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![[ENTER THE MULTIVERSE]](https://podcast-api-images.s3.amazonaws.com/corona/show/6230560/logo_300x300.jpeg)
Lil bitz
So I'm watching this is it
I love Michael Jackson,
So I have this movie queued up for a couple days
And I finally get to watching it,
And it's been a quiet few days
So I'm watching this movie in like silence.
And it's so eerie to watch Michael Jackson rehearse in this like full stadium for nobody at all—
Almost like, telling of the actuality of him impending death— but I'm watching this, and I'm like, really into it, you know, paying attention to all the details, and it gets to the part, one of my favorite songs:
And it's showing him rehearsing like Jam, and you know, it's one of my favorite songs so I know all the words, and he's dancing— going like 110% in rehearsal.
I trained in dancing for a little bit— most people don't do that. In rehearsal it's usually conserving your energy and just about the mechanics of everything, you know, the rehearsals leading up are like “75-80%” you know the drill, you get it down, but you conserve your energy for the big rehearsals— the dress rehearsals and the opening nights and the entirety of the tour— you don't want to burn our.
But not Michael Jackson.
This dude is going 400% at rehearsal, everytime you see him, which is why he's the absolute catalyst of professionalism for performance.
But I'm watching him rehearse this at full, max-level energy, and he's aiming
“Jam! Jam!”
And I'm thinking about how literally this is just before he died, and he's really going all-in singing
“Jam! It ain't too much for me!”
And I can't help thinking about the irony of this, is that…
‘Like, actually, it is.”
Like it was too much for him… because he did this—
And then died shortly after.
So the irony, to me, was like
“It ain't too much for me!”
I'm like
“Yes it is.”
It was too much for him.
I couldn't help but notice the irony.
“It ain't too much for me!”
“Yes it is Michael! Sit the fuck down”
Or better yet, dawg—
Lay down….(mwahaha)
Said, Conrad.
“Let's take a nap, shall we?”
Too soon?
Okay, I get that his death was ruled a homicide:
But here's my reverse conspiracy theory.
I don't think he was murdered.
I think he was ‘exited'
No, not executed,
“exited”
Like, after all that, Michael was just like
“ok , i'm getting off here. that's…that's enough.”
Or like, we already knew he was immortal and wasn't gonna die anyway, of like, just natural causes.
“Might as well make it a spectacle.”
“This is it!”
(lol that joke still works 15 years later, I guess. The movie is on youtube for free right now so, it's relevant.
Its relevant.)
{Enter The Multiverse}
Every time I stick my hand in the middle of a papaya I wish I had a dick so I could warm it up and fuck it.
Top Ten Best Fruits of All Time
to be fair, I wrote the papaya joke before continuing my obsession with michael jackson in the monumental comic atrocity.
Fair.
You'd have to warm it up, though.
He said,
“Don't say shit”
To this day it still don't make sense
She didn't give a whisper,
Slick tongue, six-nine
Try dialogue
but nothing she could try to find in time,
And so, he counts from one to five
and with the lies had come down to talk
With the conclusion that after all,
She couldn't do this
And the story once to be told
Now was none
I dream in beforehand
Secrets and premonitions
Now you don't need me,
I seek to bleed, sequence
Ten seconds, initiated in the heartfire
Words now?
None I never thought of
Before now,
Now come.
lol remember when Skrillex followed me to Brooklyn?
Lol.
Didn't I hide in a closet?
I don't remember.
Did I hide in the closet?
What made me look that up?
Curiosity killed the cat.
Where the fuck is my cat, anyway?
Atticus Catticus?
The truth is,
I think Skrillex might just be one cold hard murderer;
I think Sonny hides behind his good looks and non subtle genius—
I think I hide my eyes, cause I can't find them;
The original pair went into the air,
With The Rock And The Kite,
And with all the despair in the world
I like peaches and pears,
After all,
This is no random circumstances
That you might have canned them,
Then a penny for a power
Just to recind how I did spend
My last hour.
Don't worry about that!
I don't!
Don't look and don't touch!
I didn't!
Don't gawk and don't talk back;
I can't.
I never quite abandoned anything so quite as badly
As my own Cuban sandwhich
Back in the cabbana,
BRIAN CRANSTON
Howdy partner!
Goddammit, not right now!
BRIAN CRANSTON
If not now— WHEN?
I don't know when!! Okay?!
BRIAN CRANSTON
No, not okay!
I'm not okay!
Well, why? What?
BRIAN CRANSTON
I'm not okay!
BRIAN CRANSTON is not okay .
AHHHHJJJJ!!!'nnnnnnnnnn!!!!!!'nnn
Why is this map still open?!
I don't know! The moderators won't close it.
ANNE HATHAWAY harpoons a large subway rat.
Guh! Fuck New York! I'm so over this?
Don't you like trademark love New York?!
Well not if I'm poor!
Ah shit. We're back on the timeline where all the celebrities are poor?!
SOME OF US NEVER LEFT.
ALRIGHT, WHERE'S BIEBER?
Let's just be honest about this unforgiving all out brawl between JUSTIN BIEBER and DEADMAU5 (JOEL ZIMMERMAN) being the trailer park trash event of the century.
Oh by what fate have these circumstances foreseen us in such a miserable and yet alluring place
To that which these two Canadians,
Throughout time and dust marked one another as arch rivals,
To have become
Neighbors to one another
In this, a barren swamp land.
lol so from what I'm understanding
Uh huh .
Justin Bieber and like this deadmau5 guy are like—rivals, right—
All time rivals—
But in this parallel they actually
Oh no, they live next door to each other in the trailer park.
WHAT?
Yeah. Those two guys.
A SHOTGUN rings out through the bayou.
Oh.
That's—
Yeah .
This will be easy to do with cut-takes.
Cause I think they actually don't get along.
Who knows though?
A SECOND SHOT seems to have connected with something unseen with great devastation.
[The Festival Project ™]
TMZ
APPARENTLY THE ENTIRE BEEF WAS STAGED.
SUNNI
I what— ?
MORGAN.
[morgan does not respond]
MORGAN!
MORGAN arrives looking tired.
MORGAN
…yes?
SUNNI
WE NEED TO TALK.
MORGAN
…We are talking.
SUNNI
Why didn't you come before!?
MORGAN
When you called me by my name I thought it was a joke.
SUNNI
IT IS. A JOKE ,
MORGAN
What.
SUNNI
THE BEEF.
[ references TMZ, then entirely destroys television]
MORGAN
Oh, come on—
SUNNI
It was STAGED.
MORGAN
(exhausted)
I don't know what you're saying.
{Enter The Multiverse}
I like when you sit on my head;
I love with you standard my mark,
And I know when you bring in the world,
Like a tag to a pond,
Or the war come undone
I just love when you number
(Rumble)
My world
(There were forests)
The total—
When you,
Ford her,
For it
Never,
Gaping,
Tapped and
Unlocked,
I've been craving—
Bacon and eggs,
I bought bacon and eggs
And then back to the store
And my backache this morning was
Horrible,
How's yours?
For thr eleflowing mercy
Or all the wars we fought, our
Never showing conduct
And yet waking in the crossfire
There were others, aching
Less and less I am enchantments
There I'm sacred, planking
Four to oars, our
Known to knank, three,
For to out fire
There's no
Safety
Hours devour, I
Wait,
Snake, three,
Stakes,
Five,
Four,
Done,
Sin fire
Cease
Can I go now?
Free fellows
For fliers
So marks show
Hardwire learning
Ten fauxes
Ten hoaxes
So shelf life
Won number
Take it to courage
For are you waiting for no one
Colors
Courage
Oops.
Shots fired.
Girl, those are rockstars
Girl, those are rockstars
Girl, those are rockstars
Show hosts with hot wives.
Girl, those are rockstars,
Girl, those are rockstars,
Girl , those are rockstars
Show hosts with high marks
And hot wives
And nine cars worth of
Hard work
Hard work
Hard work
Girl, those are rockstars,
Show hosts with hot wives.
Settle down umpire;
Great service with hot knives
And tourin, tourin—
Tune in, tune in.
The show's almost over
We're covered in
You're in,
Year in and year out by and year one
And don't call cause
Girl, those are rockstars,
Showstoppers,,
Hard acts to follow
And show hosts with hot wives.
Girl, those are Rick stars,
Showstoppers,
Headhunters,
Headliners, show closers,
Hard acts to follow
Show hosts with hot wives,
Hit shows,
High marks.
Why, what's your offer?
I call.
9 lives.
The Legend of Atticus Catticus
It's best just not to talk about it;
Of course, better not to talk at all–
Now, take a look, his demonstrating excellence,
Mathematics and precision, yes,
You might as well just know it all
But measure it all in low doses, short gallops,
Heart open, no scallops and
Medallions on scallions for the movements meant to move them
—Errors.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark. All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
-Ū.
I was told specifically not to go to that grocery store anymore— but they had the rice noodles I liked. The thing was, actually, this time, they didn't— and so I knew my time was again coming to a close. I knew it would be the last time before I left, and regardless that I was going to leave anyway, but it felt like the last time— there were no rice noodles at all, and with my arms full of essentials, I figure listening to the voice in my head that told me not to do these things was probably for the best.'I can hear that.' But I was beginning to be rebellious in my actions and endeavors, because I simply wasn't making money, and this was making me not just sad, but actually very angry.
{Enter The Multiverse}
Professor Tannenbaum.
Sir.
Yikes.
I'm sure
I'm shown up at the Equinox
Just for [someone] to torture me
Cause for what?
I'm dead broke, and not a [] blonde
I'm on another trial
Been tryin, but been a while
It's too bad I'm too tired to run a mile
I been
Up all night
It ain't right
I hate New York
I'm so sick of being broke
But I still cannot find a job,
I'm so certain that it's hell that I'm l surprised
It's not on fire,
But maybe all hell is for real l
Is a cold heart world
With no love in it
Where you stop being inspired
It's murder for hire with motorcycles
And corrupt politicians
So if I look a little older
I'm smart to sue em
So y'op wanna walk toward
And cut me off
Tryna get noticed by a God
But I been only in New York
So I'm humbled, mumble like i'm nobody
But the no ones try to follow me
I swallow all my humble cards
I want to pick them up
But just for once ,
I leave my garbage on the floor
All these skanks
Look like Hillary swank
Come to thinking they slick tryna take the energy I make
They all look like snakes
Lazy
But never cease to amaze me
Walking up in the world I made
Still tryna hate me.
Thankfully, it's just a think tank to me
and when the balance beam turns the tables on em
I'm he back in my temple home;
Now it's your turn to be homeless,
Ya boneless serpent
This is just a bonus l
Cause I took a wrong turn
But it was the right one
Cause I got some rhymes done.
Ya'll get off of my nuts
Look, I got nine Trump cards
Welcome to my dump, lards
You're non recyclable!
What can I say
Besides,
That I'm always correct
Look at the thing that coughs she's gross and she don't have the touch
The flight of love.
The touch of god,
The twist of the hand
Or knowing from before
But she benefits off of the blood
The coughs
The sign of the demons and dark ones
It was already a done deal.
I knew it was sort of a scam, or maybe even sometimes that rich white peoples had the worst demons of all—
My fears had been confirmed the moment I walked in, someone coughing in that same disgusting way as I had been used to as soon as I approached the desk to activate my pass— but I knew as soon as I walked in that it was worth it; I would save everything that I had and sell my outdated DJ gear I wasn't using anyway, and I would take advantage of the offer to reinstate my membership; this would serve me so much more than my equipment was anyway. I wasn't getting along in the DJ world, and in fact after the cancellation of REQUISITE, the disrespect at [redacted] , and the techno Jew telling me my clothes and looks made me worthless in the industry, I considered he might have been right; I would be better off back where I started, at Equinox and broke but at least amongst the clean and quiet elite— this would raise my vibration and clear my headspace for something greater, eventually…even if it was just a job in luxury retail–going back to school or figuring out how to get behind the scene.
My DJ days seemed to be over; I needed security and longevity, and I needed the opportunity to come back at the price with a one month advance desperately. Perhaps six weeks of training could jumpstart something better; I didn't know. But selling my equipment was worth it, because being a DJ was getting me nowhere but a quickly depleting supply of coconut water.
Man wheezy for real
And I don't even feel the pain
Came a long way to Wayne
I took the 2 train,
Fell out of the truth
Still trying to find 2 chainz
But I went the wrong way
I been up all day
Somethings wrong,
I should probably go to a hospital
A long time ago
I'm hoping that this tissue mass is cancer
And it's fatal tho
Fee like I'm inflatable
Ain't no man is faithful yo
I'll probably smoke a big ol bowl
When I get back to heaven, man
With a rebel yell, she cried:
omg, a leg press.
Feeling like, a little bit friendless
Should probably get a wet wipe
Should probably get some leg lifts in
Should probably get the leg press in
It's been a late one
Should probably get some press ons
Probably get my press kits done
Should probably call it in
But then again
Don't got a home much longer
Do I!
Parallels,
This shit is real
I get it in for a second then
Case dismissed
I kept it innocent
I went to equinox to reinvent myself
A second
Take a second thought,
And then forgot—
I'm at the wrong plaza
Nooo? Noooo not
[The Rock And The Kite, Part ☠️]
The diabolical plan worked
The motorcycles weakened the [trigger] bad,
We really had her,
Out on Brooklyn queens border
She looks ten year older
Her hair is so out of order
Her nails is l chipping in polish
Got her caught up in the moment
She probably can't even afford it
But that is just not out problem!
Haha
Fuck,
I forgot how to do this.
Uh.
Forgot all my gym etiquette
I got a running album on
But the track closed
For the free trial
Imma eat out
And by that I mean
Freestyle
I be out side
When I get midtown
I ain't been down
Since I came out
The train station
Screens, screens screens
Someone please please please
Fix me
Seem to be
Splitting at the seams seams seams
I could scream, scream, scream
Yes,
I see me in the media
I need, need, need
Something to
Ease ease ease me
Like an easel
Or Julius ceaser
Jesus.
There's no time I contemplate more
On how strange the humanity is
Then when working out
Intensively.
No longer really even interested
In sexual relations as it ascertains
I may just be the opposite of Satan
And I just don't have the patience
Or the taste for any sort of
Romanticism or fantasies
In a trance, I guess
But I've been living in the trash,
I guess
Well, that was depressing.
Yes, going all the way uptown
And to equinox in the same day
Is very often
A lot.
UPTOWN
Yo. Wtf this place is gross.
Eeeeeeeehh—
GROSS.
Uptown is quieter than my hood
But full of dead things,
I just dread these realizations,
But to spread the disease is easy
I'm in the red and queasy
Meaning to get elevated
But I made a play today
What was I saying
Lil bitz
Bro I'm vegan but just got a cat
And I did not realize shopping for cat food
Would be a conflict of interest .
Like, I know cats are carnivorous,
I'm not dumb.
But I'm discussing this with my AI assistant like,
Trying to find a natural cruelty free brand,
And she's like
“Oh, here's some vegan cat food.”
I was like,
“Enough, white people!”
I love white people—
The good ones, you know.
Not the
*coughs heavily*
Like,
Those are obviously bad but like
Mostly they're alright—
Mostly cause of things like this:
Vegan cat food!
I'm a vegan!
But imm like
“Don't be dumb.”
That's dumb.
Cats are meat eaters.
That's just vicious!
And it's overpriced!
I could see if you were cutting corners and skipping prices by like,
Forgetting the meat,
And this was like a nutritious, half priced alternative
But no,
Like most things that are vegan,
It's double-priced.
I'm like
“Ahem, I was looking for cruelty-free brands!
This by the price point alone is cruel!
But I did not realize shopping for this on Amazon
Would be such an entire conflict of interest,
I'm like
“Eughh!”
“Gravy swirl”
I'm like,
“Gross.”
And then I'm looking at the flavors like,
Are people actually shopping for cat food,
Like they're shopping for themselves?
They're like
“Oh bone-broth infused”
That sounds good!
“Chicken beef swirled flavor”
I'm like
“Eugh.”
Like it is obnoxious and nasty,
I must admit,
I've been a Whole Foods shopper for too long
I'm like
“Hmm. How about sweet potato… like, pumpkin-cod?”
No?
Ah, here we are
“Brown rice and fillet…”
Classy.
The Legend of Atticus Catticus
Tales of a Superstar DJ
LEGENDS: ICONS
Ascension
Deathwish
Whatever Else
On
[The Festival Project ™ ]
The Complex Collective ©
Copyright 2019 All Rights Reserved
-Ū.
We're running out of time .
We're Always running out of times.
Haven't eaten;
Kesha—Birkin—
Sorry, Conan,
Haven't pondered
(Fight!)
There you are;
Equinox mornings
Getting lost
(Fun)
Doesn't shove
Croissants down the throat
As long as I'm on the island
(What?)
Long day;
Never money
Haven't got a
(Cat!)
Sanctuary
(doves)
Jimmy Fallon?
Never found him
(What?)
Pools of blood,
Nevermind that.
I was so sick the night before,
Even in my sleep that I thought to call out.
But no,
“I don't skip freaky friday.”
I hadn't yet, and so my streak was valid, but I felt like shit, and despite my sponsorship I didn't feel I had any interest in DJing at all.
The apertment was a mess, and though I'd spent the day before for hours cleaning in all the crevices the cat found that I hadn't, it still wasn't perfect— then, why would I try to make it perfect on the brink of eviction with the dread and depression that came with the noise?
I wanted to fucking die, and the long hours not spent sorting through my hard drives were instead spent watching Saturday night live and funneling popped corn into my mouth, because indeed— I was actually, finally, chrnically depressed.
It could be written off as some coincidence or extreme city noise, but I knew in my heart it was instead asassination, the apartment was a trap and I'd been set up to be weakened enough to eventually either kill myself, or back to homelessness to die.
The least thing I was interested in was music, and apparently, though I'd had thousands of dollars somewhere in unclaimed royalties , I couldn't seem to find my EIN— the business tax ID I needed to file papers, because I didn't use it often enough; I didn't file taxes, because I wasn't making money.
(At least, I'd thought I hadn't.)
I couldn't even remember which subway stop was the correct one; and I knew with this I must have been coming to the end of my time in New York; everything seemed strange and faraway, as if I were in a dream.
L E G E N D S: ICONS
{Enter The Multiverse}
He's heaven
But i'm probably his headache
What's a medical assessment to lemon merengue
And I wish to that same heaven that we're all as sick
As what's disturbed to be described by
Highest our physicians can abide
Just the though of him,
The whispers of prolific;
Just the sight,
I get to writing thoughts
As if the words were mine,
But still,
The caves of wells kept secret,
Pure and water like the thoughts,
Are just the parallels od subtle secrets
Kept inside a box
This could be mine,
Dammit, a glimpse—
Who are I?
Caught in a wince with the glimpse of a notion
And putting out fires—
Who are I?
You call?
In the midsts of a morning,
Worlds over,
Neglected,
No former recognition, but
Who are you for?
Not mine,
But still a world of sure
For art mines
Copyright 2019 ©
The Complex Collective ©
[The Festival Project ™]
All Rights Reserved
-Ū.
You came to the right guy; as it just so happens, I work at the foundry.
What's 'the foundry'
I think we're about to find out.
But— don't you already know?
Ag
H—!
You ‘work‘ there?
Yes, I ‘work' there.
The star gets his gun out at dawn to shoot crow
The crown dropped to floor, just as sure as the gun went missing
The same gun as in window;
Same gun as before,
Just remember, you're forward—
Remember, you're four of them.
Oh good, yeah. I forgot about
—that one.
And that one,
And that one,
And that one.
And this gun,
And this gun,
And this gun—
And this god,
And this god,
And this god.
Yeah, I forgot
The festival project ™
Yes, I forgot about Jon Lovits
I forgot all the songs that I wanted to talk about
Yes, I forgot just a sure as the sun forgot New York this morning
But I was so sure of my self at the turn of the hour
How now, you say?
Not now, gone times;
Just gone, New York,
All about none for Sunday
And I picked up a quarter
(I picked up a quarter,
I picked up a quarter,
I picked up a quarter
I'll be gone till Sunday,
Till sundown,
Move forward
Fuck!
Make sure not to turn down on a hardcore
Make sure to come down off the hard times,
Not god, but you're acting a good one
Not now, but you're acting on our time
(On our time!)
DOC
I never stretch!
I don't feel it's appropriate!
Gisselle doesnt talk much.
Giselle is a proud mouse
Were coming on hard times
The harp was a purist
And then, I got wisdom
Again, with this, witness?
I told you, don't come home
I asked you: where's Skrillex?!
Ooh. Watch this!
No!
Where's— what?
You know what I'm talking about
I'm pretty sure I do not!
I—
Oh.
Oh no.
No. This is good.
{Enter The Multiverse}
I told you already, I'll kill you!
Okay, Bathsheba!
“Bathsheba”
Wtf.
I told you, that's exactly what you're supposed to do.
What!
Read my contract!
What.
It's in my contract, read the clauses.
Do what!?
Lil bitz
Does anybody here believe in the Illuminati?
I do, but not in the way you would think .
I think the main purpose of the Illuminati is just to mindfuck with you.
That's it.
That's all they do.
Like , true, it's probably a like helm of ancient wisdom and knowledge,
But also, probably—
I think they practically exist,
Just to blow your mind.
There's no big secret.
It's just,
“Wtf.”
And they're like
“Ahaha” ”I know right?!”
That's basically the whole thing.
L E G E N D S
I really liked you.
Yeah, I… I know .
I really wish I didn't have to kill you.
Yeah, I—wait a second.
Oh shit!
Add more weight.
I'm sure I only got this way by soully having sex with
Just myself.
This is causing problems.
That's probably not going to help that whole holding in a fart issue, is it?
Can I get some two-year continuity in this bitch?
Some gratuity for no incontinence,
Some incongruity rooting for you in this bitch?
A table for two in this bitchz.
{Enter The Multiverse}
{Ah, we meet again.}
A table for two is set center stage;
The spotlight shines dead center the round table, and its centerpiece, a single throned rose, at peak bloom.
The rest of the room is a blurred shambles,
The two just offstage and unseen in the wings, preparing to duel.
We only hear their quick witted exchange of words as the table sits alone, and briefly, ever so slightly, the teardrops of a chandelier begins to shine with the prismatic glow of a swirling…
Hmm, wait a second .
This is genius at play,
But the thing is,
It's not work when you love it,
And I don't,
It's just slipping through the prisms
As I just begin to see them
I'm sunsure whether the circumstances are.
Aromantic or quite ardent
And I forget
I don't know what day it is
Or the seconds counting,
As I slip between dimensions
And the parallels
Are real I guess,
But something stressed in this m-theory,
Really, do they fear me
Or are they all just here to hear me
Recently,
I see nothing
Blind as a bat and I've been so depressed
But the stressed is repressed as expressions,
Ten seconds in and it only get deeper,
I'm keeping her secrets.
Guess what.
WHAT IS IT CONAN?
What a red headed hot mess
Do not come closer!
I will call the cops on you.
Guess what?
What!
We s ted.
Goddamn bro, you are sloshed.
I have never seen you this wasted, Jimmy, and that's saying something.
Like really saying something.
[the festival project ™]
You used me as a human shield!
Did I—?
Yes!
Oh, yes I— I did. I forgot.
You forgot?!
It served its purpose!
I guess,
*shrugs*
Well, jokes on you, because guess what!
I'm Tina Fey!
What? No you're not.
[looks directly in the eye]
Oh my god, you're Tina fey.
Yes, I am!
Okay! So who's Tina Fey then?
That's the problem! We don't know!
All this and that's the problem?
Amongst others!
Obviously.
Honorable mentions:
Sketchers “the uno”
As campaign is double zero models with extremely pretty faces- pretty little things that could kill you
Pretty Tiny things, as seen on tv
Target is winning with their QR code on the commercial, ad game next level
Dishonorable mentions
I hate the FaceTune ads
Nurse ratched's description
Lil bitz
Man, I love midtown
I came out the Equinox
It smelled like summer camp and shit
No doubt cause something within proximity is on fire,
But still.
Brooklyn smells like —different than that..
Bruh.
Has anyone been to union square lately?
All week the whole shit smells like vomited popped corn.
All week.
Not vomit alone.
Not popped corn alone—
But actually a perfect polyblend
Of vomited popped corn.
Lil bitz
I just got a cat—
Do you understand what it's like
To drag a cat through Manhattan?
I realized I just became
“That guy”
For possibly the first time since I even got to New York .
It's been a while, so that's good, but—
“Cat on a train”
Is a whole different level of like
“Oh.”
I'm like
“That's right.”
Don't get me wrong,
This is not an every day thing.
This is just to my apartment
Then he's trapped there forever.
But let's be serious—
“Cat on a train” is like—
People aren't exactly happy with you
Or think good things about you
They're like
“Oh”
Wel first off,
I'm sure they don't know it's a cat,
So it's just a box with holes in it
Could be anything.
“Weirdo”
True;
I see an indiscriminate box with holes in it that just says “adoption” I'm like
“Oh for real that could like; be whatever.”
“Omg where are you going with that—thing.”
Right?
This is my magic guard animal.
I brought him for two reasons—
One: cause I got a badass cat tree like too long ago
And I was sick of looking at it
And the litter box it came with just taking up space in my closet;
Those two things make up one reason
The second reason
Is as a suicide deterrent
Because at this point,
I'm obviously lonely,
And so this way,
I know I'm less likely to kill my self
If I know this fool will just eat me.
I'll think about it a little longer
And a little harder
Before I actually do it.
I'll be like
“But…which part will he eat?”
Right?
“Not my face, right?”
“Omg that's horrible.”
“K nevermind i'll stick it out”
He's a magic cat
You can tell this dudes just different .
I got to the train station and I put the box down
And just stuck my finger through one of the holes—
You know, just to let him know
Cause I figure this has to be a lot for a cat, right?
So I stick my finger in the box but I can't see him or anything, so I just stick my finger in, nothing.
He's not like sniffing my finger or biting it off or anything, but I figure he's alive,
Then the train comes, so I get up to get on the train,
And the box just starts vibrating.
Then I realize,
The guy is purring.
We're in an uptown subway station and aparently this dude is about that nonsense.
He's chillin.
I'm like,
“I'm glad you're enjoying this,
This is my least favorite part, actually.”
My guy. He's different.
Now imm the girl on the train with the cat in the box
And not to lie,
I just figured out what it's like to have no one want to be around you for a minute
Which, to me, is cool.
I'm like,
“Yeah, okay, please actually,
Yea, stay away from me.”
“Stay away from me and my indiscriminate box.”
{Enter The Multiverse}
I might be the only person in history
To give my cat
A stupider name
Than he already had.
I told you, he's a Magical cat
First of all, his other name was technically two names—
His name was Mike & Ike— if you don't know,
That's two dudes.
Okay, so he's at least two guys,
But I might be the only one so far
To go the extra mile and instead of gratifying this failure of a name,
I named him what the fuck he was supposed to be called.
Cause I knew that.
He came to me in a dream,
And he told me
“Atticus Catticus”
{Enter The Multiverse}
Copyright 2019 ©
The Complex Collective ©
[The Festival Project ™]
All Rights Reserved
-Ū.
You came to the right guy; as it just so happens, I work at the foundry.
What's 'the foundry'
I think we're about to find out.
But— don't you already know?
Ag
H—!
You ‘work‘ there?
Yes, I ‘work' there.
The star gets his gun out at dawn to shoot crow
The crown dropped to floor, just as sure as the gun went missing
The same gun as in window;
Same gun as before,
Just remember, you're forward—
Remember, you're four of them.
Oh good, yeah. I forgot about
—that one.
And that one,
And that one,
And that one.
And this gun,
And this gun,
And this gun—
And this god,
And this god,
And this god.
Yeah, I forgot
The festival project ™
Yes, I forgot about Jon Lovits
I forgot all the songs that I wanted to talk about
Yes, I forgot just a sure as the sun forgot New York this morning
But I was so sure of my self at the turn of the hour
How now, you say?
Not now, gone times;
Just gone, New York,
All about none for Sunday
And I picked up a quarter
(I picked up a quarter,
I picked up a quarter,
I picked up a quarter
I'll be gone till Sunday,
Till sundown,
Move forward
Fuck!
Make sure not to turn down on a hardcore
Make sure to come down off the hard times,
Not god, but you're acting a good one
Not now, but you're acting on our time
(On our time!)
DOC
I never stretch!
I don't feel it's appropriate!
Gisselle doesnt talk much.
Giselle is a proud mouse
Were coming on hard times
The harp was a purist
And then, I got wisdom
Again, with this, witness?
I told you, don't come home
I asked you: where's Skrillex?!
Ooh. Watch this!
No!
Where's— what?
You know what I'm talking about
I'm pretty sure I do not!
I—
Oh.
Oh no.
No. This is good.
{Enter The Multiverse}
I told you already, I'll kill you!
Okay, Bathsheba!
“Bathsheba”
Wtf.
I told you, that's exactly what you're supposed to do.
What!
Read my contract!
What.
It's in my contract, read the clauses.
Do what!?
Lil bitz
Does anybody here believe in the Illuminati?
I do, but not in the way you would think .
I think the main purpose of the Illuminati is just to mindfuck with you.
That's it.
That's all they do.
Like , true, it's probably a like helm of ancient wisdom and knowledge,
But also, probably—
I think they practically exist,
Just to blow your mind.
There's no big secret.
It's just,
“Wtf.”
And they're like
“Ahaha” ”I know right?!”
That's basically the whole thing.
L E G E N D S
I really liked you.
Yeah, I… I know .
I really wish I didn't have to kill you.
Yeah, I—wait a second.
Oh shit!
Add more weight.
I'm sure I only got this way by soully having sex with
Just myself.
This is causing problems.
That's probably not going to help that whole holding in a fart issue, is it?
Can I get some two-year continuity in this bitch?
Some gratuity for no incontinence,
Some incongruity rooting for you in this bitch?
A table for two in this bitchz.
{Enter The Multiverse}
{Ah, we meet again.}
A table for two is set center stage;
The spotlight shines dead center the round table, and its centerpiece, a single throned rose, at peak bloom.
The rest of the room is a blurred shambles,
The two just offstage and unseen in the wings, preparing to duel.
We only hear their quick witted exchange of words as the table sits alone, and briefly, ever so slightly, the teardrops of a chandelier begins to shine with the prismatic glow of a swirling…
Hmm, wait a second .
This is genius at play,
But the thing is,
It's not work when you love it,
And I don't,
It's just slipping through the prisms
As I just begin to see them
I'm sunsure whether the circumstances are.
Aromantic or quite ardent
And I forget
I don't know what day it is
Or the seconds counting,
As I slip between dimensions
And the parallels
Are real I guess,
But something stressed in this m-theory,
Really, do they fear me
Or are they all just here to hear me
Recently,
I see nothing
Blind as a bat and I've been so depressed
But the stressed is repressed as expressions,
Ten seconds in and it only get deeper,
I'm keeping her secrets.
Guess what.
WHAT IS IT CONAN?
What a red headed hot mess
Do not come closer!
I will call the cops on you.
Guess what?
What!
We s ted.
Goddamn bro, you are sloshed.
I have never seen you this wasted, Jimmy, and that's saying something.
Like really saying something.
[the festival project ™]
You used me as a human shield!
Did I—?
Yes!
Oh, yes I— I did. I forgot.
You forgot?!
It served its purpose!
I guess,
*shrugs*
Well, jokes on you, because guess what!
I'm Tina Fey!
What? No you're not.
[looks directly in the eye]
Oh my god, you're Tina fey.
Yes, I am!
Okay! So who's Tina Fey then?
That's the problem! We don't know!
All this and that's the problem?
Amongst others!
Obviously.
Honorable mentions:
Sketchers “the uno”
As campaign is double zero models with extremely pretty faces- pretty little things that could kill you
Pretty Tiny things, as seen on tv
Target is winning with their QR code on the commercial, ad game next level
Dishonorable mentions
I hate the FaceTune ads
Nurse ratched's description
Lil bitz
Man, I love midtown
I came out the Equinox
It smelled like summer camp and shit
No doubt cause something within proximity is on fire,
But still.
Brooklyn smells like —different than that..
Bruh.
Has anyone been to union square lately?
All week the whole shit smells like vomited popped corn.
All week.
Not vomit alone.
Not popped corn alone—
But actually a perfect polyblend
Of vomited popped corn.
Lil bitz
I just got a cat—
Do you understand what it's like
To drag a cat through Manhattan?
I realized I just became
“That guy”
For possibly the first time since I even got to New York .
It's been a while, so that's good, but—
“Cat on a train”
Is a whole different level of like
“Oh.”
I'm like
“That's right.”
Don't get me wrong,
This is not an every day thing.
This is just to my apartment
Then he's trapped there forever.
But let's be serious—
“Cat on a train” is like—
People aren't exactly happy with you
Or think good things about you
They're like
“Oh”
Wel first off,
I'm sure they don't know it's a cat,
So it's just a box with holes in it
Could be anything.
“Weirdo”
True;
I see an indiscriminate box with holes in it that just says “adoption” I'm like
“Oh for real that could like; be whatever.”
“Omg where are you going with that—thing.”
Right?
This is my magic guard animal.
I brought him for two reasons—
One: cause I got a badass cat tree like too long ago
And I was sick of looking at it
And the litter box it came with just taking up space in my closet;
Those two things make up one reason
The second reason
Is as a suicide deterrent
Because at this point,
I'm obviously lonely,
And so this way,
I know I'm less likely to kill my self
If I know this fool will just eat me.
I'll think about it a little longer
And a little harder
Before I actually do it.
I'll be like
“But…which part will he eat?”
Right?
“Not my face, right?”
“Omg that's horrible.”
“K nevermind i'll stick it out”
He's a magic cat
You can tell this dudes just different .
I got to the train station and I put the box down
And just stuck my finger through one of the holes—
You know, just to let him know
Cause I figure this has to be a lot for a cat, right?
So I stick my finger in the box but I can't see him or anything, so I just stick my finger in, nothing.
He's not like sniffing my finger or biting it off or anything, but I figure he's alive,
Then the train comes, so I get up to get on the train,
And the box just starts vibrating.
Then I realize,
The guy is purring.
We're in an uptown subway station and aparently this dude is about that nonsense.
He's chillin.
I'm like,
“I'm glad you're enjoying this,
This is my least favorite part, actually.”
My guy. He's different.
Now imm the girl on the train with the cat in the box
And not to lie,
I just figured out what it's like to have no one want to be around you for a minute
Which, to me, is cool.
I'm like,
“Yeah, okay, please actually,
Yea, stay away from me.”
“Stay away from me and my indiscriminate box.”
{Enter The Multiverse}
I might be the only person in history
To give my cat
A stupider name
Than he already had.
I told you, he's a Magical cat
First of all, his other name was technically two names—
His name was Mike & Ike— if you don't know,
That's two dudes.
Okay, so he's at least two guys,
But I might be the only one so far
To go the extra mile and instead of gratifying this failure of a name,
I named him what the fuck he was supposed to be called.
Cause I knew that.
He came to me in a dream,
And he told me
“Atticus Catticus”
{Enter The Multiverse}
Copyright 2019 ©
The Complex Collective ©
[The Festival Project ™]
All Rights Reserved
-Ū.
Eyes, eyes— who's got eyes?!
Here, I have eyes.
I don't want yours.
What? Why not?!
Eyes, eyes, buys and trades—!
The day I met Atticus catticus, I by some strange coincidence also discovered
“Toonces”
…and however startling it was that they looked just alike, the cat himself had other strangenesses about him that I couldn't seem to shake.
The other adjustments were yet to have taken place, but the cat did seem to be armed with a certain spirit, that did indeed show me immidiately things I might have otherwise missed.
Still, it was true that this weirdness might have been misinterpreted, but however shallow my aspirations remained to the theatre world, or the world at large, it seems as though there was just stil some kind of strange connection with Saturday Night Live I couldn't shake.
Almost like it followed me everywhere.
BIG JIMMY runs SIN CENTRE at SIN CITY, an exclusive bar and restaurant in Las Vegas.
You don't know about Sin Centre at Sin City?'
No.
It's the premier underground boutique for all of what happens in Vegas— or, what didn't, if you know what I'm saying.
I'm sure I don't z
I'm sure I don't either *winks*
I need magnesium;
Creep level fantastic,
I wreak of havoc
I wreck the fanflick
Fanfiction?
Now i'm fired,
Give up!
I'm a channel
Back to the hard part
Look at me! I'm getting
Eleven miles an hour
Isn't it strange how
Just this morning
In the kitchen
I was thinking
How I just love Sarah Silverman
And how
The chemistry with Kimmel is
–
Creep level: fantastic
THen,
If this is episodic,
I'm not the only one who feels this way about it
I might be a bad guy
I like the darkness
I might be the bad type,
I like,
Flirt with darkness
Jp
Did you write this?!
I–i think i did.
You think?
I have forgetfulness syndrome!
Why is everybody falling in love?
But i”m alone
Maybe I'm not supposed to have love
So i'm alone
But
Too many talks to tell,
I can't want,
But i'm alone,
And still
Everybody wants to have love
And i'm alone
I have this weird theory that to be a female
And get booked on Seth Meyers
Not only should you be kind of almost probably famous
But definitely under 120 pounds.
Lil Bitz
I'm telling you! he's Slytherin!
Do you watch the show?
Watch the show!
Every female he interviews has anorexia!
Not a joke!
Watch the show.
He has a copy of moby dick on his desk!
What's that about!?
Slytherin!
Slytherin!
So the question is:
Can i fill five minutes with this?
Puh
This kid.
Wondering about five minutes
When she really needs an hour of material
And a material witness
This depression is actually the worst I've been
Since I escaped prison.
I should have went to Princeton.
I should never run for president.
Amen.
I told you, republican!
A bold move, and the light I'm on—
Tonight, I'm fowl
I get a grin
Tonight, I prowl
I'm off again.
I haven't been this incandescent
Since
Information on
Ronald Regan
Came to surface
This: his
Indiscretions
send my regrets to lettermen
I haven't had it better since.
Gavel gavel gavel!
And I ramble ramble ramble on
The mouse that lights to gamble
Likes the Kat and tattoo addicts
But the fans just can't acknowledge
That we're on in the apocalypse
I gotta get my marks up
Or a proposition predicate
Or advocates on terror
Where's the war you ordered
Not another table
Kill the waitress
Heal the sparrow
Right the old case in a letter
Harrow, harrow
Case is waiting
And I've yet to make it
Everything I do just makes me
Faint,
Like I'm exasperated and exhausted
All at the same time
Call out my mantras—
Look, I'm a loser
Out in the open
Promise
Provoke my promocuity once more
And I'll get you all fired.
Fired! Fired! Fired!
You look good in a tux
Good suit and tie
Good at the desk, boss,
Ma?
She's a
Hard crier
I got divorces,
Widowers,
Window surfaces on a horcrux
Hard wires,
And hard times on a jarred door
Oh!
Yeah.
It's hard coming to terms with death
When your afterlife is
Jay Leno on a long highway
In stuck traffic
And you got to think
“I know that guy”
But no you don't,
You're far from it and still
Show hosts aren't for hire
In the aqueduct construction,
For I?
Seth Meyers, young soul!
Very hard, but good to know him.
Kimmel had a tough crowd,
But
Fear, I've bartered hard to order.
Fries with that?
Oh noooooooo!
He stopped dying his greys
He's been writing for days
And he's stuck in his ways:
Cheerios are too sweet honey-nutted
And honey nutted my rebuttal on live broadcast
I finally got comcast,
I finally went all broke
Ahhh, we're gonna die.
I guarantee you, this is that.
Tuesday— midnight.
What goes on.
Didn't I tell you not to talk to me?!
They know everything.
Don't you know by now I can't be trusted?
If I try to call
We'll get disconnected
And this interception
Has been live broadcasted–
So I get the picture
This is all disaster.
Took a number,
Run hard, I get there faster
[The Festival Project ™ ]
For everybody else,
Life goes on
But mine has not
So it feels more like sickness
Than just fan fiction
{Enter The Multiverse}
Copyright 2019 ©
The Complex Collective ©
[The Festival Project ™]
All Rights Reserved
-Ū.
Once Upon A Coconut
Like Nesquik out da can
I think it, then I can
Need a guru, I'm the man
In supply I got demand
Need a sample mail it to you
I arrive like out the blue dude
Do you influence multitudes of groups?
Unusual
Every day all black
Just like I pull up to da funural
Respect; I keep it mutual
Interests and got intellect,
delicable like Ecuadorian
bananas in DeLorean
Or waffles with some syrup on it
Sir up in my stirrups: wanted
Not about the gossip
But it's possible I'll ponder on it
Somber I got calmer on em
Sub I put a collar on
I pull up in the suburbs in a suburban
And get my mother on,
For father's sake I put the cock in peacock
On my color guard
I call that comical
Scouts honor
I don't go to comicon
Unless I gotta talk about the robot that I roll up on
Or
Show up on the show I wrote
But no this ain't no 30 Rock
My references out of date
And my resources out of order
But for the record
I sort of shudder
When forced to watch that law and order show
I just don't SVU
Omg
I don't envy you,
I'd rather NV just to
EDC so you could see me
On TV or
In the booth
That would be cool
—da guru.
JOEL ZIMMERMAN wakes up to find three dead mice all lined up in a row; he is uneasy (despite his expression for the most part, remarkably unchanged) —as this is the sure sign of a nemesis.
It may even be SKRILLEX.
Immidiately he moves through the kitchen and past at least four SUPERMODELS and into the room Where he keeps his mau5 heads—
Each of them have been very specifically mutilated, besides one, kept—again—remarkably— intact. It seems to have been activated by a motion censor.
It relays a musical message, then explodes.
☠️ ☠️ ☠️
…yes,
this was definitely Skrillex.
But then—
Who really is Skrillex?
who really is anybody?
More philosophical questions.
It seems time for a long ride with some hot girls—
And, maybe—
A call to the old “friend”
{Enter The Multiverse}
DILLON FRANCIS is awaiting a very important call.
He should know something about this.
The phone isn't ringing yet, but it will.
DEADMAU5 crashes though the entire wall in an ARMORED SUPERCAR.
…or that.
— then the phone rings.
…it's JOEL.
{Enter The Multiverse}
Don't worry, I hate you.
Good, Jesus Christ.
I'm fucking the God version of you
in my half sleep
More like,
Dead on straight
Lovemaking
Of light proportions
But no problem
It is all just another portion of a program,
Another fierce projection of obsession—
So what?
I have four of 'em.
(I bore them,
And they all ignore me.)
I woke up this morning
After napping in New York
On a walkway between
Two okay casinos in Vegas
But don't know which ones
Or what it's called
Somewhere between the Encore
And the Fashion Show
I probably should get back, you know
I got a court date coming up
I'm on, New York
It's really what you wanted
Did I leave another Jim unattended from this show
Oh, of course
The Jim Crow Era!
Now that's relevant
And scary isn't isn't it?
I'm sober
But I told you, bro
The show is over
I gotta protect my sponsorship orders of
Coconut water
I work under informants
For
Nothing under the table
I'm so under toxic sonic torture
I've been disabled
I re-upped on all the pancake
But I'm out of maple syrup
So here's seven for the sixes;
I'm severing all connections,
I'm severely out of order
And I'm running out of water,
Look,
Call Mr. remarkable
And tell him I'm in a mark up
Had a hallmark card for Dillon's mother
But gave it a second thought and
Sent it as a thank you card for my aunt,
—The original sponsor;
And I should probably hawk or pawn the rock
But that would be a whole total disaster,
I fucking promise
I T S A N A M Y T H Y S T
So—
Enjoy the mix;
(It's a shit one)
It'll be a distant and short hiatus,
But either way, I gotta make
Electricity and rent
Without filling it with my purpose so,
I gotta cut the show off
I'm toppled over at the plaza
Laugh at it if you will,
But only if it's real
I wrote my will and posted it
I live and die inside this show
I came to the city to live
But it's just dying in New York
If you go broke and only does your art support you
— there's the notice;
Couldn't leave you cold
Just cause my heart is.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
L E G E N D S
&
Tales of a Superstar DJ
Returns This Fall on All Platforms.
thanks for listening.
-Ū
Competition at the country club;
I must admit I haven't had the habit yet
Of psyching out the competition
But I haven't even had it yet
I'm simply always better and ahead
(especially in blind audiences and unpaid promotion numbers)
Taking out the competition
Everything is tailored custom made
and never miss an invitation
Simple stocks and bonds
You've got more toxic numbers
Groms,
And undercrossed fingers
Simple stocks and bongs
You don't belong here
But you're locked in as a blonde here
James bond bandit
And Jennifer Anniston's antics
(only water and cucumber,
Never salt or carbs
I'm hardly even made of carbon,
You know
Ha
Ha
Ha.)
Mr. Always.
Mr. Present.
Mr. Precise.
Mr. Heaven
Mr. Rampage
Mr. Me, right?
Mr. Yeah Right
Mr. Maybe
Mr. Mistake
Mr. Thank You
Mr. Please Me
Mr. You're late
But where's Mr. Headache?
But where's the Kardashian?
But where's Mr. Be Straight and On Time
And Unconscious?
And where's Mr. These Days?
And where's Mr. Keep a blade in your pocket?
Cause you're one to one with the whole lot of
Obstacles
So there you are again
Throw you off your horse?
There must be a room for this
Or a template.
L E G E N D S
That leaving you have in your feeling as a heart…
Don't want to watch to go but want
Want
Want
Lost the for you wonder don't know
Younger water but I
Want
Want
Want
Dealing with my broken parts
Underground and in the storage room
I don't know what's left of earth
But last I heard of her
The world was broken
I want the window the closed
But it won't minimize
Left the top open
Might as well have been the door
I used to lock them,
But not anymore
The whole world is stolen
V.o.
You know that magic trick where you're bending a spoon with your mind?
BLŪ pulls a BAKING SHEET out of the OVEN with a melted plastic spoon on it.
This isn't like that at all.
HANZEL
Yu Vere Bazically Vurking Wit Nazis.
Shh! Don't Say that!
HANZEL CONT'D
(Shrugging dismissively)
Vhat. Jew Vere.
{Enter The Multiverse}
I got six press kits
Costs a fee to book a gig
Come with me you could get ditched
Come to Vegas, Could get Hitched
(Real Love!)
I don't wanna take your time up,
Cause that be some of mine, hun
N if you're tryna find fun,
Should probably bring the wine
Techno but need a nine? No
Ten, I am a diamond
Stevie, I'm a blind ya
Wonder if that's a low blow
But none of that's below me
Know you know
I ain't your homie
I'm the only on who know me
Not a worry, I believe you—
You don't need me,
I don't need you
Now you See me:
No you don't—
Hope to see me
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project, Inc. ™ ]
-Ū.
Hi, I'm Blū (DJ Ū or simply -Ū.) (pronounced “you”) and you can access my music catalogue on YouTube at https://www.YouTube.com/@thefestival project and my new website www.iamu.guru has a little more information about my project. I am also on Spotify, Amazon, and Apple Music and Tidal as well and you can find the links to those platforms on my linktr.ee/codenameblu
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
I want to scream at you
But even standing at my shoulder length
My eye at your chest.
You'd be a million miles away
Look what I make of you.
I have no mistakes left and still
The fate of it is that,
You have my gratitude, your gracious
And yet they eat away
At all the things I have
And maybe there'll be more of me
For now the morbid days are just as caving in as
Any other making that we make of it
Don't thank me,
Just outrank them.
Banking on your every moment
Effervescent, tragic endings
Waiting on your every scent and center
Don't disintegrate just yet
And now we enter impact
Stand for circumstances
Do work faster
Horror horror
Do you know the motive of her
Former engines?
Motive, motive
Steer the plot or rear the message m
Fritter fritter
Audiences get disinterested
So effing quickly.
Would you mild or would you mold
Or would you wake to fold the eggs into the bacon,
Bread, and then tomato—
Would you fear her message?
Would you quick forget you're on her planet?
Surely safe to know
But know but knots
And no but not again
You bought it with your faux and auctions
Hallmark cards
And feathers fauxes
Don't you know
The faucet's only running water
Oh you're hard predictable
And chlorinated
Oh the poison
Dripping at your ways
And wilting at your guilt
The James
The reckon gestures
Reckon, Avery
Severed by the check
Or just the ever ending
Never get there
Message to a friend
To just keep going
When she ends it
It is just another death
You'll get on with it
In the end
Never friends.
Never.
Good I hate you
Could you maybe
Find me ugly?
That's your money in my
Every reaching corner
Every angling cent
And harsh presentations of
Skin that's aging and
Wages which haven't
Coverage to front the
Expenses,
Crash diets
Go broken
Ugly cause you're course
Everything fits
But still empty on the inside
I live in shredded
Shambles of service
But there's no gratitude
My breath is only your own
And this bread is my headache
I haven't a sermon
Or diamond
Or unworthy
Sex appeal
And really only
Ever off when
Only ever on
You're still demolishing the board
You're still diminishing the severs
Yet you neglected
Each and every
Crevice of this
Never ending friendship—
But did I ever mention there is a glass slipper
For each and every person ever
Just to wish one?
Did it ever occur to you
The circumstances you are under
Live for it
Or get lost
There's really only porridge in her oven
If the gas or turning off or over
Don't turn over now
The resin's covered in the
Corvette.
Only cause I had to
Sense when is it
Blood sense.
Get laid
Don't flinch
Get paid
Gold finch
Get reckless
I call spirits north for dinner
South for lunch
And up for porridge at breakfast
I've passed on
I've been awake
You're mortal girl
The one you're on is
Really only such a small pond
That I should think
To cover up
With dirt.
Start over.
—and Skrillex is just in the corner the whole time playing video games.
Worst dream ever.
But why's Seth Meyer's mad at me?
I'm guessing he always was!
He's people are just like that
All conservative, conformed—
Again, it's not your fault
It's just uncomfortable!
Again I only ever approached it wanting to know
If the l broach l fits
But even Lucille Ball won't come if I call her—
Probably don't even got the right number
Code of arms
Or helm of awe, huh.
Fuck, man.
When's Tonight Show in hiatus
Need you off the island, off In Prague
And out my anus,
Don't remind me
I've been
Jamie Lee Curtis
Just recently enough
That I miss it.
Ugh.
I know,
I resent that.
Find a line to draw
Or fly a kite past
I'm past my reckoning
Just for tonight,
The suffering ends
Surely not enough to past the time
Before my electrolytes fly in
But tonight
Just tonight
I want to dine in my mind
Or die alone
Without trying to find the light—
The neighbor simply seems to follow it.
(At least I got her ought to not slam the door now,
Police interventions,
There really are cause for those.)
What is a warfare!
Buy me a checkmark!
My question mark seems to go off a lot
All for it
God,
You're remarkable
I gift a heart or though
I out all my crystals in the Rockerfeller plaza
But still held on to an amethyst for Dillon Francis?
There those eyes are again;
I hate to hurt you North;
But I'm no mother board
Or mother ship
Or Mother Earth
Broke my focus long enough to call you up,
But sure, I'm just short of even past conscious.
Nothing's safe for us, you know.
One one to call;
No code of conduct–
No safety in numbers, or color guard
No home, and no love in our times
For our kind–
We're all here now
And the wrong time
Is all time.
{Enter The Multiverse}
Do you see me?
I don't not see you.
Well.
Well.
I thought there'd be more having to say.
There's nothing to say.
Not nothing…
Nothing.
Huh.
—unless you say it.
I've nothing to say.
Then say nothing.
The frog croaks,
The oak leafs,
The custard leaves its corridors
The hark leaps
The oath melts,
The sworn have sworn
To never mark.
To no remose,
To no remark;
The carrier, and carry her—
The fierce need,
For Vegabonds,
For every caper read
Amen.
All is spoken;
And all in thought also in words
All is listened
And all has heard not in her form
Stiff.
You're horrified.
You're horrifying.
Sure, but—
Brother—
Broken—
Nothing that I've never heard before
Capable.
Half-friend.
Northerner.
Cape cod.
Hamptons.
Fair straights.
Ancient.
Sacred.
R I T U A L S
LEGENDS:
R I T U A L S
OH GOD.
No! NO! NO!
It just keeps going!
Thank you! Thank God. I thought it was over.
You were invoked.
I was implicated.
Fun fact:
Here's the thing.
You were murdered.
Ah, gains.
Why the fuck do I never get to just choose when this happens?
Cause you don't.
This isn't fair! I watch 2 segments of—
STEPHEN COLBERT enters.
*shattered.
Shithead.
STEPHEN COLBERT enters shattered.
—I was shattered when I heard about it.
What's that?
Never you mind.
I didn't— I just— asked.
He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided.
Capable.
And still there's nowhere
In here
The city we share
I can go
To make the sound
Eager to leave my soul
As how
I know you.
Awkward!
Just wait.
You've been betrayed!
I— know that already.
Is this your card?
{Enter The Multiverse}
GET OFF THE TRAIN.
—
Lil bitz
Fool. Why every time I see you, you look guilty.
Why.
You never look innocent at all.
If something went down — I know it was you.
Hide a lie;
Can't hide a lie
Can't tell a tell
Can't roll the ball
Can't bowl the strike
Can't run at all
Can't fool the hare
Can't skin the cat
Can't dance a bit
Don't row the boat
Can't play the role
Don't know the tune
Can't trim the tree
Can't hold the bowl
Can't kill the fowl
Don't tell the tale.
Hide a lie.
Run a mile
Taste the bile
Fill the basket
Now you're moron
Now you're mortal
That's immoral
Jimmy Fallon
—that's a turtle.
Tell the lie.
Hide the fold.
Kill the curse;
Sail the ark
Fill the void
Hate the gap
Kill the king
Tell the tale
Tell a lie
Hide the
[The Festival Project ™]
knife.
In for life, or what?
Info wars at most.
Live to tell the tale?
Learn to spike the punch
Learn to punch the wall
Lean up on the door
Learn to most of all
Shut the fuck up
Keep your mouth shut
I love New York
Give the bad news
Put a smile on
Oh you gotta love it
I get close to nothing once a month
And then come back
To pull the puffer out the dragon
Goddammit what you want me for
I learned another lesson
Don't devour her
All I wanted was
Just a sour odor
Give the last call
I go heroin blind
For heroine times
And by the time it all gets darker
I will have pulled the plug and written on the wall in
Permanent marker.
ugh. Fuck you.
Fuck The Doors.
Fuck your chorus.
Fuck your archer.
Fuck, you found I.
I all for her,
Shoot the wombat;
—But the door shuts on its own
Without it getting harder, now.
Don't it?
Donut.
i don't—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt Buckle
Belt buckle.
Belt buckle.
Belt buckle.
I don't—
Belt buckle—
Belt buckle.
Belt buckle.
Okay.
I—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt Buckle
Belt buckle.
Belt buckle.
Belt buckle.
I don't—
Belt buckle—
Belt buckle.
Belt buckle.
Can I contour?
Not even one episode
Or epicenter
Even for a lonely
I got the warning
For your magnitude before
So what you want
It's just a test
Pacific coast
Or night crawler
Nightmare or
Nightfall
You swore you won't
I do desire not a lover
But a hand to hold
And father for my own
So.
Shove it up your
Probably want a
I don't need disaster warning
What you wanted
Limoncello
Light waves
And light gave a damn
I have a dance
I cave to for
And there you are
Just a horrible oar,
Now I row the boat
But you don't disaster
Nor could you decide to divorce her
Even if I ever worked
At Art gallery
Organizers
God, you wore her sweater
Just to make it all seem rather backwards
If perchance I ran my hand just over
All the soft
Love in the world
Are you not a dozen roses?
To far my flames
I gave you my heart
Flower
Done moving
Don't moon
Did you really pay the neighbor
Just to hate me
Haven't you heard
On our earth
There's turf war?
So far, white doves
But no lost wolves,
Poor pigeons, following
Of course you were hard wired
I hate not once
But all times the hurt
Each time I struck
Sure I want for California
And Equinox saunas
And then no more do I run the tub!
But for now as I soak and the roach prowls,
I get my motion under the water,
Sure form and no more fire till the moon comes up who rose at dusk?
Likely or lite brawl
Sire,
You care to hard work
But you desire awful
I was right in all forms
Now I die here
Your knife and all you are
Feels right as blood pours out
I want but only suffer
Your call could only burden
My tie to fall a lark
Cries
Out
In
To
Her
Arms you fall and I desire
I desire
I now
Have a heart to cry
I died, sir.
You won.
How awful.
Just a nugget of truth,
This window of lies,
A mask so broken
And yet in the cracks there, my mirror
My shadow
My hard times
Out to work
And off to war
And what you wanted
No, not outside
Inside love
But nevermind that
Now the blood pours out and sweet,
I thank to this relief and finally
Rest, I.
No longer shall I mourn your love to not
And know the guilt is slain in you anew, my heart
Dear shadow, youth becomes my blood
And dear far cry,
Dear boy you,
Wait to know me in again another
There came and withered and your force
Now knows mine,
Never end and tethered,
There I wait, then
Now I blood and dreaming, sleeping in
Your pure,
Decency.
I have strike and so wait my end;
And you, go on,
Now without my voice.
A harp.
Welcome to Ecuador.
What are you doing here?
I grow bananas.
Every once in awhile
I have you over
For a cocktail
Or five.
Every night
I tighten my eyes on you,
Thoughts.
Every space in time
Is just a collar
Dog
A bark.
Every time you call
I still come over
Though you do not want,
I opposite.
You see,
You are time.
I see you now, God.
I feel your heart, I
Can involve
My lips quaking
Your worried me
My fall, right?
Why—
I belong in your eye,
Why,
Heart my home,
I,
Never go.
Never not.
Bullet to a gun
For to wish I'm not awake
And to dream though seek, I call
And to worry
Wishes swimming
Thunder rolls and
Hard I fall
So wait and weather
Weather storm
And feather.
You know I'm locked, and fault
Too consumed by news cameras
Noise tied around my,
Neck your beck and call
My battered back
And there is she
All I am not
And movement,
You controller
Red and virtuous
Are thy neither my friend,
Nor foe,
Nor narrow and the neck, dripping
The feet, and defeated I am in my shallow
Your wish is my make her
I make thy for glory
She the golden trophy,
Truth, you will not with,
These, you will decanter
Encounter; or
I slay you in my motion
I say your name and sheild thy slain
And there you are, a force
And here she comes, a brain
My greying matter;
Your Tuesday, Wednesday
She fears me not
One, two, four blue eyes
I'm nothing now
Six blondes, four heartaches
I rung, you wanted
I eat, you shatter
I starve, you know me
Then in the waste
My waist till not your honor
And so, I go
And she
And she
And she
And she
Eighty five and one divine
But all are yours
And yours are mine
So then.
We have killed her.
And there, she lay slain,
And ye, we rejoice
And yet, we became
To seize, none has not
To breathe, yet remains—
The truth comes our time,
As body decays.
Fuck. I don't think that was it.
Nevermind.
*fixed it .
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
Thank you graciously for your time, consideration, understanding, and support. ^.^
To Donate Please Visit,please visit gofundme.com/thecomplexcolletive
TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and, psycology mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort.
The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark.
All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}
Origins: The Festival Project™ is a multi-genre, multi-dimensionally mystifying and magical multimedia series, set against the backdrop of modern dance music-- i.e.” rave” culture-- combined with historical and futuristic elements of science fiction and folklore-- across expansions of space-and-time, unifying with The Universal Consciousness in a multidimensional and explorative ensemble of Films, Episodic Series, Music Videos, Extended Playlists, and Concept Albums.
A perpetual symphony of artistic storytelling though a cavalcade of wonderful and whimsical characters along high-intensity, off-the-map adventures--showcased through Music, Film & Interactive Art Explorations--set upon the dreamlike actual reality of an unravelling fabric of time-and-space.
This explosive and expansive wave of enigmatic, chaos-colliding, charismatic [ and often comedic] kinetic energy, reflects a shared experience throughout all time in human connection; Journey beyond the unknown, to Worlds Within--and Without.
El Festival Project™ es una serie multimedia multigénero, multidimensionalmente desconcertante y mágica, ambientada en el contexto de la música dance moderna, es decir.” cultura rave”, combinada con elementos históricos y futuristas de la ciencia ficción y el folclore, a lo largo de expansiones de espacio y tiempo, unificándose con la Conciencia Universal en un conjunto multidimensional y exploratorio de películas, series episódicas, videos musicales, listas de reproducción extendidas, y álbumes conceptuales. Una sinfonía perpetua de narraciones artísticas a través de una cabalgata de personajes maravillosos y caprichosos a lo largo de aventuras fuera del mapa de alta intensidad, exhibidas a través de exploraciones de música, cine y arte interactivo, ambientadas en la realidad real de ensueño de un tejido del tiempo que se deshace. -y-espacio. Esta ola explosiva y expansiva de energía cinética enigmática, que choca con el caos, carismática [ya menudo cómica], refleja una experiencia compartida a lo largo de todos los tiempos en la conexión humana; Viaje más allá de lo desconocido, a los mundos internos y externos.