This episode of Across The Margin : The Podcast presents an interview with prolific percussionist, vibraphonist, bandleader, and vocalist Mike Dillon. How many artists have been praised as a “punk rock provocateur,” “jazz  vibraphone visionary,” and “percussion virtuoso”? There’s only one: Mike Dillon. Whether through his affiliation with artists like Les Claypool of Primus, Rickie Lee Jones, Dean Ween Group, and Ani Difranco, and collaborations such as Nolatet, Garage a Trois, The Dead Kenny G's, Critters Buggin, or bands he has led, including Mike Dillon Band, Mike Dillon's New Orleans Punk Rock Percussion Consortium, Billy Goat, and Hairy Apes BMX, the Texas-native has set his own standard for three decades now. Over the past decade, Mike Dillon has released a number of acclaimed albums, intertwining a range of influences from Zappa-esque eccentricity to Fishbone punk funk, D.C. Go-Go to Milt Jackson-influenced vibraphone majesty. His latest project, a trio that goes by the name Punkadelick, features Brian Haas (Jacob Fred Jazz Odyssey) on Fender Rhodes, piano, bass Moog and melodica, and Nikki Glaspie (Beyonce, Nth Power) on drums, cymbals, and vocals. Punkadelick’s latest album, Inflorescence, is an expansive 10-track collection, focused and fearless, representing a world where Duke Ellington and Augustus Pablo rub shoulders with crate-digger exotica, the freak-funk of Parliament, and the 'anything fits' outsider ethos of acid-fried punks like The Meat Puppets. In this episode host Michael Shields and Mike Dillon discuss the genesis of Punkadelick and what it’s like creating music with phenomenal talents such as Brian Haas and Nikki Glaspie. They discuss the botanical influence behind the album’s title, life on the road amid their current tour, the forthcoming tour with Les Claypool and The Fearless Flying Frog Brigade, and so much more.

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