This episode of Across The Margin : The Podcast presents an interview with singer / songwriter Irena Eide who goes by the stagename Rainy Eyes. A Norway Native now based in Southern Louisiana, Rainy has recently released her second album entitled Lonesome Highway, a soulful, vulnerable, and beautiful work of art that is the focus of this episode. Lonesome Highway, as the story goes, was born out of revelry and resolution in a redwood cabin tucked into the California coast, endowed with a spirit simmering in wanderlust, and ornamented with the rich traditions of the Louisiana bayou. The 11 songs that comprise the album are brimming with perseverance and perspective, written as Rainy reflected on the juxtaposition of her circumstances. As she basked in the joy of motherhood, she was simultaneously confronting a troubled relationship that had turned toxic. Lonesome Highway marks a hope-filled and assertive new beginning for Rainy Eyes, as electric guitar and drums now join fiddle and banjo. In this episode host Michael Shields and Rainy Eyes discuss Rainy’s musical and geographic journey from Norway to California to Louisiana while exploring the musical influences she acquired along the way. They dig into the ins-and-outs of her new album, exploring the weighty and relatable themes present within it, while also celebrating the collection of 70 original folk songs for children entitled Little Folkies she recently released…and so, so much more.

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This episode of Across The Margin : The Podcast presents an interview with Alan Swyer, an award-winning filmmaker whose recent documentaries have dealt with Eastern spirituality in the Western world, the criminal justice system, diabetes, boxing, singer Billy Vera, and beyond. In the realm of music, among his productions is an album of Ray Charles love songs. His novel The Beard was recently published by Harvard Square Editions. His latest documentary, When Houston Had The Blues — the focus of this episode — shines a bright light on a vibrant Black music scene that has never gotten its just due…until now. Houston’s early and indelible mark on American music and the blues — often overlooked despite its rich history — is celebrated in the soulful, feature-length documentary, When Houston Had the Blues. While Houston may not come to most people’s minds as a major “music city” like Memphis, Chicago or New Orleans, it has a legacy that few other cities can match. Years before Elvis hit the charts with “Hound Dog,” it was originally recorded by Houston’s Big Mama Thornton (arguably the defining version). And long before Motown, Houston was home to one of the most successful Black music empires in the country. When Houston Had the Blues features an extensive collection of photos from the ’40s and ‘50s and vintage/contemporary performances by Bobby “Blue” Bland, Chic “Juke Boy” Bonner, Charles Brown, Clarence “Gatemouth” Brown, Jewel Brown, C.J. Chenier, Arnett Cobb, Albert Collins, Diunna Greenleaf, Lightnin’ Hopkins, Albert King, Freddie King, Trudy Lynn, David “Guitar Shorty” Kearney, Willie Mae “Big Mama” Thornton, Katie Webster aka The Swamp Boogie Queen, Don Wilkerson and more. With a unique timber and flavor unlike any other town in America, even other Texan cities, Houston’s blues scene — ranging from “gut bucket” to highly sophisticated — has long been a melting pot of music, influenced by salsa, tejano, cajun, zydeco (then known as la-la), jazz, country and, later, rock ‘n’ roll. 

Stream Houston Had The Blues on iTunes / Apple TV. 

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This episode of Across The Margin : The Podcast features an interview with Dr. Genevieve Guenther, a former Renaissance scholar who turned to climate research and activism after having a child and becoming increasingly alarmed about the world her son could inherit after she died. Now an expert in climate communication, Dr. Guenther is the founding director of End Climate Silence. At End Climate Silence she directs strategy and outreach, helping journalists explain the links between global warming and extreme weather, headline the urgent findings of climate science, and foreground the role of climate breakdown in news about politics, energy, business and finance, immigration, real estate, health, travel, food, and even the arts. She is affiliate faculty at The New School, where she sits on the board of the Tishman Environment and Design Center. Dr. Guenther advises NGOs, corporations, and policymakers on fossil-fuel disinformation and climate communication, and she serves as Expert Reviewer for the United Nations Intergovernmental Panel on Climate Change. Her recently released book, The Language of Climate Politics, is the focus of this episode. A groundbreaking investigation into the propaganda justifying the fossil-fuel economy, The Language of Climate Politics offers readers powerful new ways to talk about the climate crisis that will help create transformative change. In an illuminating analysis, Dr. Guenther shows that the climate debate is not, in fact, neatly polarized, with Republicans obstructing climate action and Democrats advancing climate solutions. Partisans on the right and the left often repeat the same fossil-fuel talking points, and this repetition produces a centrist consensus upholding the status quo, even as global heating accelerates. Ultimately, The Language of Climate Politics is an inspiring call to arms, a book that equips readers with powerful new terms that will enable them to fight more effectively for a livable future.

Grab a copy of The Language of Climate Politics here, and follow Dr. Genevieve Guenther on Twitter here!

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This episode of Across The Margin : The Podcast features an interview with Brooklyn-based singer/songwriter Leslie Mendelson. Modeling her music after such '70s icons as Carole King and Joni Mitchell, Leslie Mendelson began making waves in 2009 with her debut Grammy-nominated album Swan Feathers, which was followed by two outstanding offerings, 2017’s Love & Murder and 2020’s If You Can’t Say Anything Nice. Just last month Leslie released her fourth studio album — the focus of this interview — an outstanding collection of tracks entitled After The Party (Royal Potato Family). For this latest effort, she collaborates with not one, but three producers: the legendary Peter Asher (James Taylor, Linda Ronstadt, Bonnie Raitt), the young, in-demand Tyler Chester (Madison Cunningham, Sara Bareilles, Sara Watkins) and her longtime songwriting partner, three-time Grammy Award-winner, Steve McEwan. Recorded at Jackson Browne’s studio Groove Masters in Santa Monica, CA, she was joined by an ace band featuring guitarists Waddy Wachtel and John Jorgenson, bassists Leland Sklar and Derrick Anderson, and drummers Jim Keltner and Abe Rounds. Throughout After The Party’s ten tracks, Leslie crafts a distinctive folk-rock, pop-Americana flavor, evoking the sounds of Laurel Canyon, but with the downtown grit and sharp wit of Brooklyn, the city she has called home for over two decades now. There’s a refreshing realness and effortless musicality that feels both nostalgic and new throughout After The Party.  In this episode host Michael Shields and Leslie Mendelson talk about how Leslie’s recent album’s title was inspired by Andy Warhol’s still life of the same name while recounting the compelling story how she came to working with famed producer Peter Asher on the album and recording in Jackson Browne’s Groove Masters Studio. They discuss the remarkable band that backed Leslie for After The Party, the diverse and introspective themes found throughout the album, what life on the road is like for Leslie currently, and so much more.

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This episode of Across The Margin : The Podcast features an interview with journalist and essayist Santi Elijah Holley who covers music, books, culture, and religion. His work has appeared in The Atlantic, The Guardian, VICE, Tin House, and elsewhere. He is the author of an excellent 33 ⅓ book which is the focus of this episode, a deep dive into Nick Cave and the Bad Seeds’ Murder Ballads. Murder Ballads, the ninth studio album from Nick Cave and the Bad Seeds, is a gruesome, blood-splattered reimagining of English ballads, American folk and blues music, and classic literature. Most of the stories told on Murder Ballads have been interpreted many times, but never before had they been so graphic or profane. Though earning the band their first Parental Advisory warning label, Murder Ballads, released in 1996, brought Nick Cave and the Bad Seeds their biggest critical and commercial success, thanks in part to the award-winning single, “Where the Wild Roses Grow,” an unlikely duet with Australian pop singer, Kylie Minogue. Closely examining each of the ten songs on the album, Santi Elijah Holley investigates the stories behind the songs, and the numerous ways these ballads have been interpreted through the years. Murder Ballads is a tour through the evolution of folk music, and a journey into the dark secrets of American history. Learn more about it and Santi Elijah Holley’s book in this episode!

Grab a copy of Murder Ballads by Santi Elijah Holley here!

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This episode of Across The Margin : The Podcast presents an interview with novelist and activist Liz Jensen, Liz’s critically-acclaimed work spans black comedy, science fiction, satire, family drama, historical fantasy, psychological suspense, and most recently, a memoir. Beyond her prolific writing output, Liz is a founder member of Extinction Rebelion Writers Rebel, a literary movement using words and actions to highlight the climate and ecological emergency, and in 2023 she launched The Rebel Library, a resource for readers of climate and ecological literature in all genres. She also teaches creative writing in the UK and Denmark and volunteers on the grief helpline run by the Danish National Grief Centre. In her recent memoir, Your Wild And Precious Life: On Grief, Hope and Rebellion (Canongate, 2024) — the focus of this episode — she shares her reflections on personal and ecological grief and finding resilience after the tragic sudden death of her son Raphael in 2020. Liz’s son's death will never make sense to her. But it has taught her that it's possible to find meaning, collectively and individually, in the loss of what we love. Resilience, Liz believes, is a seed that we all bear inside us. It germinates in emergencies. It sets down roots in astonishing and unexpected ways. And if we notice it, and tend to it, it blooms. Liz’s son, a zoologist, conservationist, and ecological activist, was twenty-five when he collapsed and died unexpectedly. She fell apart. As she grieved, forest fires raged, coral reefs deteriorated, CO2 emissions rose, and fossil fuels burned. Your Wild and Precious Life is the story of how a mother rebuilt herself, reoriented her life, and rediscovered the enchantment of the living world. Set against the backdrop of climate and ecological catastrophe, Your Wild and Precious Life is an argument for agency, legacy, and the wild possibility of hope after devastation. Liz’s book is so very special and so many things all at once. It’s a deeply honest handbook encompassing the grief one experiences when they suffer profound loss. It’s a loving ode from a mother to a son. It’s a celebration of activism and a call to action. It’s a story of resilience, and proof that it’s possible to find life beyond the pain. 

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This episode of Across The Margin: The Podcast presents an interview with the author of the 33 ⅓ book dedicated to the legendary Britpop band Pulp’s renowned album This is Hardcore, Jane Savidge. As co-founder and co-head of legendary PR company Savage & Best, Jane Savidge is widely credited as being one of the main instigators of the Britpop movement that swept the UK in the mid 1990s. During this time, Savage & Best represented Suede, Pulp, The Verve, Elastica and Longpigs, whilst representing many other artists of the era including the Cranberries, The Fall, and Jesus and Mary Chain. She is the author of Lunch With The Wild Frontiers (2019) and Here They Come With Their Make Up On: Suede, Coming Up and More Adventures Beyond The Wild Frontiers (2022). This Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriate grown-up issues of the day – fame, aging, mortality, drugs, and pornography – and still come out crying and laughing on the other side. In this episode host Michael Shields and Jane Savidge dig into the weighty themes present in This is Hardcore revolving around fame, aging, success, and pornography. They expound upon the “Michael Jackson Incident” which propelled lead singer Jarvis Cocker to unfathomable fame, how Jarvis used music and the crafting of This is Hardocre as catharsis for his real life struggles, what the final legacy of Pulp might be, and ultimately they celebrate a 33 ⅓ book that serves as a love letter to a remarkable album.

Grab a copy of Jane Savidge’s This is Hardcore here!

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This episode of Across The Margin: The Podcast presents an interview with Jen Rainin and Rivkah Beth Medow, co-directors of the critically-acclaimed documentary Ahead of the Curve which chronicles the career of lesbian-rights icon Franco Stevens who launched Curve, the best-selling lesbian magazine ever published. Against the hostile backdrop of hate crimes and family rejection in the 1990s, with few celebrities or politicians willing to be out publicly, Curve magazine dared to celebrate a full, inclusive range of lesbians, queer women, and nonbinary people, seeding some of the most pressing conversations around LGBTQ+ community today. Growing up, Franco never saw any representation of queer women — she didn’t even know it was possible for a woman to be gay. When she realized she was a lesbian, it changed the course of her life. In 1990, Franco created a safe place for lesbians in the form of Curve magazine. Her approach to threats and erasure in the ‘90s was to highlight all kinds of LGBTQ+ women and make them beautifully visible. The magazine helped build the foundation for the movements being led by today’s queer activists. In this episode host Michael Shields, Jen Rainin, and Rivkah Beth Medow dig deeply into what the existence of Curve magazine meant to lesbians and the lesbian community while marveling about the obstacles and adversities Franco Stevens navigated bringing Curve to life. They discuss the controversy and complexities surrounding the word “lesbian,” a dispute concerning the name of the magazine which almost brought the publication down, the important work of The Curve Foundation, and, ultimate, they celebrate the profoundly inspiring legacy of Franco Stevens and the magazine she created which meant so much to countless people.

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This episode of Across The Margin: The Podcast presents an interview with music journalist and author Katherine Yeske Taylor. Taylor began her career as a rock critic in Atlanta in the 1990s, interviewing Georgia musical royalty such as the Indigo Girls, R.E.M., and the Black Crowes while still a teenager. Since then, she has conducted several hundred interviews and contributes regularly to Billboard, Flood, Spin, and American Songwriter, among others. She is a longtime New York City resident and is extremely active in the downtown rock scene. Her book, She’s a Badass: Women in Rock Shaping Feminism, is the focus of this episode. Feminism has always been a complex and controversial topic, as female rock musicians know especially well. When they’ve stayed true to their own vision, these artists have alternately been adored as role models or denounced as bad influences. Either way, they’re asked to cope with certain pressures that their male counterparts haven’t faced. With each successive feminism movement since the 1960s, women in rock have been prominent proponents of progress as they’ve increasingly taken control of their own music, message, and image. This, in its way, is just as revolutionary as any protest demonstration. In She’s a Badass, Taylor interviews twenty significant women in rock, devoting an entire chapter to each one, taking an in-depth look at the incredible talent, determination — and, often, humor — they needed to succeed in their careers (and life). Interviewees range from legendary artists through notable up-and-comers, including Ann Wilson (Heart), Gina Schock (The Go-Go’s), Suzanne Vega, Amy Ray (Indigo Girls), Orianthi, Amanda Palmer, and more. Their experiences reveal the varied and unique challenges these women have faced, how they overcame them, and what they think still needs to be done to continue making progress on the equality front. Their stories prove that promoting feminism — either through activism or by living example — is undeniably badass. In this episode Michael Shields and Katherine Yeske Taylor talk about the inspiring and eclectic interview subjects found in She’s a Badass while considering all the varying struggles they each have faced in a male-dominated music industry. They discuss how feminism has always been a complex and complicated topic, the attributes that propelled the passionate musicians in Taylor’s book to success, the importance of ally-ship, and so much more.

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