Matthew Steckler (aka Matty Stecks) performs and composes in several musical settings internationally. Primarily a saxophonist/woodwind specialist, he also performs on vocals, keyboards, percussion and electronic media, bringing a dynamic, holistic approach to the live musical experience. 

As an artist, Matthew has appeared at prominent festivals and concert series, and has received commissions from Chamber Music America, Meet the Composer, American Music Center and American Composers Forum. 

His recordings with projects Dead Cat Bounce, Persiflage and Musical Tramps – on Ropeadope, Cuneiform and Innova labels – have made Best CD lists in Downbeat and Jazz Times. 

Matthew has written for concert music, theatre, film and game settings, and continues his own foundational work in embodied composition and electroacoustics that began with his 2013 research-based, extended work Eco Beat Heresy. 

He most recently taught at Brandon University School of Music. Matthew holds a Ph.D. in Composition (NYU) and M.M. in Jazz Performance (New England Conservatory), and a B.A. in Music (Wesleyan University).

The link to his full biography, along with more Resources for this episode, is on our website.

We talked about:

• His transition from playing by ear to reading & playing at the same time
• How his marching band playing experience shaped him as a saxophonist
• The origin of Death Cat Bounce
• His transition from playing experimental into bebop
• Electro acoustics & multimedia
• And a lot more!

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