Xenia Rubinos could just as easily be on a bill with Flying Lotus and The Boredoms as she could with Eryka Badu and Esperanza Spalding. Her unique genre mixing of soul, punk, jazz, pop and latin music grooves planted her firmly in a musical space all her own. Following Xenia's first two albums, 2013's *Magic Trix* and the wide success of 2016's *Black Terry Cat* and the extensive touring and hustle to promote it, she visited a "curandero" who diagnosed her with "a loss of spirit". Though uninspired and unmotivated to make music, she was encouraged by her longtime collaborator and co-producer Marco Buccelli to continue working. Rubinos' new release *Una Rosa*, is her own novella. It is a rediscovery of her musical self that explores new sonic territory, leaning heavily on the use of synths and drum machines to frame her stories, reflections and expressions. Geoff Stanfield chatted with Xenia from her home in Brooklyn. Enjoy!

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