
Sign up to save your podcasts
Or


Air Week: January 13-19, 2025
Jimmy Reed was a hit-making blues machine back in the 1950s, yet he isn’t as well remembered today as some of his contemporaries. This week, Matt The Cat and the “Juke In The Back” dedicate the entire program to this highly influential bluesman. Reed’s mid-tempo shuffle was unique when first introduced in 1953 and has since become a part of Blues and Rock n’ Roll DNA. Reed, along with The Spaniels, were the first two acts signed to Vivian Carter and James Bracken’s new label, Vee-Jay, out of Gary, Indiana. His first 2 releases didn’t go anywhere, but it was his third, “You Don’t Have To Go,” that put Reed into the R&B top 5. He’d score 19 charting singles over the next 13 years. Some of them, like “Can’t Stand To See You Go,” “Little Rain,” “Honest I Do,” “Take Out Some Insurance,” “Baby What You Want Me To Do,” “Big Boss Man” and “Bright Lights, Big City” have become blues standards. Almost anyone could sing and play a Jimmy Reed tune, but only one man sounded like Jimmy Reed. This week, Matt The Cat loads up the “Juke In The Back” with Reed’s finest sides from 1953-59.
LISTEN BELOW
By Matt The Cat5
6060 ratings
Air Week: January 13-19, 2025
Jimmy Reed was a hit-making blues machine back in the 1950s, yet he isn’t as well remembered today as some of his contemporaries. This week, Matt The Cat and the “Juke In The Back” dedicate the entire program to this highly influential bluesman. Reed’s mid-tempo shuffle was unique when first introduced in 1953 and has since become a part of Blues and Rock n’ Roll DNA. Reed, along with The Spaniels, were the first two acts signed to Vivian Carter and James Bracken’s new label, Vee-Jay, out of Gary, Indiana. His first 2 releases didn’t go anywhere, but it was his third, “You Don’t Have To Go,” that put Reed into the R&B top 5. He’d score 19 charting singles over the next 13 years. Some of them, like “Can’t Stand To See You Go,” “Little Rain,” “Honest I Do,” “Take Out Some Insurance,” “Baby What You Want Me To Do,” “Big Boss Man” and “Bright Lights, Big City” have become blues standards. Almost anyone could sing and play a Jimmy Reed tune, but only one man sounded like Jimmy Reed. This week, Matt The Cat loads up the “Juke In The Back” with Reed’s finest sides from 1953-59.
LISTEN BELOW

38,513 Listeners

38,882 Listeners

1,978 Listeners

269 Listeners

216 Listeners

16 Listeners

88,011 Listeners

56,997 Listeners

22 Listeners

16,556 Listeners

6 Listeners

10,983 Listeners

1,265 Listeners

817 Listeners

5,570 Listeners