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Listeners, I’ve told all my friends about Harriet Gibsone’s debut book, Is This Okay? One Women’s Search for Connection Online, so it’s only right I tell you about it too. Is this okay? Pah, it is, by some distance, the best book I’ve read so far this year.
Harriet’s career as a music journalist took place at a similar time to the years I spent in the thick of it, and by the time she ended up at The Guardian – after a sterling shift at the ever missed The Fly - I was a fan, and had come to hold her as an ideal for everything I would like to achieve in British music media. Which is why, upon reading Harriet’s book, I was astonished to hear she had experienced the neurosis, the obsession, the jealousy, and insecurity, that I have felt for so much of my career.
Okay, so I’ve never fantasized at length about Coldplay’s Chris Martin, but I finished Harriet’s very funny, very emotional book feeling much less alone than I had done going in. A treatise on noughties indie and the oddity of a parasocial digital life, I can’t recommend her book highly enough.
By Spoook Media4.4
1313 ratings
Listeners, I’ve told all my friends about Harriet Gibsone’s debut book, Is This Okay? One Women’s Search for Connection Online, so it’s only right I tell you about it too. Is this okay? Pah, it is, by some distance, the best book I’ve read so far this year.
Harriet’s career as a music journalist took place at a similar time to the years I spent in the thick of it, and by the time she ended up at The Guardian – after a sterling shift at the ever missed The Fly - I was a fan, and had come to hold her as an ideal for everything I would like to achieve in British music media. Which is why, upon reading Harriet’s book, I was astonished to hear she had experienced the neurosis, the obsession, the jealousy, and insecurity, that I have felt for so much of my career.
Okay, so I’ve never fantasized at length about Coldplay’s Chris Martin, but I finished Harriet’s very funny, very emotional book feeling much less alone than I had done going in. A treatise on noughties indie and the oddity of a parasocial digital life, I can’t recommend her book highly enough.

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