Air Week: April 28-May 4, 2025

This week, the “Juke In The Back” solutes the Unsung Ladies of R&B! We’ll dig deep into a stack of shellac from some women you know, like Varetta Dillard, Ann Cole and The Cookies, as well as from some that you may not know, such as Gwen Johnson and Bonita Cole. Matt The Cat will also feature an audition tape by the seldom heard Olive Brown, which was never issued at the time. None of the chanteuses on this week’s program have catalogs deep enough to be main features, so we’ve gathered them together so they can shine on their own program. Pick up on what these ladies are puttin’ down on this week’s “Juke In The Back” and the “soul that came before Rock n’ Roll.”

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Air Week: April 21-27, 2025

This week, “Juke In The Back” features The Griffin Brothers, one of the unsung Rhythm & Blues groups from the early 1950s. Jimmy and “Buddy” Griffin began in their hometown of Norfolk, VA in the late ’40 playing jump blues. They settled in Washington, DC and were asked to backup Roy Brown on “Hard Luck Blues” in April, 1950. That recorded went to #1 in August and soon the brothers had their own record deal with Randy Wood’s Dot Records out of Gallatin, TN. With vocalists Margie Day and Tommy Brown, The Griffin Brothers Orchestra scored six charting R&B hits from 1950-52, before embarking on separate solo careers in 1954. Matt The Cat features The Griffin’s biggest hits, jumpin’ B-sides and solo records on this week’s “Juke.” The Griffin Brothers were an important part of R&B’s rise, scoring a #1 smash in early 1952 with “Weepin’ & Cryin'” (featuring Tommy Brown on lead vocals) and now they’re finally getting their due, even if time has left them behind.

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Air Week: April 14-20, 2025

Let’s get together, throw some nickels in the ol’ Rockola Jukebox and celebrate the 15th Anniversary of the “Juke In The Back.” It’s hard to believe that Matt The Cat’s been droppin’ down the plattahs and makin’ ’em splattah like pancake battah for 15 years. He couldn’t have done it without the listenership and support of all you hep cats and crazy kittens. This week, we open up the Request-O-Matic Hotline and take some of your requests as well as play some records that have never been played on previous “Juke In The Back” programs. We take the opportunity to look back at the last 15 years before blasting into the next 15 years with next week’s program. So belly up to the bar at Rosie Juke Joint and get ready for a solid hour of what we do best, vintage Rhythm & Blues from the Jukers that make it possible. Thank you! 

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Air Week: April 7-13, 2025

The “Juke In The Back” digs deep into New Orleans Rhythm & Blues this week to focus on Bobby Mitchell & The Toppers, one of the few vocal groups to come out of a city best known for its blues, jazz and cajun roots. The Spiders were the best known vocal group to come out of 1950s New Orleans, but Bobby Mitchell & The Toppers were probably more versatile in the sense that they could not only shout the blues, like Roy Brown or Wynonie Harris, but they could also harmonize like a top notch doo wop group. Bobby Mitchell is best remembered today as the cat who originally sang “I’m Gonna Be A Wheel Someday,” two years before Fats Domino would cut it, but it was his “Try Rock n’ Roll” from 1956 that would be his only charting hit (reaching #14 nationally). That song capitalized on the emerging rock n’ roll craze and remains a record of its time. Bobby Mitchell and The Toppers were definitely a vocal group of their time, but they are well worth checking out as Matt The Cat gives them the spotlight treatment on this week’s “Juke In The Back.”

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Air Week: March 31-April 6, 2025

Producer Jerry Wexler called Etta James, “The greatest of all modern blues singers.”  That’s great praise coming from a guy who worked with the greatest of the greats for 50 years.  Etta had an amazing talent for mixing a bit of tenderness and heartbreak into her gritty, tough and soulful voice.  She had a style all her own and she played by her own rules.  Her success on record was equally matched by her personal failures off-mic, dealing with drug addiction, bad relationships and financial problems.  On this week’s “Juke In The Back,” Matt The Cat looks at how this incredible legend got started, focusing on Etta’s first recordings from 1954 to her great rise in 1960.  Through these records, you’ll hear that even in her early days, Etta’s music had great depth and variety.  We honor the late, great Etta James, this week on the “Juke In The Back.”

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Air Week: March 24-30, 2025

With so many wonderful vocal groups present during the 1950s, it took a few distinct ones to lead the pack and blaze the trail. The Heartbeats are always right up there with The Clovers, Harptones, Moonglows, Flamingos and the other leaders who carried the torch lit by the Orioles and Ravens during the late ’40s. The Heartbeats began as the Hearts in 1953, but before making their first record in 1955, changed their name after a female group called The Hearts scored a big hit with “Lonely Nights.” Their first record came out in mid-1955 on Network Records. Although it was not successful, it gave them something to interest Hull Records, a tiny startup looking to enter the vocal group scene. Their first few records for Hull got regional airplay and made the charts in New York, Philadelphia and Baltimore. It was “A Thousand Miles Away,” their 4th Hull single that really took off nationally. Knowing the record would do better on a label with greater distribution and push, they jumped over to George Goldner’s storied Rama Records and “A Thousand Miles Away” went top 5 R&B and #53 Pop. Now one of the biggest vocal groups in the country, they continued to release slightly more polished songs for Rama and Gee, before falling apart by the end of 1959. Matt The Cat presents The Heartbeats’ story and their fantastic music on this week’s “Juke In The Back.”

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Air Week: March 17-23, 2025

Paul Gayten is one of the unsung heroes of rhythm & blues and one of the many architects of rock n’ roll. This week, Matt The Cat spotlights Gayten’s great contributions to music on the “Juke In The Back.” Paul Gayten scored the first New Orleans’ hit of the post World War II R&B era with “True (You Don’t Love Me)” in 1947, thus kicking off a legacy of rhythm hit-making and influence from the Crescent City. His work with vocalists Annie Laurie and Chubby “Hip Shakin'” Newsome is legendary. As a songwriter, producer and talent scout for Chess Records, Gayten discovered and signed Clarence Henry and Bobby Charles and worked with Chuck Berry and Bo Diddley. Gayten made great contributions to R&B and Rock n’ Roll, but gets very little recognition these days. Matt The Cat and the “Juke In The Back” are out to change that with this week’s heartfelt dedication to the late, great Paul Gayten.

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Air Week: March 10-16, 2025

“Juke In The Back” continues a behemoth, multi-part series on Chess Records. The Chicago record label, founded by 2 Polish immigrant brothers, Leonard and Phil Chess, proved to be one of the most influential and important labels in not only Blues, but also Rhythm & Blues and its contribution to the birth of Rock n’ Roll. Chess was the musical home of Muddy Waters, Howlin’ Wolf, Little Walter, Chuck Berry, Bo Diddley, The Moonglows, The Flamingos and countless other giants of 20th Century music. In part 8, Matt The Cat spends more time in 1956 as it was a very fruitful year for Chess. Paul Gayten was working full time for the company as a New Orleans talent scout and producer and he’s the reason Clarence “Frog Man” Henry’s “Ain’t Got No Home” was issued on Chess’ Argo subsidiary. That was a huge crossover hit in early 1957. The Blues was still strong at the end of ’56 and into ’57 with stellar releases from Muddy Waters, Howlin’ Wolf, Sonny Boy Williamson II and Little Walter. Leonard Chess continued to ramp up vocal group releases and scored more hits with the Moonglows, but also added Lee Andrews & The Hearts, The Ravens and the Pastels to the Chess roster. We wind down our special series on Chess with part 8 as R&B and Rock n’ Roll start to become synonymous in 1957. Chess continued to release groundbreaking hit records well into the 1960s from Etta James, Buddy Guy, The Ramsey Lewis Trio, Ahmad Jamal, Chuck Berry, Fontella Bass and their roster of classic Blues artists. Leonard and Phil sold Chess to GRT in early 1969, but the Chess magic can still be felt today and we hope you felt it during Matt The Cat’s 8 part series on this influential label. 

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Air Week: March 3-9, 2025

“Juke In The Back” continues a behemoth, multi-part series on Chess Records. The Chicago record label, founded by 2 Polish immigrant brothers, Leonard and Phil Chess, proved to be one of the most influential and important labels in not only Blues, but also Rhythm & Blues and its contribution to the birth of Rock n’ Roll. Chess was the musical home of Muddy Waters, Howlin’ Wolf, Little Walter, Chuck Berry, Bo Diddley, The Moonglows, The Flamingos and countless other giants of 20th Century music. In part 7, Matt The Cat finishes up 1955 with a few stragglers and kicks off 1956 with a bang! This was the year of Chuck Berry as he charted 4 singles (5 songs) and we present them in a special Chuck Berry Hits Collage to demonstrate his chart prowess. 1956 was also a solid year for Muddy Waters and Howlin’ Wolf as each released career classics like “Trouble No More” (Muddy) and “Smoke Stack Lighning” (Wolf). We are introduced to future legends, Bobby Charles with “Later, Alligator,” Billy Stewart with “Billy’s Blues Pt. 2” and the Four Tops’ “Could It Be You.” The Moonglows continue to surge while the Flamingos finally score their first of many hits after years of trying on other Chicago Labels. So grab some nickels and get your fix of 1956 in part 7 of our series on Chess Records on this week’s “Juke In The Back.”

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Air Week: February 24-March 2, 2025

“Juke In The Back” continues a behemoth, multi-part series on Chess Records. The Chicago record label, founded by 2 Polish immigrant brothers, Leonard and Phil Chess, proved to be one of the most influential and important labels in not only Blues, but also Rhythm & Blues and its contribution to the birth of Rock n’ Roll. Chess was the musical home of Muddy Waters, Howlin’ Wolf, Little Walter, Chuck Berry, Bo Diddley, The Moonglows, The Flamingos and countless other giants of 20th Century music. In part 6, Matt The Cat takes a close look at all the significant Chess and Checker releases from 1955. Little Walter scores another R&B #1 and the biggest record of his career with “My Babe,” while the Moonglows show that they have staying power when “Most Of All” makes the R&B top 5. Muddy Waters and Howlin’ Wolf continue to turn out the finest Chicago blues, but change is in the air. On March 2, 1955, Ellas McDaniel lays down a hambone beat, calls himself Bo Diddley and the Rock n’ Roll Revolution is on its way. Then this new music is cemented in July when Chess releases Chuck Berry’s first record, “Maybellene” and in August it hits #1 and stays there through the fall. 1955 was a monumental year for Chess Records and the rest of the music world as Rhythm & Blues was beginning to really break into the mainstream. Matt The Cat gets hep to the new scene and spins the best of Chess and Checker from 1955 on this week’s “Juke In The Back.” 

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