Alec and Nick discursively cross the river Styx that is Web3 and NFT culture. Charting a recent history of music's own volatile and speculative economies, this episode tracks analogical implications within sound and blockchain technologies. The duo borrow the crypto degen epithet "we like the art" and speak about the visualization and tokenization of music as its transpired within the industrial conditions of Web2 as an audible musical imprint. The conversation touches on recent music distribution protocol Nina, the upcoming Tiny Mix Tapes DAO, the rise and fall of SoundCloud, Artaud's Theatre of Cruelty, Simon Reynold's Conceptronica essay, Reza Negarastani & Generative Aesthetics, Dostoevsky & God, and more.