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Thanks mostly to his magical work with John Mellencamp, Don Gehman was one of the biggest producers of the 80s. He was by John's side from the Cougar days through his whole peak period ending with The Lonesome Jubilee. Along the way he also produced REM's best album, Life's Rich Pageant, Bruce Hornsby's A Night on the Town, and many more, but the success started to wane. Then, he took on the job of producing this new band with a funny name called Hootie and the Blowfish and we know how that ended. Don doesn't do a lot of interviews so we're lucky to hear him discuss all of this as well as Chicago, Brian Setzer, Jimmy Barnes, Pat Benatar and a bunch of others. Don figured out what the sound of Heartland rock in the 80s should sound like, and we're all better off for it.
By Jon Lamoreaux4.8
215215 ratings
Thanks mostly to his magical work with John Mellencamp, Don Gehman was one of the biggest producers of the 80s. He was by John's side from the Cougar days through his whole peak period ending with The Lonesome Jubilee. Along the way he also produced REM's best album, Life's Rich Pageant, Bruce Hornsby's A Night on the Town, and many more, but the success started to wane. Then, he took on the job of producing this new band with a funny name called Hootie and the Blowfish and we know how that ended. Don doesn't do a lot of interviews so we're lucky to hear him discuss all of this as well as Chicago, Brian Setzer, Jimmy Barnes, Pat Benatar and a bunch of others. Don figured out what the sound of Heartland rock in the 80s should sound like, and we're all better off for it.

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