How did the spy-fi literary and cinematic genre come to be? This week Joseph and Nathan chronicle how detective fiction authors took inspiration from sensational espionage cases such as The Dreyfus Affair and The Rosenberg Trial to imagine what the front lines of The Cold War might look like. The boys cover “realistic” spy movies such as James Bond’s Dr. No, Three Days of the Condor, and The Bourne Trilogy before going into fantastical depictions of spies in Children’s media like The Spy Kids, Kim Possible, and Charlie and the Chocolate Factory. Amongst other things they discuss the difference between state and industrial espionage, Austria’s constitutionally mandated status of neutrality, and Edward Snowden’s modeling portfolio. 

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Recorded on 8/16/2024