This episode of Across The Margin : The Podcast features an interview with author and seasoned music and culture journalist, Mike Ayers. Mike has had work published in Billboard, The Wall Street Journal, Rolling Stone, Time, Esquire, and Relix. His first book, One Last Song: Conversations on Life, Death, and Music came out in 2020, with Variety declaring it as one of the best music books of the year. His latest book, Sharing in the Groove: The Untold Story of the '90s Jam Band Explosion and the Scene that Followed, is the focus of this episode Sharing in the Groove is a rich examination of an underdog genre that helped define the 1990s musical landscape — a scene that paved the way for modern-day cultural institutions such as the Bonnaroo Music Festival and kept the Grateful Dead ethos alive. Beginning in the mid-’80s and traveling up to New Year’s Eve 1999, Sharing in the Groove covers milestones such as getting signed to record labels and working the club scenes to playing amphitheaters and arenas. Along the way, details emerge of the scene’s own cultural values and the desire to be unique in a world that wanted them to follow a prescribed path. Ultimately, it’s a DIY story of creativity and making music — and how that won over a huge audience. Filled with anecdotes and stories directly from the musicians, promoters, managers, roadies, producers, label executives, and fans who lived this scene, Sharing in the Groove is a fun, fast-paced oral history that will appeal to music lovers everywhere.

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This episode of Across The Margin : The Podcast features an interview with Fabian Holt, Associate Professor in the Department of Communication and Arts at Roskilde University. He is the author of Everyone Loves Live Music: A Theory of Performance Institutions. His latest book, Organize or Burn : How New York Socialists Fight For Climate Survival, is the focus of this episode. Climate inaction is already causing widespread suffering and devastation around the world. How can citizens take collective action? Fabian Holt argues that we must go beyond protest and direct action, and turn to the potential of hybrid organizations that bring together social movements and political parties. One such “movement party” with recent political success is the New York City chapter of the Democratic Socialists of America (NYC-DSA), which has become the city’s main organization for movement climate politics, running multi-year climate pressure campaigns and a slate of climate-focused electoral campaigns, Organize or Burn situates the NYC-DSA in the history of the Democratic Socialist movement in the United States, In it, Fabian contests that NYC-DSA has developed a distinct approach to political organizing that has broad relevance to citizen climate mobilization. Ultimately, Organize or Burn shows that NYC-DSA can offer powerful lessons in how political collective action can be meaningful in the present moment of political turbulence. 

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This episode of Across The Margin : The Podcast features an interview with film and TV producer, writer, and director Rick Korn. Rick is the co-founder of In Plain View Entertainment which specializes in creating socially conscious documentaries. Rick has produced benefit concerts with Bruce Springsteen, Bon Jovi, Sheryl Crow, Peter Frampton, Kevin Bacon, and Joan Jett (amongst others). He executive produced the documentary about Paul McCartney, My Old Friend, and in 2024, he directed and released A Father’s Promise, the inspiring story of professional musician Mark Barden who lost all joy in music when his son Daniel was murdered at Sandy Hook Elementary school. Mark rewired himself and became a powerful voice and activist when he co-founded Sandy Hook Promise. Rick’s latest documentary, the focus of this episode, is entitled Harry Chapin — Cat's In The Cradle: The Song That Changed Our Lives. This new documentary explores Harry Chapin’s deeply affecting folk song’s lasting impact on music and culture decades later. In it, reflecting on the song's universal themes of parenthood, time, and relationships, are legendary musicians Billy Joel, Pat Benatar, Judy Collins, Dee Snider (Twisted Sister), Darryl McDaniels (Run-D.M.C.), Mandy Patinkin, Robert Lamm (Chicago), Whitfield Crane (Ugly Kid Joe) and more. In this episode host Michael Shields and Rick discuss what it is about “Cat’s In The Cradle” that has affected generations of people from across the world so deeply. Join in on a celebration of Harry Chapin who was more than just a singer-songwriter; he was a storyteller, activist, and humanitarian whose life and music touched the hearts of millions.

The documentary will benefit WhyHunger, Long Island Cares and the Harry Chapin Foundation. 

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This episode of Across The Margin : The Podcast features an interview with singer-songwriter Jenna Nicholls. Hailing from the small town of Irwin, PA near Pittsburgh, after college Jenna set her sights east to test her wings as a songwriter and performer. Initially trying Boston, she ultimately gravitated to the creative hotbed of Manhattan’s Lower East Side forging lasting friendships with other like-minded artists and musicians. Jenna made three albums on her own dime: Curled Up Toes in Red Mary Janes, The Blooming Hour, and Radio Parade. The albums revealed a restless muse and a theme that would be a constant for Nicholls: a love of vintage music – anything from classic music films like “Singin’ in the Rain” to Bessie Smith. Her latest album — The Commuter — is the focus of this episode. The title of Jenna Nicholls’ new album The Commuter is fitting in every sense — the story of a journey both musical and personal. The recording signals a departure and new beginnings: a new producer (multiple Grammy winner Larry Campbell), a new record label (Hudson Valley based Royal Potato Family), a lusher sound with inventive, fleshed-out arrangements, and an astoundingly wide-ranging collection of original songs. The constant: Jenna’s unique ability to transport the listener to a different place and time with her writing and inspired singing. The Commuter displays Jenna’s melodic and lyrical gifts in full flower. It’s a cinematic trip that takes the listener to 1930’s Parisian cafés, New Orleans juke joints, and beyond. It is an album that communicates the excitement of venturing forth and the reassurance of returning home to an abiding love. Learn all about it and more in this episode.

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This episode of Across The Margin : The Podcast features an interview with guitarist and composer Bill Orcutt. Bill is one of experimental music's most influential guitarists, known for weaving melodic lines into a dense landscape of American primitivism, outsider jazz, and a stripped-down re-envisioning of the possibilities of the guitar. Bill’s jagged sound is utterly unique and instantly recognizable, compared with equal frequency to avant-garde composers and rural bluesmen. The New York Times has called him a "powerful musician" and a "go-for-broke guitar improviser." His most recent album — which is the focus of this interview — is entitled Orcutt Shelley Miller, a fiery release which finds him teamed with two other legendary, electrifying musicians, Ethan Miller and Steve Shelley. While Bill is known for his prolific solo work and his time with the band Harry Pussy (amongst many other projects), Steve Shelley is best known for his many years as the drummer of Sonic Youth, and Ethan Miller for his time with the bands Howlin Rain and Comets On Fire. Following in the footsteps of the high-firing free jazz and European outer-rock bands of the ‘60s and ‘70s and the Pacific Rim’s subterranean reimagining of “rock” form in the 90s, the teaming of these three powerhouses utilizes explosive group chemistry, focused intention, and the chance to pursue the creation of song in its rawest, purest form. Orcutt Shelley Miller is an exciting ride of an album brought to life three highly celebrated figures of experimental music, and in this interview with Bill you will learn more about the genesis of the album, how two days of studio improvisation brought the album to life, what life on the road with the album has been like, and much more.

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This episode of Across The Margin : The Podcast features an interview with Brooklyn- based independent singer and songwriter Charlie Kaplan. Charlie has released three solo albums to date, each excellent in their own right, and he is the bassist in the art-pop quartet Office Culture. Charlie also helms the independent record label Glamour Gowns Records. His latest album,  A Hat Upon The Bed, is the focus of this episode.

A man pleads with the sky for Halley’s Comet to return. Washing the dishes devolves into a catastrophic anxiety spiral. Figuring out which key the microwave emits could foretell the secret of the universe. Messages of love extend to people who cannot receive them. These are some of the magical, everyday scenarios that singer-songwriter Charlie Kaplan weaves throughout his epic new album, A Hat Upon The Bed, all in service of surveying the unknowability of death. Drawing on the flood of love and pain that arrived during his “fatherless decade” — spanning the loss of his father in 2013 and the birth of his son in 2025 — the album pairs the strongest writing of Kaplan’s career with music that matches its untameable ambition and empathy.

Order Charlie Kaplan’s The Hat Upon The Bed now!

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This episode of Across The Margin : The Podcast features an interview with Brian Anderson, a Webby Award-winning senior features editor, writer, and producer at VICE. Brian was a science editor at The Atlantic, where he was part of the Pulitzer Prize-winning team for early pandemic coverage, and was later an editor at Vox. He lives in Chicago with his partner (and a piece of the Wall of Sound). Loud and Clear: The Grateful Dead Wall of Sound and the Quest for Audio Perfection is his first book, and the focus of this episode. Loud and Clear is the first book to tell the full story of the Grateful Dead’s “Wall of Sound,” an unprecedented and since unparalleled speaker system that was as tall as a school bus is long and more than a hundred feet wide. The band’s quest for a roaring yet crystal clear sound began after their formation in 1965, colliding with the ‘60s progressive social climate. Over the next few years, the Dead’s growing crew of sound-obsessed techies and eccentric roadies took their speaker system to new technological heights. But as the Dead’s relentless, drug-fueled touring schedule met this increasingly burdensome yet sonically perfect machine, in 1974, the Wall brought the band to its knees. The two years of “Wall shows” are legend among Deadheads, and Loud and Clear is the compelling character-driven tale about human ambition, achievement, and the limits of both on a larger-than-life scale. Brian Anderson interviewed hundreds of people associated with the band and the construction of the Wall itself, including band members, roadies, tech wizards, fans and many more. Loud and Clear is the fascinating inside story of one of the most legendary rock bands of all time.

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This episode of Across The Margin : The Podcast features an interview with Adam Szetela, who earned his Ph.D. in English in the Department of Literatures at Cornell University. Before that, he was a visiting fellow in the Department of History at Harvard University. He writes for The Washington Post, The Guardian, Newsweek, and other publications. His latest release — That Book is Dangerous: How Moral Panic, Social Media, and the Culture Wars Are Remaking Publishing — is the focus of this episode. In That Book Is Dangerous!, Adam investigates how well-intentioned and often successful efforts to diversify American literature have also produced serious problems for literary freedom. Although progressives are correct to be focused on right-wing attempts at legislative censorship, Adam reasons for attention to the ways that left-wing censorship controls speech within the publishing industry itself. The author draws on interviews with presidents and vice presidents at the Big Five publishers, literary agents at the most prestigious agencies, award-winning authors, editors, marketers, sensitivity readers, and other industry professionals to examine the new publishing landscape.

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This episode of Across The Margin: The Podcast presents an interview with Sean Enfield, an essayist, poet, bassist, and educator from Dallas, TX. Currently, he resides in Milwaukee, WI where he is a PhD candidate at the University of Wisconsin-Milwaukee. He received his MFA in Creative Writing from the University of Alaska-Fairbanks where he served as the Editor-in-Chief of Permafrost Magazine. Now, he serves as an Assistant Nonfiction Editor at Terrain.org. His essays have been nominated for three Pushcarts and he was featured on NPR’s All Things Considered as a finalist for their Three Minute Fiction contest. His debut essay collection, Holy American Burnout!, — the focus of this episode — was the runner-up for the Ann Petry Award, a finalist for The Megaphone Prize, a finalist for River Teeth’s Literary Nonfiction Book Prize, and is available now. Threading his experiences both as a Texan student and later as a first-year teacher of predominantly Muslim students at a Texas middle school, Holy American Burnout! weaves personal essay and cultural critique into the historic fabric of Black and biracial identity. In it, Enfield intersects examinations of which voices are granted legitimacy by virtue of school curriculum, the complex relationship between basketball and education for Black and brown students, his students’ burgeoning political consciousness during the 2016 presidential campaign, and cultural figures ranging from Kendrick Lamar to Hamlet. These classroom narratives abounding in Holy American Burnout! weave around Enfield’s own formative experiences contending with a conflicted biracial family lineage, reenacting the Middle Passage as the only Black student in his 7th grade history class, and moshing in both Christian and secular hardcore pits. As Enfield wrestles with the physical, mental, and emotional burdens that American society places on educators, students, and all relatively conscious minorities in this country, he reaches for an education that better navigates our burnt-out empire.

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