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Samuel Harvey, Aspen-based artist and gallerist (Harvey Preston gallery) talks about:
How he initially settled in Aspen, through his various times working and teaching at the Anderson Ranch Art Center, as a ceramic artist; the many kinds of Aspen, including the 1%-ers and the regulars, and how he makes his way among them both, through his gallery, which he describes as a satisfying operation, but also very unpredictable in terms of what it provides to his income, in addition to the fact that he’s in a tenuous situation with the gallery’s commercial space lease; the “happy disaster” of his studio, which is a three-car garage just below his apartment, where the work that he makes as an artist brings him “endless joy,” something that we joke about because of our contrasting in-the-studio experiences; why his gallery is open seven days a week, which is an Aspen thing that has to do with the short on-seasons of sales activity; what he’s doing with his U.S Artist Assembly grant money; and the types of clients he has (people who really love the work, not speculative buyers).
By Michael Shaw4.5
254254 ratings
Samuel Harvey, Aspen-based artist and gallerist (Harvey Preston gallery) talks about:
How he initially settled in Aspen, through his various times working and teaching at the Anderson Ranch Art Center, as a ceramic artist; the many kinds of Aspen, including the 1%-ers and the regulars, and how he makes his way among them both, through his gallery, which he describes as a satisfying operation, but also very unpredictable in terms of what it provides to his income, in addition to the fact that he’s in a tenuous situation with the gallery’s commercial space lease; the “happy disaster” of his studio, which is a three-car garage just below his apartment, where the work that he makes as an artist brings him “endless joy,” something that we joke about because of our contrasting in-the-studio experiences; why his gallery is open seven days a week, which is an Aspen thing that has to do with the short on-seasons of sales activity; what he’s doing with his U.S Artist Assembly grant money; and the types of clients he has (people who really love the work, not speculative buyers).

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