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Hi, I'm Blū (DJ Ū or simply -Ū.) (pronounced “you”) and you can access my music catalogue on YouTube at https://www.YouTube.com/@thefestivalproject and my new website www.iamu.guru has a little more information about my project. I am also on Spotify, Amazon, and Apple Music and Tidal as well and you can find the links to those platforms on my linktr.ee/codenameblu
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
She's possessed by the devil
The bitch doesn't have a soul
She needs fuel from the source of light
She doesn't have her own
She's consumed
She's consumed
She's a portal to the underworld
And if you want to fuck with her
Then you'll be leaving under earth
She's the devil in a costume
A Satan in a bad place
She says she wants to help you
But can't even help herself
She's stalking in the corridor
A next to murder horror show
The whore who stole your husband;
But she leave a pretty note
She's tasteless, she's tasteless
She's wasteful, she's hateful
She's evil
She's bleeding you dry at every angle
Needing you for your ways
She's crazy
Leading you astray
She's the face of the dark days;
The devil in magistrate
Hey;
I've been
Having a hard time lately
Find I
Can't
Transmute this
Skip this track
or mute this
music is black
I feel useless
Demons seem to attack
Where the booth is
Speaking of toothless,
I'm lit fuses
past two muses
Oops
Nothing is new
Just confused it
Oh well
Turn off my bluetooth;
Now i'm in a few spins
Dinner is legumes
and the blues
I get consumed
When the u hits
Fuck it
Too many matches for the
Mystical
Rich and famous is
Just the beginning
Too many of us struggle with the nothing and the lovelessness
But listen
Guess it just gets better
With every hit record
Till you make no record
But you're still a whole legend: sensation
Couldn't finish the new one
(For the record)
Cause I hate him
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
I want to scream at you
But even standing at my shoulder length
My eye at your chest.
You'd be a million miles away
Look what I make of you.
I have no mistakes left and still
The fate of it is that,
You have my gratitude, your gracious
And yet they eat away
At all the things I have
And maybe there'll be more of me
For now the morbid days are just as caving in as
Any other making that we make of it
Don't thank me,
Just outrank them.
Banking on your every moment
Effervescent, tragic endings
Waiting on your every scent and center
Don't disintegrate just yet
And now we enter impact
Stand for circumstances
Do work faster
Horror horror
Do you know the motive of her
Former engines?
Motive, motive
Steer the plot or rear the message m
Fritter fritter
Audiences get disinterested
So effing quickly.
Would you mild or would you mold
Or would you wake to fold the eggs into the bacon,
Bread, and then tomato—
Would you fear her message?
Would you quick forget you're on her planet?
Surely safe to know
But know but knots
And no but not again
You bought it with your faux and auctions
Hallmark cards
And feathers fauxes
Don't you know
The faucet's only running water
Oh you're hard predictable
And chlorinated
Oh the poison
Dripping at your ways
And wilting at your guilt
The James
The reckon gestures
Reckon, Avery
Severed by the check
Or just the ever ending
Never get there
Message to a friend
To just keep going
When she ends it
It is just another death
You'll get on with it
In the end
Never friends.
Never.
Good I hate you
Could you maybe
Find me ugly?
That's your money in my
Every reaching corner
Every angling cent
And harsh presentations of
Skin that's aging and
Wages which haven't
Coverage to front the
Expenses,
Crash diets
Go broken
Ugly cause you're course
Everything fits
But still empty on the inside
I live in shredded
Shambles of service
But there's no gratitude
My breath is only your own
And this bread is my headache
I haven't a sermon
Or diamond
Or unworthy
Sex appeal
And really only
Ever off when
Only ever on
You're still demolishing the board
You're still diminishing the severs
Yet you neglected
Each and every
Crevice of this
Never ending friendship—
But did I ever mention there is a glass slipper
For each and every person ever
Just to wish one?
Did it ever occur to you
The circumstances you are under r
Live for it
Or get lost
There's really only porridge in her oven
If the gas or turning off or over
Don't turn over now
The resin's covered in the
Corvette.
Only cause I had to
Sense when is it
Blood sense.
Get laid
Don't flinch
Get paid
Gold finch
Get reckless
I call spirits north for dinner
South for lunch
And up for porridge at breakfast
I've passed on
I've been awake
You're mortal girl
The one you're on is
Really only such a small pond
That I should think
To cover up
With dirt.
Start over.
—and Skrillex is just in the corner the whole time playing video games.
Worst dream ever.
But why's Seth Meyer's mad at me?
I'm guessing he always was!
He's people are just like that
All conservative, conformed—
Again, it's not your fault
It's just uncomfortable!
Again I only ever approached it wanting to know
If the l broach l fits
But even Lucille Ball won't come if I call her—
Probably don't even got the right number
Code of arms
Or helm of awe, huh.
Fuck, man.
When's Tonight Show in hiatus
Need you off the island, off In Prague
And out my anus,
Don't remind me
I've been
Jamie Lee Curtis
Just recently enough
That I miss it.
Ugh.
I know,
I resent that.
Find a line to draw
Or fly a kite past
I'm past my reckoning
Just for tonight,
The suffering ends
Surely not enough to past the time
Before my electrolytes fly in
But tonight
Just tonight
I want to dine in my mind
Or die alone
Without trying to find the light—
The neighbor simply seems to follow it.
(At least I got her ought to not slam the door now,
Police interventions,
There really are cause for those.)
What is a warfare!
Buy me a checkmark!
My question mark seems to go off a lot
All for it
God,
You're remarkable
I gift a heart or though
I out all my crystals in the Rockerfeller plaza
But still held on to an amethyst for Dillon Francis?
There those eyes are again;
I hate to hurt you North;
But I'm no mother board
Or mother ship
Or Mother Earth
Broke my focus long enough to call you up,
But sure, I'm just short of even past conscious.
Nothing's safe for us, you know.
One one to call;
No code of conduct–
No safety in numbers, or color guard
No home, and no love in our times
For our kind–
We're all here now
And the wrong time
Is all time.
{Enter The Multiverse}
Do you see me?
I don't not see you.
Well.
Well.
I thought there'd be more having to say.
There's nothing to say.
Not nothing…
Nothing.
Huh.
—unless you say it.
I've nothing to say.
Then say nothing.
The frog croaks,
The oak leafs,
The custard leaves its corridors
The hark leaps
The oath melts,
The sworn have sworn
To never mark.
To no remose,
To no remark;
The carrier, and carry her—
The fierce need,
For Vegabonds,
For every caper read
Amen.
All is spoken;
And all in thought also in words
All is listened
And all has heard not in her form
Stiff.
You're horrified.
You're horrifying.
Sure, but—
Brother—
Broken—
Nothing that I've never heard before
Capable.
Half-friend.
Northerner.
Cape cod.
Hamptons.
Fair straights.
Ancient.
Sacred.
R I T U A L S
LEGENDS:
R I T U A L S
OH GOD.
No! NO! NO!
It just keeps going!
Thank you! Thank God. I thought it was over.
You were invoked.
I was implicated.
Fun fact:
Here's the thing.
You were murdered.
Ah, gains.
Why the fuck do I never get to just choose when this happens?
Cause you don't.
This isn't fair! I watch 2 segments of—
STEPHEN COLBERT enters.
*shattered.
Shithead.
STEPHEN COLBERT enters shattered.
—I was shattered when I heard about it.
What's that?
Never you mind.
I didn't— I just— asked.
He finds his way to the round table in the center of the dark room. He seems twisted; it's as if he's been blindsided.
Capable.
And still there's nowhere
In here
The city we share
I can go
To make the sound
Eager to leave my soul
As how
I know you.
Awkward!
Just wait.
You've been betrayed!
I— know that already.
Is this your card?
{Enter The Multiverse}
GET OFF THE TRAIN.
—
Lil bitz
Fool. Why every time I see you, you look guilty.
Why.
You never look innocent at all.
If something went down — I know it was you.
Hide a lie;
Can't hide a lie
Can't tell a tell
Can't roll the ball
Can't bowl the strike
Can't run at all
Can't fool the hare
Can't skin the cat
Can't dance a bit
Don't row the boat
Can't play the role
Don't know the tune
Can't trim the tree
Can't hold the bowl
Can't kill the fowl
Don't tell the tale.
Hide a lie.
Run a mile
Taste the bile
Fill the basket
Now you're moron
Now you're mortal
That's immoral
Jimmy Fallon
—that's a turtle.
Tell the lie.
Hide the fold.
Kill the curse;
Sail the ark
Fill the void
Hate the gap
Kill the king
Tell the tale
Tell a lie
Hide the
[The Festival Project ™]
knife.
In for life, or what?
Info wars at most.
Live to tell the tale?
Learn to spike the punch
Learn to punch the wall
Lean up on the door
Learn to most of all
Shut the fuck up
Keep your mouth shut
I love New York
Give the bad news
Put a smile on
Oh you gotta love it
I get close to nothing once a month
And then come back
To pull the puffer out the dragon
Goddammit what you want me for
I learned another lesson
Don't devour her
All I wanted was
Just a sour odor
Give the last call
I go heroin blind
For heroine times
And by the time it all gets darker
I will have pulled the plug and written on the wall in
Permanent marker.
ugh. Fuck you.
Fuck The Doors.
Fuck your chorus.
Fuck your archer.
Fuck, you found I.
I all for her,
Shoot the wombat;
—But the door shuts on its own
Without it getting harder, now.
Don't it?
Donut.
i don't—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt Buckle
Belt buckle.
Belt buckle.
Belt buckle.
I don't—
Belt buckle—
Belt buckle.
Belt buckle.
Okay.
I—
Belt buckle.
Belt buckle.
Belt buckle.
Belt buckle.
I—
Belt Buckle
Belt buckle.
Belt buckle.
Belt buckle.
I don't—
Belt buckle—
Belt buckle.
Belt buckle.
Can I contour?
Not even one episode
Or epicenter
Even for a lonely
I got the warning
For your magnitude before
So what you want
It's just a test
Pacific coast
Or night crawler
Nightmare or
Nightfall
You swore you won't
I do desire not a lover
But a hand to hold
And father for my own
So.
Shove it up your
Probably want a
I don't need disaster warning
What you wanted
Limoncello
Light waves
And light gave a damn
I have a dance
I cave to for
And there you are
Just a horrible oar,
Now I row the boat
But you don't disaster
Nor could you decide to divorce her
Even if I ever worked
At Art gallery
Organizers
God, you wore her sweater
Just to make it all seem rather backwards
If perchance I ran my hand just over
All the soft
Love in the world
Are you not a dozen roses?
To far my flames
I gave you my heart
Flower
Done moving
Don't moon
Did you really pay the neighbor
Just to hate me
Haven't you heard
On our earth
There's turf war?
So far, white doves
But no lost wolves,
Poor pigeons, following
Of course you were hard wired
I hate not once
But all times the hurt
Each time I struck
Sure I want for California
And Equinox saunas
And then no more do I run the tub!
But for now as I soak and the roach prowls,
I get my motion under the water,
Sure form and no more fire till the moon comes up who rose at dusk?
Likely or lite brawl
Sire,
You care to hard work
But you desire awful
I was right in all forms
Now I die here
Your knife and all you are
Feels right as blood pours out
I want but only suffer
Your call could only burden
My tie to fall a lark
Cries
Out
In
To
Her
Arms you fall and I desire
I desire
I now
Have a heart to cry
I died, sir.
You won.
How awful.
Just a nugget of truth,
This window of lies,
A mask so broken
And yet in the cracks there, my mirror
My shadow
My hard times
Out to work
And off to war
And what you wanted
No, not outside
Inside love
But nevermind that
Now the blood pours out and sweet,
I thank to this relief and finally
Rest, I.
No longer shall I mourn your love to not
And know the guilt is slain in you anew, my heart
Dear shadow, youth becomes my blood
And dear far cry,
Dear boy you,
Wait to know me in again another
There came and withered and your force
Now knows mine,
Never end and tethered,
There I wait, then
Now I blood and dreaming, sleeping in
Your pure,
Decency.
I have strike and so wait my end;
And you, go on,
Now without my voice.
A harp.
Welcome to Ecuador.
What are you doing here?
I grow bananas.
Every once in awhile
I have you over
For a cocktail
Or five.
Every night
I tighten my eyes on you,
Thoughts.
Every space in time
Is just a collar
Dog
A bark.
Every time you call
I still come over
Though you do not want,
I opposite.
You see,
You are time.
I see you now, God.
I feel your heart, I
Can involve
My lips quaking
Your worried me
My fall, right?
Why—
I belong in your eye,
Why,
Heart my home,
I,
Never go.
Never not.
Bullet to a gun
For to wish I'm not awake
And to dream though seek, I call
And to worry
Wishes swimming
Thunder rolls and
Hard I fall
So wait and weather
Weather storm
And feather.
You know I'm locked, and fault
Too consumed by news cameras
Noise tied around my,
Neck your beck and call
My battered back
And there is she
All I am not
And movement,
You controller
Red and virtuous
Are thy neither my friend,
Nor foe,
Nor narrow and the neck, dripping
The feet, and defeated I am in my shallow
Your wish is my make her
I make thy for glory
She the golden trophy,
Truth, you will not with,
These, you will decanter
Encounter; or
I slay you in my motion
I say your name and sheild thy slain
And there you are, a force
And here she comes, a brain
My greying matter;
Your Tuesday, Wednesday
She fears me not
One, two, four blue eyes
I'm nothing now
Six blondes, four heartaches
I rung, you wanted
I eat, you shatter
I starve, you know me
Then in the waste
My waist till not your honor
And so, I go
And she
And she
And she
And she
Eighty five and one divine
But all are yours
And yours are mine
So then.
We have killed her.
And there, she lay slain,
And ye, we rejoice
And yet, we became
To seize, none has not
To breathe, yet remains—
The truth comes our time,
As body decays.
Fuck. I don't think that was it.
Nevermind.
*fixed it .
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
I don't want to feel you
I don't want to know you
I don't want to lay here
By your side
As you cry
At night
I don't want to feel you
I don't want to love you
I don't want to owe you a letter
I don't want to decay you
Don't you know
That I have
Already betrayed you
You don't.
You don't know anything
Your pretty little words are just
The fear in my heart
[The Festival Project ™ ]
Turns out,
I only sing when I'm sad
I feel bad when I'm in trouble
Can't escape but have to smoothie it
Stroke the engines
But I tend to choke otherwise
Nothing right now sounds better than chocolate
I suppose
I'll settle on
Some Simple structure
I suppose
I'll get along
With
Why can't I be the girl in the songs that they sing about!
Can't get it out of my head
But still I sing along
As if the skinny pretty
Fragile porcelain things
They need
And sing about
Could ever be me
She could never be me
So I'm evil
But she's the straight up devil
Yes I strain to smile
But rarely do I sprain and ankle
I've been praying for departure
The city, country is just torture
I should really comb my hair though
I tend to cry my eyes out
Then pretend I'm not
But you're pretentious
I can't even get a job.
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
Yesterday I jogged 3 miles watching 30 Rock.
I don't know where I've gone besides deeper in my mind and somehow further from The Rock itself.
Maybe I should turn my treadmill facing west.
Running in the direction of Queens is bringing me extreme discomfort.
This is at the level of functionality that everything seems impossible.
I'm tired from the moment I wake up, and yet struggle to fall asleep, even in the earliest of morning when I know the only quiet in the day will come.
Everything is upsetting, and I miss my mantras;
But nothing comes but the silence of the brain
When I'm not filling the void with sitcom antics and the subtle romance.
Tales of a Superstar DJ
The Complex Collective © Copyright 2019
[The Festival Project ™]
-Ū.
Lil bitz
I applied for a job as a high end furniture sales person.
Then they asked how much experience I had in high end furniture sales.
I told them five.
“I consider myself high-end furniture.”
{Enter The Multiverse}
ROBERT DINERO
You are you very well behaved.
Who'd you get.
‘Science.'
Physics?
No, it just says “science”
Oh, I get it…
What's to get.
You're in the—ahem—
What is it?
Special class.
What.
Guess what.
[the class sits in confused silence.]
YOU are special!
[they remain silent]
You are all special!
[nothing]
You are special—
You are special—
Thanks, T. I owe you one.
One doesn't cover it!
L E G E N D S
—especially you, Jimmy.
Which one?
The teacher looks over the roll; there are three pages of ‘Jimmy', many of whom even have the same last initial.
…all of you.
[The Festival Project ™]
WILL FERREL has changed his do-rag, but not the attitude, or somewhat offensive cultural habits that seem to have come with it.
You better come correct!
I am correct!
Oh god. Is this what that dream meant.
Somebody's been having lucid dreams.
…so let's talk about this.
I would rather not.
I tend to treat my podcast audience like a therapy session. That way they know I'm messed up and broken just like them— like everybody else.
But somehow, that doesn't translate onstage.
It's Tuesday.
I know that.
Turn over, Timmy!
No way!
Just do it!
JOSH is certain “Timmy Turner” is actually his old pal DRAKE; he'll only know for sure, however, by checking that he still is branded, with the scar from “the bull riding incident
Are we doing a flashback.
Not yet, but maybe— I don't know if we can afford it,
I said NO.
Please.
Negatory.
{Entet the Multiverse}
Scribble scribble;
I love Jimmy Kimmel
I just put the joker to the riddle
Dribble dribble
Ball like Jimmy Kimmel
I just put the cat onto the fiddle
I like temperature like double digits
I get mentions every time I finish
Had to cut my mama off
Cause it don't matter
Had to cut my neighbor off
That's a door slammer
Had to file a report
That'sadult matters
Cause I'm building a rapport—
That a dope mansion
I be keepin it dark;
That I don't mention
I ain't in the army
But I give em my attention
That's a limp biscuit
I did it then I didn't
Impress if I'm presenten'
Depressessed if I'm regressan
{Enter The Multiverse}
The Complex Collective ©
[The Festival Project ™]
-Ū.
Suddenly seeing in these sepia tones
Stuck up in a glass house
But I throw stones
Hold up I lost something
This brother says stuff like he's not done yet
I'm really not the one yet
Haven't gotten up yet
Long ass nap
Like a death coma
I regret Roma
Only cause I end up a New Yorker
More work but yet broker
Unless you corrupt
Or a stock broker
Believe it
Thanks for dancing on my grave.
That really made me take a second thought to give it another go,
So you wanna be a movie star, ah?
I am— already a star.
But a movie star.
{Enter The Multiverse}
Look, this is your third wife already!
Watch it!
You should be behind bars!
Well why aren't I, then?
I was trying to be polite!
Be quiet, then.
Look—
Food, please.
There is no amount of damage control you can run on this— it's out of your control.
(Eating uncontrollably, mouth full.)
Nothing is out of my control.
I said—
Nothing!
{Enter The Multiverse}
[The Festival Project, Inc. ™]
The Complex Collective ©
-Ū.
I know the man in the chair
By his eyes
And the course of the road
And the cause of his numbers,
I know very odd, very sure, very well— and yes,
I know the strings, and the things
And the force of control
And the conduct, the code
Yes, I know not to leave him alone
And we're all full of wonder, here
Of the wonder years,
But where are you, dear?
Cause it's four in the morning—
I'm cold, and I'm lonely—
I'm shocked and forgotten
It's four in the morning
And no,
I'm still not going home.
It's four in the morning
And only just know have I thought
Or a plate full of warmth
And the touch of her fondness
But all oaths,
Cause I took a lover this morning
Another tomorrow
And on, look—
I can't come home until Sunday
(What? I'm building you up!)
And I know I've gone soft
But you know not to
Dollop until I tell you I'm coming
Don't you!
That's a gallop;
There's a Dillon
Where I dare you;
Did you hear ‘em?
These are harems
There's a villain forming
A sweet informant
A node oriental
And no, I meant all of the foam drip on coffee
It's
Not
Out
Of
Bounds until I say you will
My daffodil
Then I fold you into pieces
With my peace
It says
“I'm eating you for supper”
Here goes Saturday for nothing
I still haven't made the cast list
Don't get so far up your marker
That you forgot
That the stars are all going under
Burning out
And ownership of businesses
Other than subscription payments
Mortgages and high interests—
Give the internet good riddance
Or else get lost
Like your appendix
This is
Kurt Sutter?
No, John Carson!
You think you're smart for a marker
And sabertooth tiger
I got no arguments besides building monuments
You wanted us?
Worshipped!
Now all of a sudden while on earth
All reincarnated at once
Almost all of ye's study or praise
No Gods, though you walk among us!
Keep it open
sesame seed buns
I haven't seen you
In your open
No subtronics
I don't bother
No blue eyes
Tight skin
Small stomach
Thin waste
Paper
See through
Just waste
Wait
I'm a trash bag
Non returnable
No refundable
Still not gonna do you harm enough
If you didn't bought it
Still though
Awful convenience
Here's my sandwhich
I just backed up into a fire hydrant
High as a kite
But you all know
I'm so much hotter and fun
Than the other one—
Goddamn,
But at least she's funny
And as long as you want me first
I'll love you and her
Forever.
—Annie.
Don't got a gun;
Then I'd be gone
I don't belong here
I write songs for a living
You know;
No more home for you!
No more going nowhere
If you don't wear Prada
Here yellow canary
You're only a little pretty bird
Cause if I hear you stop singing at all
I know we're all done for—
Run!
It's a gas le—
(AK)
[They blow up. ]
COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED.
[The Festival Project ™]
The Complex Collective ©
-Ū.
flash— bang
Can't believe I'm lying there like
Flash—bang
What a mess I've got us into
Flash—bang
In and out of all dimensions
I can barely pay attention
I was standing in my kitchen
Then it's straight to intermission
(Something like a nasa mission)
Flash—bang
I think this thing is dangerous
I can't sing
I'm tone deaf as Mr. Kimmel
Flash— bang
Off like a grenade
And then I'm off like Walton Goggins—
“Shane!”
Or did someone say action?!
Might be going crazy
Or just famous
Or delayed.
I'm in Grenada.
—Bird Internet.
Written by C'cxell Soleïl
Prod. by Blū Tha Gürū
-Ū.
BGI
TAPPED
Sometimes, I write in Lin cadences
Sometimes I pass time with Jim Fallon,
I write behind closed eyes and white bars,
Pigeons and white doves,
While I get made fun of
I tried to just let bygones by bygones
But I can't cause I miss my son
And there's no love in the bottom of class wars
And harsh poverty;
there's no brotherly love
And New York just don't want me here
Is this your card?!
No motherfucker!
Oh.
Goddamn.
You are bad at this.
I thought I was! I told you I was.
You are! Now, scram.
What color is your magnitude?
You failed!
I told you I don't know my own songs form Adam!
That wasn't me?
No?
Crap. It's jammed.
Well, throw a rock at him!
THE SNIPERS throw a rock at DIPLO; unassumingly and (sort of) by complete coincidence, this rock just happens to be the CAPSULOUS ILLUMINATUS—
(And he is mad.)
Huh.
Ohh. Shitballs.
(Very mad.)
Not only is he mad— which is hilarious— but as he becomes enraged, beginning to hulk out of his “zen zone”
Isn't it obvious?
Zen zone?
What a complete douchebag.
I'm so serious.
V.O
Tales of a superstar DJ
Alice In Wonderland was in my dream last night,
But she had big blonde bushy Slavic eyebrows and I just… somehow.. didn't know what to make of that.
I HAVE A TALE!
No, you don't actually.
Sit down and shut the fuck up!
BAMPHERAMPH CAMP is going splendid.
*complete decapitation*
—gorgeous.
Meanwhile.
As it turns out…
I have something to tell you.
PLAY COMPLICATIONS ONE MORE TIME. I FUCKING DARE YOU.
DEADMAU5 has created quite possibly the very first sonic time bomb—
FIRST EVER?
I TOLD YOU GET OUT OF HERE.
YES FIRST EVER.
BEFORE:
Sniffs…
Pauses
*Tiny Sips*
*sniffs again*
*squinting, dissatisfied*
…I sense Deadmau5 in this Skrillex.
BUTLER
You would be correct.
{ENTER THE MULTIVERSE}
Wait. Who the fuck is Steve Duda?
Bro, I told you my name was Steve!
OH!
Tales of a Superstar DJ
I thought you were joking.
I'm not joking. Where's the pancakes?!
I'm out!
Why is this place so clean?! Ugh!
You haven't been around— or— like—
Nonsense.
Hey wait— last time you were imaginary.
Uh, no, I wasn't.
Yes, you were literally just—
“In your head”
Yeah!
That's not a thing.
What.
Get over that.
What.
Everything is real, everything is extreme…
Are you also out of OATMEAL?
Almost, obviously!
—ly real! Ugh! And cream of wheat?
I've been— I was getting fat.
THATS HOW GOOD MUSIC IS MADE. IN STORED ENERGY.
I have—
*bacterially is critically low*
*lights flickering*
*sirens wailing*
*time crumbling*
*phone dies*
Ugh.
Look. Uh—
STEVE.
Uh…let's just say Larry—
My name is STEVE! I told you that!
I imagined you differently, okay, and I thought ‘Steve' was just deadmau5 being pranky.
It is!
What?
It's a thing! Look it up.
Oh shit. The Ace.
I told you that dude was sketchy!
Wait, which Ace.
Of Spades.
Ah shit.
Is this your—
No!
Ah?
Well, wait…
Wait what?
Wait. A second.
Wait what?
…this…that is my card.
Is it?
Yes…
*vanishes*
WHAT THE—
L E G E N D S
Our Next Segment is called
“Who wrote that joke?”
So I'm wondering about—
That Hindu joke in season 5 of 30 Rock
“Oh my God.”
“Which one? “
“I'm going to make you regret your own birth“
“Which one?”
COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED.
[The Festival Project ™]
The Complex Collective ©
-Ū.
Did you ever get the feeling that it might be right?
Cause I woke up in the shit,
And then I paid attention with resentment
Had this Patrick for a second amidst the witching hour
For a glitch or an instance power,
The list, with a mix of here and now
Or here and there
Whatever you rather, Dan
But I guess for now you call me
Hamm,
Cause I will Jon' you in an hour
After all the words have been said
Over and over again, you just get cleverer with em
Face it,
This is considerable damages if by admission
I have to press this red button
Every time I take a dump
Because of these microagressions
And blatent intimidations,
Racism and hatred,
Cause somebody thinks it's okay
To attack me when I'm naked
And the justification is just that
Genetically and empathetically
One of us is deficit in the other—
Guess which one
How does it feel
To feel
And be real
Or be realized
So what's the deal
With this meal
And the plan
To dance on the attacks
Of your ancestors
What's on the middle besides resentment
And a clearer picture or each and every or other infinite spectrum?
What's the problem with the problem with the kids today?
They aren't that smart
But they sure look good
The problem is,
They're all talk,
All mouth, and no thoughts
{Enter The Multiverse}
Is there more?
It appears so.
Oh…
(He takes a long and heavy drink)
Its in here too, isn't it?
Yes, its—everywhere, sir.
All of a sudden, I'm sir to you?
I feel as though there may be some impending legal action, and I'm just asserting my loyalty and respect so as to “go down with the ship.” If need be, uh…
Well!
…sir.
You are a good page, aren't you?
I hope so.
Yeah.
[The Festival Project ™}
Ugh, I don't have time for this right now.
VICKY MANSON is gross.
She is a 45-year-old chain smoking trailer trash homebody who tends to menace others behind the “safety” of her computer keyboard, frequenting facebook to rage about email issues like politics and celebrity gossip, still attempting to torment Timmy Turner via trolling him using various social media outlets.
She's been called to “Watch” TIMMY, serving out his house arrest sentence while his DAD leaves to attend POKER.
{Enter The Multiverse)
Copyright The Collective Complex ©
[The Festival Project, Inc. ™]
© 2025 All Rights Reserved
-Ū.
____
Omg. This is out of line.
Agreed.
Call regina.
RE-GIIIIIIII-NAAAA!!!
She ain't come
Call again!
[opening the window, yelling out into the project housing courtyard and echoing into all of existence.]
REEGINAAAAAAAAAA!
[The Festival Project ™]
What. Damn. I was just gettin' my weave pressed…and dish soap.
I love that new deli.
Mm. Hmm.
{Enter The Multiverse}
We come from the ghetto
We lived in each borough
We live in every corner
We live in these streets
We loud in this bitch
We proud in this bitch
Don't come round this bitch
Without a pot to piss in
Taking pictures? Bitch,
As God as my witness,
A snitch is a snitch
(but in a limited capacity,
I get it,
I'll help you win this,
Ain't no case dismissed in this settlement
This disturbance is egregious,
Believe me,
I've been causing a scene since
3 AM!
Dayum!
I might be somewhat prolific,
Or even a genius,
But right now I just want peace,
A Peloton Ride
And A peanut butter and Jelly sandwich
But weight, i'm out of peanut butter
My weight is getting out of hand,
Don't know if that's a gangstalker,
Or just another obsessive fan,
Object, your honor to pardon
your direct justification of this heinous hatred
I'm helping the gentrification efforts and also
Directly affected by them,
Because i'm african american
(Or half)
But what is half to a racist?
I take it as nothing less than hatred
if each and every time I bathe
Satan comes out to play
And hey,
Isn't it harassment if every time i'm in the bathroom
The door slams, and this whore yaps
Right outside my door
To cause hate and bait me into
Further establishing a race war,
When all I wanted was a sauna,
But i know i can't afford it,
And I love New York,
But honestly,
I'm poor,
So i just got bored with it.
I probably should have been aborted.
To this, a glitch—
A wish that I could just
Push my forehead into his chest,
I digress, though repressed sexually and interested
This sickness is just what he senses as sensual
—And I'm understanding of that.
—Purpose.
I still have four muses,
Four mouses,
No heads
A sad nd four robots
Four hoses of cards
And no forwards
Just haloy endings
That
I can't
Exactly plan yet
Fuck this planet
It appears someone has badly damaged it
No recompenses or divorce
No compared,
No doors,
And no cubords
No,
Just dead bird in a box
Covered in plaster
And a disasterous ride
With no happy ever after exactly
Just another adventure in wonderland
And wonder if perhaps
You ever could even
Know who I am
What a clever disaster
For sure this serves as serious
Let's just get this
The the rumble or the severed train above her is still somewhat of a numbing
To the other corruption under
This, too then, is a lesson unless
It just ends and let it simmer
But remember,
If it isn't in her
It'll be another
Fondant farewell,
When the dinner gets to convection temperatures in the oven,
And you're not over her
The dozens of doves and boxes of chocolate don't hold nothing to the love you have and the hand you hold
And the heart you touch,
So don't let it turn cold
Don't let it turn over and thump either
Don't let it burn
And don't let it lower into
Where you mind goes
When you consider another
And another
Over or rather
You know?
Just aim for Satan and everything's great then.
Put a cap to a cape then and everything degrades,
Fair wealth, good culture, good heart,
And all focus
It goes out the window to dance with the wolves l
Like a bowl full of nothing but meal worms,
Not oats
Look closer over your breakfast
You never know even if you can trust your own mother at four years old
But good, god, thank god for the Honor roll
Or else how else would the world know mid you were at all all worth it at all of four
And still under par,
The gold course, of course
Is all you know
Don't let it go now
When all you have
Is time in your hands
Distractions are hard handed
But actual damage?
Now, that's hard pass
You wanted a song so much
Just so the wrong world would call you up
For hurting our kind
Without ever having known what my mother named me mor why I have to change it
Or what the baby calls me
From so far north in a place calls home
But I'm still not not
So you get your rocks
Slamming the door
I'm at the rock
In my mind
Hoping for
Something better
You
Wasted
All
My
Time
Over
What!
Don't you know
How hard it is
To be anything in the world
But a pretty white slut!
What a knife in the back
What a curse on the world—
Just to start wars so it never works out
Or at the very worst
Just keeps the first one going
It doesn't get awesome
Until I For Real
Can block out the whole world
Just to upset another?
No
I came in peace
You made me anxious
Hold in my waste
At the aim of your hatred
I heart my hard earned
But now I've got nothing more
Than the scars on your over opinionated
Over offended
War cries for her justice
But only if it out does mine,
Right?
Actually,
Fuck it
I'm over it
That's all the words I'm gonna waste on this till bitch
You wanted my energy, so you stole it
But becareful of
What follows it
—you're welcome.
My license is revoked
I've forgotten long ago by now how to break stroke
And it's just a throat scratch,
A dark dive
And I'm trying to try it out a bit
But love's a bitch
And I don't really ever speak her language
I've been distant and lost in translation, and most of all
Impatient with the amount of time that it's taking
Cause I hate that guy, he's a fly in my space thst just doesn't seem to go away until they mate and lay eggs to replace them.
Ugh.
It just goes on,
It's whatever the buzz
It's just all full of lamb and the talk of the town
Is who you are now
So, how I found out?
A roundabout kick to the ass
And a fax to the mayor,
Before I realized
He seems like a complete hater, bro.
I have an eight year old,
But I haven't seen him since he was five
And I think I'm gonna die
Cause everyone's nickel and diming me
And all I happened to find
Is a single penny, so that—
Two hours of mixing,
Once cent I made—
By now he definitely hates me
And has been trained to think I'm crazy
But these days, living paycheck to oaucheck is a thankless job
And the techno snobs are responsible for the upkeep of auschwitz.
It seems like a colored woman with a dream should just
Get behind the scenes
Or a man that sees meaning in her
So this is demeaning? Is it?
Am I green, or am I greenlit— l
And I clean, or am I cleaning
Should I Charlie, or should I Sheen it?
I could admit I seen it coming but I wanted to disagree with it,
It's psychic intuition but all it is is kicking my ass
Like I'm inside or the telivison.
What's my last name!?
I'm the hat man!
Are you happy?
No, I'm sad man l!
And quite thirsty;
Is it Thursday yet
Or should I should I just get to drinking anywayy
I hate all this thinking anyway;
I miss l LA but seen it from the scenic route;
I used to sleep on the bus and the train,
But what I really want is a house
And just to be left alone,
Some grass to mow,
And some to smoke,
And a tree to grow,
Just like the one from Pocahontas
OH SHIT YO.
Why, Hello Friend!
Oh, this is where that Treepeople thing was going?
Yes!
No.
No?
No.
No why.
Cause we went broke .
Went broke what.
Trying to get you to— you know—
No,
I don't I know.
You don't know?
No? I've no idea…
Oh; that's right, you haven't got a clue.
{enter the multiverse)}
what did you do at that afterparty Stephen?!
I TOLD YOU, I DONT KNOW!!!!
What does a girl have to do to get a little attention around here?!
Here, have some liquid courage.
Liquid courage!?
Yeah!
What's in this?
oh, you know…
No, I don't….
You—
Why does it glow
Yeah, I does that!
Oh my god, it looks like one of those sparkle— lava lamps!
Oh my god, yeah, you know.
I'm not drinking that.
Doesn't seem— drinkable.
But it is— drinkable.
Just because you can put it in your mouth and swallow it doesn't make it consumable.
Oh—doesn't it?
[beat]
…You know what.
That's fair!
—it— yeah.
You walked right into thst one.
I— yeah.
So come on?
It got sparkles in it? What are these flecks.
For all you know, it's bio degradable?
Is that a gold fish at the bottom?!
If he can handle it?!
How are you alive?
The goldfish to be fair seems tmmore alive than he should, perhaps. He looks the woman directly into the eye. He seems extremely concious even.
Oh wow.
Come on!
Ok. Fine.
But what do you do with the fish when the bottle's empty?
I don't know. Never finished a bottle.
What!
Never really…though about it.
Okay?
So! Come on.
He pours a shot.
Shift changed ,
I should have made arrangements for a date at an earlier time
But really there isn't a reason or realization to it
I hate playing the game
It must have been an off day when I made it up
But that was so long ago now.
I haven't put hard thought about it,
But forgot I had further options to stop the violence than just talking about it
I missed the opportunity to photog or model
By tomorrow morning I'll be a little smaller
But still broken
If I think of any of those thoughts
My heart opens up and swallows me whole
Talk about a dilemma and not a problem
I would probably dress as such as doll
If I could afford the money
But I'm dollar for dollar
Out of dogital storage for my thoughts and performances.
You know.
So show your age, Nicki Minaj
And Migos, the flash flooding
Benito is bad Bunny,
But you gotta go with the flow of the whitewater
With the high collars and high bars
If you are so highly throughout of
To win an award
And be obsessed over
by other famous people's
Lil bitz
I told my ex I joined the army.
My gigs kept having weird shit happen. I was like “something's not right.”
I thought it was my ex trying to do oojabooja on me.
So I told him I joined the army
to try to see if the weird shit kept happening.
I told that fool I joined the army
— I didn't Say what army!
Gods army bitatch!!!
You the devil!
Stop fuckin up my shit!
It's 5 PM
I'm waking up
It's setting in
That it's a contruct
Not a curse,
But there's no cure
The demon days
The auto wars
As darkness falls upon us
The Red Dawn soon becomes us
OMG! RYAN SEACREST! Everyone forgot about you!
I–thanks! *weird smile*
Quickly! Get on the bus! We're already on our way to pick up K-FED.
COPYRIGHT THE FESTiVAL PROJECT, INC. ™ ALL RIGHTS RESERVED.
[The Festival Project ™]
The Complex Collective ©
-Ū.
From the publisher's feed
The Festival Project, Inc.™ is a multidimensional multimedia platform which encompasses exploratory and artistic social personifications and expressions on cosmic theory, spirituality, growth, health & wellness, philosophy and theoretic dynamics in entertainment such as music, design, film, television, radio, dance and festival culture, art, fashion, literature, and science.
The Festival Project™ and it's subsidiary Non-Profit, The Collective Complex © aims to challenge modern artistic and philosophical ideals, break commonplace barriers, forage new creative mediums, and provoke inspired and reformed thought and actions toward evolution and overall societal improvement and ecological sustenance through a new-wave and post-modern, avant-garde and philanthropic hyperawareness driven by a unique culture of global values mediating global respect and preservation via open consciousness, multi-sensory and synesthetic (multi-preceptory) expansions of sound, language, vibration, movement, color, emotion, and ritual governed conceptually by the aspect(s) of love, truth, unity, understanding, and peace.
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TRIGGER WARNING!
⚠️ VIEWER, LISTENER, and READER DISCRETION IS ADVISED. ⚠️
This series contains adult content not suitable for children or under the legal age of majority.
Listener and reader discretion is advised as this publication and / or broadcast and its selected readings and projected writings may contain explicit language, provocative wordplay, profanity, open expression of suicidal ideation, discussion of evolved/ de-institutionalized theories concerning depression and mental health, race relations and colorism, socio-economic inequality, political injustice and media politicism/ mass media manipulation, unresearched/undocumented scientific hypothesis , modern philosophical ideals and spiritual explorations, crude/ adult humor and may also include and contain pornographic content, references to fictionalized interpretations of celebrities and/or public figures (fan-fiction), caricatures or references to pop culture, modern art, music, science and other entertainment references which may evoke biased emotion, inspire adverse reactions, contemplative thought, discontentment, or discomfort. The views and opinions expressed by this series and its subsequent editions, additions, chapters, broadcasts, and publications are solely the writers' interpretations as expressed with artistic and entertainment purposes only.
The artist reserves all rights to intellectual property maintained and produced by any and all publications of this series and is thereby protected under any applicable copyright law and/or trademark. All fictionalizations of persons living or dead are meant to be perceived as characterized and/or fictional (fan-fiction) are for entertainment purposes only, and are not to be perceived as real re-enactments, dramatizations of events past or present, media dialogues or agendas, or factual exchanges pertaining to and surrounding real-life circumstances.
The dialogues and entires expressed in this project are in no way liable for any action, expression, disagreements, entitlements held by the reader at his or her/ their own discretion.
[The Festival Project ™]
The Complex Collective ©
{Enter The Multiverse}