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Masks, both literal and figurative, abound in Verdi’s Un Ballo in Maschera, “A Masked Ball.” Conspirators feign support of a leader they despise. A noblewoman must veil both her face and her feelings from her husband. The governor must put on a disguise to understand his subjects, and his beloved. The governor’s chief councilor dons a mask to take murderous revenge on him for an imagined betrayal. Even the setting itself, colonial Boston, is a thin disguise for the original setting, Sweden under Gustav III.
Hosted by Pat and guest co-host Michael Severance, long-serving bassoonist and contrabassoonist with the San Francisco Opera Orchestra.
By Opera for Everyone4.4
207207 ratings
Masks, both literal and figurative, abound in Verdi’s Un Ballo in Maschera, “A Masked Ball.” Conspirators feign support of a leader they despise. A noblewoman must veil both her face and her feelings from her husband. The governor must put on a disguise to understand his subjects, and his beloved. The governor’s chief councilor dons a mask to take murderous revenge on him for an imagined betrayal. Even the setting itself, colonial Boston, is a thin disguise for the original setting, Sweden under Gustav III.
Hosted by Pat and guest co-host Michael Severance, long-serving bassoonist and contrabassoonist with the San Francisco Opera Orchestra.

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