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In this episode of the Project Narrative Podcast, Jim Phelan and Brian Richardson discuss Ilse Aichinger’s short story, “Spiegelgeschichte,” translated to English as “Mirror Story,” originally published in German in Austria in 1949. Brian Richardson is Professor of English and Comparative Literature at the University of Maryland. Richardson has long been a stalwart member of the International Society for the Study of Narrative, and served as the Society’s President in 2011. Richardson has done extensive and influential work on modernism, postmodernism, drama, and narrative theory. Some of Richardson’s most influential publications include Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction, which launched “unnatural narratology” as an approach to narrative, A Poetics of Plot for the Twenty-first Century: Theorizing Unruly Narratives, Essays on Narrative and Fictionality: Reassessing Nine Central Concepts, Unnatural Narratology: Extensions, Revisions, and Challenges, co-edited with Jan Alber, and his forthcoming book The Reader in Modernist Fiction. Richardson was also the prime mover behind the publication of the widely adopted collaborative book entitled, Narrative Theory: Core Concepts and Critical Debates, co-authored by Brian, David Herman, Robyn Warhol, Peter J. Rabinowitz, and Jim Phelan.
By Project Narrative5
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In this episode of the Project Narrative Podcast, Jim Phelan and Brian Richardson discuss Ilse Aichinger’s short story, “Spiegelgeschichte,” translated to English as “Mirror Story,” originally published in German in Austria in 1949. Brian Richardson is Professor of English and Comparative Literature at the University of Maryland. Richardson has long been a stalwart member of the International Society for the Study of Narrative, and served as the Society’s President in 2011. Richardson has done extensive and influential work on modernism, postmodernism, drama, and narrative theory. Some of Richardson’s most influential publications include Unnatural Voices: Extreme Narration in Modern and Contemporary Fiction, which launched “unnatural narratology” as an approach to narrative, A Poetics of Plot for the Twenty-first Century: Theorizing Unruly Narratives, Essays on Narrative and Fictionality: Reassessing Nine Central Concepts, Unnatural Narratology: Extensions, Revisions, and Challenges, co-edited with Jan Alber, and his forthcoming book The Reader in Modernist Fiction. Richardson was also the prime mover behind the publication of the widely adopted collaborative book entitled, Narrative Theory: Core Concepts and Critical Debates, co-authored by Brian, David Herman, Robyn Warhol, Peter J. Rabinowitz, and Jim Phelan.

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