This week, I have an interview with the author and illustrtor behind a new graphic novel that tackles the story of Maria Lani who convinced over 50 prominent artists to make her portrait. Dozens of artists including Matisse, Derain, and Chagall created portraits of Lani so they could be used in a movie that was never actually produced. When Lani and the collection disappeared, many were left to wonder if the whole thing was an elaborate con to steal masterpieces from Paris's greatest modern artists.

Jonathan Lackman and Zachary J. Pinson created a stunning book telling this story through thousands of hand drawn panels. They were kind enough to share their insights into the history and the process of producing the book. For more information, check the links below:

https://marialani.com/

https://www.instagram.com/arkansasgreasefire/

https://jonlackman.com/

And of course, you can buy the book from Fantagraphics. It will be available at all major book sellers starting July 22.

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Amedeo Modigliani, a rebellious Italian painter, left a lasting mark on the art world with his distinctive style and captivating portraits. Born in Livorno in 1884, his early life was marked by illness and a dramatic incident that saved his family from financial ruin. Modigliani's art, influenced by diverse sources like Cezanne, Brancusi, and African sculpture, is characterized by elongated figures, long necks, and almond-shaped eyes. He moved to Paris in 1906, where he became a part of the bohemian art scene, despite struggling with poverty and rejection. His first solo exhibition in 1917 caused a scandal due to its nude paintings, but it also solidified his position as a major artistic figure. Modigliani's tragic early death at 35 cut his career short, but his legacy lives on through his unique artistic vision, capturing the essence of human emotion and form in his timeless works.

Related Episodes:

⁠Henri Matisse⁠

⁠Henri de Toulouse-Lautrec⁠

⁠Pablo Picasso⁠

⁠Paul Cezanne⁠

Check out my other podcasts  ⁠Art Smart⁠ | ⁠Rainbow Puppy Science Lab⁠

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It was a tremendous pleasure to get to interview Jennifer Dasal about her new book, The Club: Where American Women Artists Found Refuge in Belle Époque Paris. We discussed the art scene in Paris in the 19th century, particularly the experiences of American women artists.

The Club: Where American Women Artists Found Refuge in Belle Époque Paris will be available at your favorite bookstores starting July 15. You can order a copy now from Amazon

Listen to Jennifer on ArtCurious wherever you get your podcasts.

In this episode, we mentioned other artists. Use the links below if you want to learn more about them:

Edmonia Lewis

Auguste Rodin

Mary Cassatt

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American artist Thomas Hart Benton (1889-1975) was a leading figure of the Regionalist movement, known for his dynamic depictions of American life, labor, and landscapes. Born into a politically prominent Missouri family, Benton initially pursued art against his father's wishes, studying at the Corcoran Gallery of Art and later in Paris, where he engaged with avant-garde movements like Cubism and Synchromism. However, he eventually rejected European modernism, advocating for a distinctly American art form that captured the realities of the nation. His signature "muscular realism" is characterized by swirling forms and vibrant colors, often seen in his prolific murals in public buildings such as the Missouri State Capitol.

Benton's monumental mural cycle, America Today, completed in 1931, stands as a prime example of American Regionalism. Executed in egg tempera on linen, these ten panels offer a panoramic view of American life during the Great Depression, featuring scenes of bustling cities, industrial activity, and rural labor. The mural, originally commissioned by The New School for Social Research, showcases figures like steelworkers, farmers, and jazz musicians, with Benton subtly including himself and his family within the work. America Today is a powerful visual narrative that celebrates the resilience of ordinary Americans and critiques the challenges of the era, solidifying Benton's legacy as a chronicler of American history and culture. The mural is now housed at the Metropolitan Museum of Art in New York City.

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Louise-Élisabeth Vigée Le Brun is best known as Marie Antoinette's favorite portrait painter. In this episode, I spoke with Judith Lissauer Cromwell, author of a new biography of Vigée Le Brun.

Louise-Élisabeth Vigée Le Brun first studied art with her father. Sadly, he passed away while Vigée Le Brun was just a child. Her mother helped her to gain access to artworks, to gain inspiration and continue developing her talent. By the time Vigée Le Brun was a young adult, she gained a reputation for painting beautiful portraits of the French aristocracy. Marie Antoinette spent years trying to find a painter who could create a portrait that would satisfy her mother. Vigée Le Brun painted a beautiful portrait and quickly became the queen's favorite artist, but being so closely associated with the queen became perilous during the French Revolution.

Buy the book on Amazon or wherever you get your books.

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Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

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Constantin Brâncuși was a Romanian sculptor who made a significant impact on modern art through his abstract sculptures. His passion and dedication to art is legendary. In the autumn of 1903, he began a months-long walk from Bucharest to Paris, where he sought to immerse himself in the avant-garde art scene. Brâncuși's work, characterized by simplified forms and a focus on the essence of his subjects, often sparked controversy, as seen with his Bird in Space sculpture, which was challenged by U.S. customs officials who didn't recognize it as art. This led to a landmark court case that ultimately recognized abstract art as a legitimate form. Brâncuși's dedication to his unique artistic vision and his exploration of fundamental forms left a lasting legacy on the world of modern sculpture.

Related episodes:

⁠Auguste Rodin⁠

⁠Amedeo Modigliani⁠

⁠Henri Matisse⁠

⁠Marcel Duchamp⁠

The Kiss is one of the 250 artworks required for AP Art History. For those students across the US trying to prep for the test, check out my ⁠AP Art History Cram Session⁠ playlist on Spotify.

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Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

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Hieronymus Bosch was a 15th-century Dutch painter whose fantastical and often unsettling works continue to captivate viewers today. His most famous painting, "The Garden of Earthly Delights," is a triptych that depicts a complex narrative of creation, temptation, sin, and damnation. Bosch's unique visual vocabulary, drawn from religious iconography, folklore, alchemy, and contemporary social mores, challenged the established norms of religious art and introduced an element of ambiguity into his narratives. Bosch's exploration of human psychology and the darker aspects of human nature contributed to the subversive nature of his art, offering a more nuanced and unsettling view of the human condition. Despite the often disturbing imagery in his paintings, Bosch was a respected member of his community and a devout Catholic. The enduring power of his work lies in its masterful balance between the concrete and the ambiguous, inviting viewers to decipher the complex relationships and narratives within his paintings.

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The Ardabil Carpet, a masterpiece of 16th-century Persian weaving, represents a pinnacle of Safavid art. Though associated with Ardabil, scholars suggest it may have been woven in Kashan, a prominent center for carpet production during that era. Commissioned during the reign of Shah Tahmasp I (1501-1736 CE) for the Shrine of Shaykh Safi al-Din Ardabili, this monumental wool pile carpet on a silk foundation measures an impressive 34 feet 6 inches by 17 feet 5 inches and boasts over 25 million knots.

The carpet's intricate design features a central medallion surrounded by elaborate floral motifs, scrolling vines, and arabesques, reminiscent of a lush garden, a common theme in Islamic art. Notably, two asymmetrical mosque lamps hang from the central medallion, symbolizing divine knowledge and adding to the carpet's sacred context. Inscriptions include a couplet from the poet Hafiz, emphasizing devotion and humility, fitting for a piece created for a revered shrine. Dated 946 AH (1539-1540 CE), the Ardabil Carpet's precise dating is a rare and valuable historical marker. Its acquisition by the Victoria and Albert Museum in London in 1893 significantly elevated the recognition of Islamic art in Western collections, and its enduring influence continues to inspire textile art and design globally.

The Ardabil Carpet is one of the 250 works required for AP Art History. If you want to learn about more works from that list, check out my AP Art History Cram Session playlist on Spotify.

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James Abbott McNeill Whistler was a prominent figure in the Aesthetic Movement focusing on "Art for art's sake." One of Whistler's most renowned works is "Arrangement in Grey and Black No. 1," widely known as "Whistler's Mother," painted in 1871. This oil on canvas depicts his mother, Anna McNeill Whistler, seated in profile. Despite Whistler's insistence that the painting be appreciated for its formal qualities, its subtle harmonies of grey and black and balanced composition, it has garnered widespread sentimental appeal as a profound depiction of maternal dignity and old age. The painting, initially met with mixed reviews in London, achieved masterpiece status in Paris and was acquired by the French state. Its enduring presence in popular culture, including its use as a symbol of American motherhood during the Great Depression, showcases its unique blend of artistic innovation and emotional resonance, continuing to captivate audiences over a century and a half after its creation.

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Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

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Francisco Goya (1746-1828) is one of Spain's most important and complex artists. His career bridged the gap between the Old Masters and the modern era. He found success as a court painter for the Spanish monarchy, creating bright, lively tapestry designs for the royal palaces. However, a devastating illness in 1792 that left him completely deaf marked a profound turning point. His art took on a darker, more critical tone, evident in his series of satirical etchings, Los Caprichos, which targeted the follies of Spanish society. The horrors he witnessed during Napoleon's invasion of Spain (1808-1814) were unflinchingly documented in his print series, The Disasters of War. In his final years in Spain, Goya painted his most enigmatic and disturbing works, the "Black Paintings," directly onto the walls of his country home, creating private, nightmarish visions like Saturn Devouring His Son.

The Third of May 1808, painted in 1814, is a monumental and revolutionary depiction of war. Breaking from centuries of tradition that glorified battle, Goya focuses on the brutal, systematized execution of captured Spanish civilians by a faceless French firing squad. The painting's power comes from its raw emotion, its dramatic use of light to illuminate the victims, and its central, Christ-like figure whose gesture of martyrdom has become a universal symbol of protest. As one of the first truly modern paintings, The Third of May 1808 stripped war of its romance and its influence resonates through the history of art, most notably in works by Édouard Manet and Pablo Picasso's famous anti-war mural, Guernica.

Related episodes:

Édouard Manet

Pablo Picasso

Auguste Rodin

Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab

Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

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