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Indigenous Canadian artist Daphne Odjig’s painting Bathed in Sunlight (1983) and the larger story of Odjig’s career prompt us to think about Native art and how it is (or isn’t) included in the mainstream contemporary art world.
© 2019 Allyson Healey
Theme music © 2019 Bruce Healey
Twitter and Instagram: @arthistory4all
Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall
Other links: linktr.ee/arthistory4all
Additional Music Credit:
“Synchronicity” by Unheard Music Concepts via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License.
“Amber Haze” by Daniel Birch via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License.
By Allyson Healey4.6
148148 ratings
Indigenous Canadian artist Daphne Odjig’s painting Bathed in Sunlight (1983) and the larger story of Odjig’s career prompt us to think about Native art and how it is (or isn’t) included in the mainstream contemporary art world.
© 2019 Allyson Healey
Theme music © 2019 Bruce Healey
Twitter and Instagram: @arthistory4all
Drop us a tip on Ko-Fi: ko-fi.com/arthistoryforall
Other links: linktr.ee/arthistory4all
Additional Music Credit:
“Synchronicity” by Unheard Music Concepts via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License.
“Amber Haze” by Daniel Birch via freemusicarchive.org, licensed under a Creative Commons Attribution 4.0 International License.

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