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Alec and Nick reconvene to discuss concepts of "tradition" and "futurity" as they relate to music. Picking up on our ceaseless cultural pull toward both the past and future, the conversation focuses on how contemporary's music's impulse to represent history and postulate a future for itself has developed its own kind of suspended, tense aesthetic condition. The conversation touches on Benedict Anderson's "Imagined Communities," Bang on Can's Longform Festival, Accelerationism vs. "trad" culture, neorationalist philosophy, ethical and/or relativist music appreciation, Sylvere Lotringer, The Beats, Post-Internet Art, the problems of using collapse as a vision of the future, the dubious quest for authenticity—and music as a special annex for the quandaries of what's behind us and what's to come.
By Nick Scavo & Alec Sturgis5
2525 ratings
Alec and Nick reconvene to discuss concepts of "tradition" and "futurity" as they relate to music. Picking up on our ceaseless cultural pull toward both the past and future, the conversation focuses on how contemporary's music's impulse to represent history and postulate a future for itself has developed its own kind of suspended, tense aesthetic condition. The conversation touches on Benedict Anderson's "Imagined Communities," Bang on Can's Longform Festival, Accelerationism vs. "trad" culture, neorationalist philosophy, ethical and/or relativist music appreciation, Sylvere Lotringer, The Beats, Post-Internet Art, the problems of using collapse as a vision of the future, the dubious quest for authenticity—and music as a special annex for the quandaries of what's behind us and what's to come.

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