When an entrenched oligarchy and a cynical revolution go to war with one another, what happens to all the people in the middle?  Some may be victimized, others silenced, and yet others swept up in the churn of events.  In Giacomo Meyerbeer’s Le Prophète, Jean of Leiden finds himself assuming the mantle of prophet and messiah, setting up expectations for himself that he can never fulfil.  This epic French Grand Opera, loosely based on a real historical figure who came to be known as “King of the New Jerusalem,” was a spectacular success.  However, for many reasons, not least of them the jealousy and resentment from composer Richard Wagner, Meyerbeer is not well-known today.  Nevertheless, his works offer many delights, as well as heart-rending drama.  Join host Pat, along with guest co-host Gerald Malone for a close look at Meyerbeer’s Le Prophète.

Gerald Malone’s website, TheRestIsOpera.com is brimming with commentary on opera productions that he has seen around the world, as well as “scuttlebutt” about opera from a suspiciously well-informed little dog.