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F2F's "Mortal March" kicks off with another dive into the waters of YA fantasy cinematic adaptations. This time, we're looking at a tale of half-human/half-angel warriors tasked to protect Earth from vampires, werewolves, and demons, and the "average" teenage girl pulled into their world after learning her secret destiny. It's a tale of ancient runes, goth costuming, and forbidden romance...VERY forbidden romance, in fact. Will the Hollywood version of this story have the guts to tackle one of the most controversial elements of the original book series? What is the point where "a lot" of exposition becomes "too much" exposition? And why did Phil Collins go so hard on the Disney TARZAN soundtrack? (Trust us, that last question actually has a connection here.)
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F2F's "Mortal March" kicks off with another dive into the waters of YA fantasy cinematic adaptations. This time, we're looking at a tale of half-human/half-angel warriors tasked to protect Earth from vampires, werewolves, and demons, and the "average" teenage girl pulled into their world after learning her secret destiny. It's a tale of ancient runes, goth costuming, and forbidden romance...VERY forbidden romance, in fact. Will the Hollywood version of this story have the guts to tackle one of the most controversial elements of the original book series? What is the point where "a lot" of exposition becomes "too much" exposition? And why did Phil Collins go so hard on the Disney TARZAN soundtrack? (Trust us, that last question actually has a connection here.)
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