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Hosts Christopher Funderburg & John Cribbs are joined by filmmaker & pulp paperback aficionado Steven Sheil to discuss semi-legendary, semi-forgotten crime fiction author Charles K. Williams. The group looks at a pair of nautical thrillers, Aground & its sequel Dead Calm (most famously adapted into the Billy Zane/Sam Neil classic (& also unsuccessfully adapted in yet another Orson Welles production debacle.))

Following the story of a no-nonsense charter boat captain & the charming, irrepressible widow he falls for, the aesthetic/philosophical difference between the books represents the shift happening in pulp crime in fiction of the era: the move from classic hardboiled, masculine stories to psychological thrillers concerned with the inner lives of criminals. It's a fantastic conversation about one of the most successful crime writers of his era, an author undeserving of his slow fade into obscurity.

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Intro music: Unleash the Bastards / “Tea for Two”

Outro music: Marcus Pinn / “Vegas"