Gavin Fernandes discusses his article on the Song of Songs and the issue with the interpretation of the words 'melech' and 'alamot'. He argues that the word 'melech' should be understood as 'king' and not dismissed or interpreted figuratively. He also emphasizes the importance of understanding the literary integrity of the text and the presence of three parties: the king, the woman, and the women. Fernandes explores the debate on whether the Song of Songs has a narrative and argues that it is a lyric poetry that can convey a narrative. He discusses the historical and theological interpretations of the Song of Songs and the challenges of reconciling the literary and theological perspectives. The conversation explores the complexity and structure of the Song of Songs, focusing on the characters, themes, and narrative progression. The guest argues that the song is a literary unity rather than a collection of songs. They discuss the use of pastoral language and the presence of multiple characters speaking in the text. The guest also suggests that the song can be seen as an early Cinderella narrative. They touch on the performative potential of the song but argue that it was not originally intended as a stage piece.