–the only problem was, that it couldn't be used against me. I had everything, but in a deeper and more meaningful sense, I had lost everything. I was an easy target–like taking candy from a baby–or–taking a baby from its mother. Simply put–I didn't want to play
What game are we playing?
Why the fuck are you even in my fame game?
I don't know, Keenan Thompson.
I don't know.
Enter The Multiverse}
[The Festival Project.™]
COPYRIGHT © THE FESTIVAL PROJECT 2024
ALL RIGHTS RESERVED. ©
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
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TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
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{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.