耳边名著 | 中英字幕

"I don't want love. I haven't time for it. It's weakness. I am a man, and sometimes I want a woman. When I've satisfied my passion I'm ready for other things. I can't overcome my desire, but I hate it; it imprisons my spirit; I look forward to the time when I shall be free from all desire and can give myself without hindrance to my work. Because women can do nothing except love, they've given it a ridiculous importance. They want to persuade us that it's the whole of life. It's an insignificant part. I know lust. That's normal and healthy. Love is a disease. Women are the instruments of my pleasure; I have no patience with their claim to be helpmates, partners, companions. "

I had never heard Strickland speak so much at one time. He spoke with a passion of indignation. But neither here nor elsewhere do I pretend to give his exact words; his vocabulary was small, and he had no gift for framing sentences, so that one had to piece his meaning together out of interjections, the expression of his face, gestures and hackneyed phrases.

"You should have lived at a time when women were chattels and men the masters of slaves, " I said.

"It just happens that I am a completely normal man. "

I could not help laughing at this remark, made in all seriousness; but he went on, walking up and down the room like a caged beast, intent on expressing what he felt, but found such difficulty in putting coherently.

"When a woman loves you she's not satisfied until she possesses your soul. Because she's weak, she has a rage for domination, and nothing less will satisfy her. She has a small mind, and she resents the abstract which she is unable to grasp. She is occupied with material things, and she is jealous of the ideal. The soul of man wanders through the uttermost regions of the universe, and she seeks to imprison it in the circle of her account-book. Do you remember my wife? I saw Blanche little by little trying all her tricks. With infinite patience she prepared to snare me and bind me. She wanted to bring me down to her level; she cared nothing for me, she only wanted me to be hers. She was willing to do everything in the world for me except the one thing I wanted: to leave me alone. "

I was silent for a while.

"What did you expect her to do when you left her?"

"She could have gone back to Stroeve, " he said irritably. "He was ready to take her. "

"You're inhuman, " I answered. "It's as useless to talk to you about these things as to describe colours to a man who was born blind. "

He stopped in front of my chair, and stood looking down at me with an expression in which I read a contemptuous amazement.

"Do you really care a twopenny damn if Blanche Stroeve is alive or dead?"

I thought over his question, for I wanted to answer it truthfully, at all events to my soul.

"It may be a lack of sympathy in myself if it does not make any great difference to me that she is dead. Life had a great deal to offer her. I think it's terrible that she should have been deprived of it in that cruel way, and I am ashamed because I do not really care. "

"You have not the courage of your convictions. Life has no value. Blanche Stroeve didn't commit suicide because I left her, but because she was a foolish and unbalanced woman. But we've talked about her quite enough; she was an entirely unimportant person. Come, and I'll show you my pictures. "

He spoke as though I were a child that needed to be distracted. I was sore, but not with him so much as with myself. I thought of the happy life that pair had led in the cosy studio in Montmartre, Stroeve and his wife, their simplicity, kindness, and hospitality; it seemed to me cruel that it should have been broken to pieces by a ruthless chance; but the cruellest thing of all was that in fact it made no great difference. The world went on, and no one was a penny the worse for all that wretchedness. I had an idea that Dirk, a man of greater emotional reactions than depth of feeling, would soon forget; and Blanche's life, begun with who knows what bright hopes and what dreams, might just as well have never been lived. It all seemed useless and inane.

Strickland had found his hat, and stood looking at me.

"Are you coming?"

"Why do you seek my acquaintance?" I asked him. "You know that I hate and despise you. "

He chuckled good-humouredly.

"Your only quarrel with me really is that I don't care a twopenny damn what you think about me. "

I felt my cheeks grow red with sudden anger. It was impossible to make him understand that one might be outraged by his callous selfishness. I longed to pierce his armour of complete indifference. I knew also that in the end there was truth in what he said. Unconsciously, perhaps, we treasure the power we have over people by their regard for our opinion of them, and we hate those upon whom we have no such influence. I suppose it is the bitterest wound to human pride. But I would not let him see that I was put out.

"Is it possible for any man to disregard others entirely?" I said, though more to myself than to him. "You're dependent on others for everything in existence. It's a preposterous attempt to try to live only for yourself and by yourself. Sooner or later you'll be ill and tired and old, and then you'll crawl back into the herd. Won't you be ashamed when you feel in your heart the desire for comfort and sympathy? You're trying an impossible thing. Sooner or later the human being in you will yearn for the common bonds of humanity. "

"Come and look at my pictures. "

"Have you ever thought of death?"

"Why should I? It doesn't matter. "

I stared at him. He stood before me, motionless, with a mocking smile in his eyes; but for all that, for a moment I had an inkling of a fiery, tortured spirit, aiming at something greater than could be conceived by anything that was bound up with the flesh. I had a fleeting glimpse of a pursuit of the ineffable. I looked at the man before me in his shabby clothes, with his great nose and shining eyes, his red beard and untidy hair; and I had a strange sensation that it was only an envelope, and I was in the presence of a disembodied spirit.

"Let us go and look at your pictures, " I said.

“我不需要爱情。我没有时间搞恋爱。这是人性的一个弱点。我是个男人，有时候我需要一个女性。但是一旦我的情欲得到了满足，我就准备做别的事了。我无法克服自己的欲望，我恨它，它囚禁着我的精神。我希望将来能有一天，我会不再受欲望的支配，不再受任何阻碍地全心投到我的工作上去。因为女人除了谈情说爱不会干别的，所以她们把爱情看得非常重要，简直到了可笑的地步。她们还想说服我们，叫我们也相信人的全部生活就是爱情。实际上爱情是生活中无足轻重的一部分。我只懂得情欲。这是正常的，健康的。爱情是一种疾病。女人是我享乐的工具，我对她们提出什么事业的助手、生活的侣伴这些要求非常讨厌。”

思特里克兰德从来没有对我一次讲这么多话。他说话的时候带着一肚子的怒气。但是不论是这里或是在其他地方，我都不想把我写下来的假充为他的原话。思特里克兰德的词汇量很少，也没有组织句子的能力，所以一定得把他的惊叹词、他的面部表情、他的手势同一些平凡陈腐的词句串联起来才能弄清楚他的意思。

“你应该生活在妇女是奴隶、男人是奴隶主的时代。”我说。

“偏偏我生来是一个完全正常的男人。”

他一本正经地说了这么一句话，不由得又使我笑起来。他却毫不在意地只顾说下去，一边在屋子里走来走去。但是尽管他全神贯注地努力想把自己感觉到的表达出来，却总是辞不达意。

“要是一个女人爱上了你，除非连你的灵魂也叫她占有了，她是不会感到满足的。因为女人是软弱的，所以她们具有非常强烈的统治欲，不把你完全控制在手就不甘心。女人的心胸狭窄，对那些她理解不了的抽象东西非常反感。她们满脑子想的都是物质的东西，所以对于精神和理想非常妒忌。男人的灵魂在宇宙的最遥远的地方邀游，女人却想把它禁锢在家庭收支的账簿里。你还记得我的妻子吗？我发觉勃朗什一点一点地施展起我妻子的那些小把戏来。她以无限的耐心准备把我网罗住，捆住我的手脚。她要把我拉到她那个水平上；她对我这个人一点也不关心，唯一想的是叫我依附于她。为了我，世界上任何事情她都愿意做，只有一件事除外：不来打搅我。”

我沉默了一会儿。

“你离开她以后想到她要做什么吗？”

“她满可以回到施特略夫身边去的，”他气冲冲地说，“施特略夫巴不得她回去的。”

“你不通人性，”我回答说。“同你谈这些事一点用也没有，就象跟瞎子形容颜色一样。”

他在我的椅子前边站住，低下头来望着我；我看出来他脸上的表情满含轻蔑，又充满了惊诧。

“勃朗什·施特略夫活着也好，死了也好，难道你真的那么关心吗？”

我想了想他提出的这个问题，因为我想真实地回答，无论如何一定要是我的真实思想。

“如果说她死了对我一点儿也无所谓，那我也未免太没有人心了。生活能够给她的东西很多，她这样残酷地被剥夺去生命，我认为是一件非常可怕的事。但是我也觉得很惭愧，因为说实在的，我并不太关心。”

“你没有勇气坦白承认你真正的思想。生命并没有什么价值。勃朗什·施特略夫自杀并不是因为我抛弃了她，而是因为她太傻，因为她精神不健全。但是咱们谈论她已经够多的了，她实在是个一点也不重要的角色。来吧，我让你看看我的画。”

他说话的样子，倒好象我是个小孩子，需要他把我的精神岔开似的。我气得要命，但与其说是对他倒不如说对我自己。我回想起这一对夫妻——施特略夫同他的妻子，在蒙特玛特尔区一间舒适的画室中过的幸福生活，他们两人淳朴、善良、殷勤好客，这种生活竟由于一件无情的偶然事件被打得粉碎，我觉得这真是非常残忍的；但是最最残忍的还是，这件事对别人并没有什么影响。人们继续生活下去，谁也没有因为这个悲剧而活得更糟。我猜想，就连戴尔克不久也会把这件事遗忘，因为尽管他反应强烈，一时悲恸欲绝，感情却没有深度。至于勃朗什自己，不论她最初步入生活时曾怀有何等美妙的希望与梦想，死了以后，同她根本没有降临人世又有什么两样？一切都是空虚的，没有意义的。

思特里克兰德拿起了帽子，站在那里看着我。

“你来吗？”

“你为什么要同我来往？”我问他，“你知道我讨厌你，鄙视你。”

他咯咯地笑了笑，一点也没有恼怒。

“你同我吵嘴，实际上是因为我根本不在乎你对我的看法。”

我感到自己的面颊气得通红。你根本无法使他了解，他的冷酷、自私能叫人气得火冒三丈。我恨不得一下子刺穿了他那副冷漠的甲胄。但是我也知道，归根结底，他的话也不无道理。虽然我们没有明确意识到，说不定我们还是非常重视别人看重不看重我们的意见、我们在别人身上是否有影响力的；如果我们对一个人的看法受到他的重视，我们就沾沾自喜，如果他对这种意见丝毫也不理会，我们就讨厌他。我想这就是自尊心中最厉害的创伤。但是我并不想叫思特里克兰德看出我这种气恼。

“一个人可能完全不理会别人吗？”我说，与其说是问他还不如说是问我自己，“生活中无论什么事都和别人息息相关，要想只为自己、孤零零地一个人活下去是个十分荒谬的想法。早晚有一天你会生病，会变得老态龙钟，到那时候你还得爬着回去找你的同伙。当你感到需要别人的安慰和同情的时候，你不羞愧吗？你现在要做的是一件根本不可能的事。你身上的人性早晚会渴望同其他的人建立联系的。”

“去看看我的画吧！”

“你想到过死吗？”

“何必想到死？死有什么关系？”

我凝望着他。他一动不动地站在我面前，眼睛里闪着讥嘲的笑容。但是尽管他脸上是这种神情，一瞬间我好象还是看到一个受折磨的、炽热的灵魂正在追逐某种远非血肉之躯所能想象的伟大的东西。我瞥见的是对某种无法描述的事物的热烈追求。我凝视着站在我面前的这个人，衣服褴褛，生着一个大鼻子和炯炯发光的眼睛，火红的胡须，蓬乱的头发。我有一个奇怪的感觉，这一切只不过是个外壳，我真正看到的是一个脱离了躯体的灵魂。

“好吧，去看看你的画吧。”我说。

We arrived at the house in which I lived. I would not ask him to come in with me, but walked up the stairs without a word. He followed me, and entered the apartment on my heels. He had not been in it before, but he never gave a glance at the room I had been at pains to make pleasing to the eye. There was a tin of tobacco on the table, and, taking out his pipe, he filled it. He sat down on the only chair that had no arms and tilted himself on the back legs.

"If you're going to make yourself at home, why don't you sit in an arm-chair?" I asked irritably.

"Why are you concerned about my comfort?"

"I'm not, " I retorted, "but only about my own. It makes me uncomfortable to see someone sit on an uncomfortable chair. "

He chuckled, but did not move. He smoked on in silence, taking no further notice of me, and apparently was absorbed in thought. I wondered why he had come.

Until long habit has blunted the sensibility, there is something disconcerting to the writer in the instinct which causes him to take an interest in the singularities of human nature so absorbing that his moral sense is powerless against it. He recognises in himself an artistic satisfaction in the contemplation of evil which a little startles him; but sincerity forces him to confess that the disapproval he feels for certain actions is not nearly so strong as his curiosity in their reasons. The character of a scoundrel, logical and complete, has a fascination for his creator which is an outrage to law and order. I expect that Shakespeare devised Iago with a gusto which he never knew when, weaving moonbeams with his fancy, he imagined Desdemona. It may be that in his rogues the writer gratifies instincts deep-rooted in him, which the manners and customs of a civilised world have forced back to the mysterious recesses of the subconscious. In giving to the character of his invention flesh and bones he is giving life to that part of himself which finds no other means of expression. His satisfaction is a sense of liberation.

The writer is more concerned to know than to judge.

There was in my soul a perfectly genuine horror of Strickland, and side by side with it a cold curiosity to discover his motives. I was puzzled by him, and I was eager to see how he regarded the tragedy he had caused in the lives of people who had used him with so much kindness. I applied the scalpel boldly.

"Stroeve told me that picture you painted of his wife was the best thing you've ever done. "

Strickland took his pipe out of his mouth, and a smile lit up his eyes.

"It was great fun to do. "

"Why did you give it him?"

"I'd finished it. It wasn't any good to me. "

"Do you know that Stroeve nearly destroyed it?"

"It wasn't altogether satisfactory. "

He was quiet for a moment or two, then he took his pipe out of his mouth again, and chuckled.

"Do you know that the little man came to see me?"

"Weren't you rather touched by what he had to say?"

"No; I thought it damned silly and sentimental. "

"I suppose it escaped your memory that you'd ruined his life?" I remarked.

He rubbed his bearded chin reflectively.

"He's a very bad painter. "

"But a very good man. "

"And an excellent cook, " Strickland added derisively.

His callousness was inhuman, and in my indignation I was not inclined to mince my words.

"As a mere matter of curiosity I wish you'd tell me, have you felt the smallest twinge of remorse for Blanche Stroeve's death?"

I watched his face for some change of expression, but it remained impassive.

"Why should I?" he asked.

"Let me put the facts before you. You were dying, and Dirk Stroeve took you into his own house. He nursed you like a mother. He sacrificed his time and his comfort and his money for you. He snatched you from the jaws of death. "

Strickland shrugged his shoulders.

"The absurd little man enjoys doing things for other people. That's his life. "

"Granting that you owed him no gratitude, were you obliged to go out of your way to take his wife from him? Until you came on the scene they were happy. Why couldn't you leave them alone?"

"What makes you think they were happy?"

"It was evident. "

"You are a discerning fellow. Do you think she could ever have forgiven him for what he did for her?"

"What do you mean by that?"

"Don't you know why he married her?"

I shook my head.

"She was a governess in the family of some Roman prince, and the son of the house seduced her. She thought he was going to marry her. They turned her out into the street neck and crop. She was going to have a baby, and she tried to commit suicide. Stroeve found her and married her. "

"It was just like him. I never knew anyone with so compassionate a heart. "

I had often wondered why that ill-assorted pair had married, but just that explanation had never occurred to me. That was perhaps the cause of the peculiar quality of Dirk's love for his wife. I had noticed in it something more than passion. I remembered also how I had always fancied that her reserve concealed I knew not what; but now I saw in it more than the desire to hide a shameful secret. Her tranquillity was like the sullen calm that broods over an island which has been swept by a hurricane. Her cheerfulness was the cheerfulness of despair. Strickland interrupted my reflections with an observation the profound cynicism of which startled me.

"A woman can forgive a man for the harm he does her, " he said, "but she can never forgive him for the sacrifices he makes on her account. "

"It must be reassuring to you to know that you certainly run no risk of incurring the resentment of the women you come in contact with, " I retorted.

A slight smile broke on his lips.

"You are always prepared to sacrifice your principles for a repartee, " he answered.

"What happened to the child?"

"Oh, it was still-born, three or four months after they were married. "

Then I came to the question which had seemed to me most puzzling.

"Will you tell me why you bothered about Blanche Stroeve at all?"

He did not answer for so long that I nearly repeated it.

"How do I know?" he said at last. "She couldn't bear the sight of me. It amused me. "

"I see. "

He gave a sudden flash of anger.

"Damn it all, I wanted her. "

But he recovered his temper immediately, and looked at me with a smile.

"At first she was horrified. "

"Did you tell her?"

"There wasn't any need. She knew. I never said a word. She was frightened. At last I took her. "

I do not know what there was in the way he told me this that extraordinarily suggested the violence of his desire. It was disconcerting and rather horrible. His life was strangely divorced from material things, and it was as though his body at times wreaked a fearful revenge on his spirit. The satyr in him suddenly took possession, and he was powerless in the grip of an instinct which had all the strength of the primitive forces of nature. It was an obsession so complete that there was no room in his soul for prudence or gratitude.

"But why did you want to take her away with you?" I asked.

"I didn't, " he answered, frowning. "When she said she was coming I was nearly as surprised as Stroeve. I told her that when I'd had enough of her she'd have to go, and she said she'd risk that. " He paused a little. "She had a wonderful body, and I wanted to paint a nude. When I'd finished my picture I took no more interest in her. "

"And she loved you with all her heart. "

He sprang to his feet and walked up and down the small room.

我们走到我住的房子。我不想对他说什么“请进来坐”这类的客气话，而是一言不发地自己走上了楼梯。他跟在后面，踩着我的脚后跟走进我的住房。他过去从来没到我这地方来过，但对我精心布置的屋子连看也不看一眼。桌子上摆着一铁罐烟草，他拿出烟斗来，装了一斗烟。接着，他坐在一把没有扶手的椅子上，身体往后一靠，跷起椅子的前腿。

“要是你想舒服一下，为什么不坐在安乐椅上？”我忿忿地问道。

“你为什么对我的舒适这么关心？”

“我并不关心，”我反驳说，“我关心的是自己。我看见别人坐在一把不舒服的椅子上自己就觉得不舒服。”

他咯咯地笑了笑，但是没有换地方。他默默地抽着烟斗，不再理睬我；看来他正在沉思自己的事。我很奇怪他为什么到我这地方来。

作家对那些吸引着他的怪异的性格本能地感到兴趣，尽管他的道德观不以为然，对此却无能为力；直到习惯已成自然，他的感觉变得迟钝以后，这种本能常常使他非常狼狈。他喜欢观察这种多少使他感到惊异的邪恶的人性，自认这种观察是为了满足艺术的要求；但是他的真挚却迫使他承认：他对于某些行为的反感远不如对这些行为产生原因的好奇心那样强烈。一个恶棍的性格如果刻划得完美而又合乎逻辑，对于创作者是具有一种魅惑的力量的，尽管从法律和秩序的角度看，他决不该对恶棍有任何欣赏的态度。我猜想莎士比亚在创作埃古①时可能比他借助月光和幻想构思苔丝德梦娜②怀着更大的兴味。说不定作家在创作恶棍时实际上是在满足他内心深处的一种天性，因为在文明社会中，风俗礼仪迫使这种天性隐匿到潜意识的最隐秘的底层下；给予他虚构的人物以血肉之躯，也就是使他那一部分无法表露的自我有了生命。他得到的满足是一种自由解放的快感。

①莎士比亚戏剧《奥瑟罗》中的反面人物。

②《奥瑟罗》主人公奥瑟罗的妻子。

作家更关心的是了解人性，而不是判断人性。

我的灵魂对思特里克兰德确实感到恐怖，但与恐怖并存的还有一种叫我心寒的好奇心：我想寻找出他行为的动机。他使我困惑莫解，他对那些那么关怀他的人制造了一出悲剧，我很想知道他对自己一手制造的这出悲剧究竟抱什么态度。我大胆地挥舞起手术刀来。

“施特略夫对我说，你给他妻子画的那幅画是你的最好的作品。”

思特里克兰德把烟斗从嘴里拿出来，微笑使他的眼睛发出亮光。

“画那幅画我非常开心。”

“为什么你要给他？”

“我已经画完了。对我没有用了。”

“你知道施特略夫差点儿把它毁掉吗？”

“那幅画一点儿也不令人满意。”

他沉默了一会儿，接着又把烟斗从嘴里拿出来，呵呵地笑出声来。

“你知道那个小胖子来找过我吗？”他说。

“他说的话没有使你感动吗？”

“没有。我觉得他的话软绵绵的非常傻气。”

“我想你大概忘了，是你把他的生活毁了的，”我说。

他沉思地摩挲着自己长满胡须的下巴。

“他是个很蹩脚的画家。”

“可是他是个很好的人。”

“还是一个手艺高超的厨师，”思特里克兰德嘲弄地加添了一句。

他心肠冷酷到没有人性的地步，我气愤得要命，一点儿也不想给他留情面。

“我想你可以不可以告诉我——我问这个问题只是出于好奇——，你对勃朗什·施特略夫的惨死良心上一点儿也不感到内疚吗？”

我瞅着他的脸，看他的面容有没有什么变化，但是他的脸仍然毫无表情。

“为什么我要内疚？”

“让我把事情的经过向你摆一摆。你病得都快死了，戴尔克·施特略夫把你接到自己家里，象你亲生父母一样服侍你。为了你，他牺牲了自己的时间、金钱和安逸的生活。他把你从死神的手里夺了回来。”

思特里克兰德耸了耸肩膀。

“那个滑稽的小胖子喜欢为别人服务。这是他的习性。”

“就说你用不着对他感恩，难道你就该霸占住他的老婆？在你出现在他们家门以前，人家生活得非常幸福。为什么你非要插进来不可呢？”

“你怎么知道他们生活得幸福？”

“这不是明摆着的事吗？”

“你什么事都看得很透。你认为他为她做了那件事，她会原谅他？”

“你说的是什么事？”

“你不知道他为什么同她结婚吗？”

我摇了摇头。

“她原来是罗马一个贵族家里的家庭教师，这家人的少爷勾引了她。她本以为那个男的会娶她做妻子，没想到却被这家人一脚踢了出来。她快临产了，想要自杀。这时候施特略夫发现了她，同她结了婚。”

“施特略夫正是这样一个人。我从来没有见过哪个人象他那样富于侠义心肠的。”

原先我就一直奇怪，这一对无论从哪一方面讲都不相配的人是怎么凑到一块儿的，但是我从来没有想过竟会是这么一回事。戴尔克对他妻子的爱情与一般夫妻的感情很不相同，原因也许就在这里。我发现他对她的态度有一些超过了热情的东西。我也记得我总是怀疑勃朗什的拘谨沉默可能掩藏着某种我不知道的隐情。现在我明白了，她极力隐藏的远远不止是一个令她感到羞耻的秘密。她的安详沉默就象笼罩着暴风雨侵袭后的岛屿上的凄清宁静。她有时显出了快活的笑脸也是绝望中的强颜欢笑。我的沉思被思特里克兰德的话声打断了，他说了一句非常尖刻的话，使我大吃一惊。

“女人可以原谅男人对她的伤害，”他说，“但是永远不能原谅他对她做出的牺牲。”

“你这人是不会引起同你相识的女人恼恨的，这一点你倒可以放心。”我顶了他一句。

他的嘴角上浮现起一丝笑容。

“你为了反驳别人从来不怕牺牲自己的原则。”他回答说。

“那个孩子后来怎么样了？”

“流产了，在他们结婚三、四个月之后。”

这时我提出了最使我迷惑不解的那个问题。

“你可以不可以告诉我为什么你要招惹勃朗什·施特略夫？”

他很久很久没有回答，我几乎想再重复一遍我的问题了。

“我怎么知道？”最后他说，“她非常讨厌我，几乎见不得我的面，所以我觉得很有趣。”

“我懂了。”

他突然一阵怒火上撞。

“去他妈的，我需要她。”

但是他马上就不生气了，望着我，微微一笑。

“开始的时候她简直吓坏了。”

“你对她说明了吗？”

“不需要。她知道。我一直没有说一句。她非常害怕。最后我得到了她。”

在他给我讲这件事的语气里，我不知道有一种什么东西，非常奇特地表示出他当时的强烈的欲望。它令人感到惊措不安，或者甚至可以说非常恐怖。他平日的生活方式很奇特，根本不注意身体的需求。但是有些时候他的肉体却好象要对他的精神进行一次可怕的报复。他内心深处的那个半人半兽的东西把他捉到手里，在这种具有大自然的原始力量的天性的掌心里他完全无能为力。他被牢牢地抓住，什么谨慎啊，感恩啊，在他的灵魂里都一点儿地位也没有了。

“但是你为什么要把她拐走呢？”我问。

“我没有，”他皱了皱眉头说，“当她说她要跟着我的时候，我差不多同施特略夫一样吃惊。我告诉她当我不再需要她的时候，她就非走开不可，她说她愿意冒这个险。”思特里克兰德停了一会。“她的身体非常美，我正需要画一幅裸体画。等我把画画完了以后，我对她也就没有兴趣了。”

“她可是全心地爱着你啊。”

他从座位上跳起来，在我的小屋子里走来走去

For the next month, occupied with my own affairs, I saw no one connected with this lamentable business, and my mind ceased to be occupied with it. But one day, when I was walking along, bent on some errand, I passed Charles Strickland. The sight of him brought back to me all the horror which I was not unwilling to forget, and I felt in me a sudden repulsion for the cause of it. Nodding, for it would have been childish to cut him, I walked on quickly; but in a minute I felt a hand on my shoulder.

"You're in a great hurry, " he said cordially.

It was characteristic of him to display geniality with anyone who showed a disinclination to meet him, and the coolness of my greeting can have left him in little doubt of that.

"I am, " I answered briefly.

"I'll walk along with you, " he said.

"Why?" I asked.

"For the pleasure of your society. "

I did not answer, and he walked by my side silently. We continued thus for perhaps a quarter of a mile. I began to feel a little ridiculous. At last we passed a stationer's, and it occurred to me that I might as well buy some paper. It would be an excuse to be rid of him.

"I'm going in here, " I said. "Good-bye. "

"I'll wait for you. "

I shrugged my shoulders, and went into the shop. I reflected that French paper was bad, and that, foiled of my purpose, I need not burden myself with a purchase that I did not need. I asked for something I knew could not be provided, and in a minute came out into the street.

"Did you get what you wanted?" he asked.

"No. "

We walked on in silence, and then came to a place where several streets met. I stopped at the curb.

"Which way do you go?" I enquired.

"Your way, " he smiled.

"I'm going home. "

"I'll come along with you and smoke a pipe. "

"You might wait for an invitation, " I retorted frigidly.

"I would if I thought there was any chance of getting one. "

"Do you see that wall in front of you?" I said, pointing.

"Yes. "

"In that case I should have thought you could see also that I don't want your company. "

"I vaguely suspected it, I confess. "

I could not help a chuckle. It is one of the defects of my character that I cannot altogether dislike anyone who makes me laugh. But I pulled myself together.

"I think you're detestable. You're the most loathsome beast that it's ever been my misfortune to meet. Why do you seek the society of someone who hates and despises you?"

"My dear fellow, what the hell do you suppose I care what you think of me?"

"Damn it all, " I said, more violently because I had an inkling my motive was none too creditable, "I don't want to know you. "

"Are you afraid I shall corrupt you?"

His tone made me feel not a little ridiculous. I knew that he was looking at me sideways, with a sardonic smile.

"I suppose you are hard up, " I remarked insolently.

"I should be a damned fool if I thought I had any chance of borrowing money from you. "

"You've come down in the world if you can bring yourself to flatter. "

He grinned.

"You'll never really dislike me so long as I give you the opportunity to get off a good thing now and then. "

I had to bite my lip to prevent myself from laughing. What he said had a hateful truth in it, and another defect of my character is that I enjoy the company of those, however depraved, who can give me a Roland for my Oliver. I began to feel that my abhorrence for Strickland could only be sustained by an effort on my part. I recognised my moral weakness, but saw that my disapprobation had in it already something of a pose; and I knew that if I felt it, his own keen instinct had discovered it, too. He was certainly laughing at me up his sleeve. I left him the last word, and sought refuge in a shrug of the shoulders and taciturnity.

在施特略夫离开以后的一个月里，我忙于自己的事务，再也没有见到过哪个同这件悲惨事件有关的人，我也不再去想它了。但是有一天，正当我出外办事的时候，却在路上看到了查理斯·思特里克兰德。一见到他，那些我宁肯忘掉的令人气愤的事马上又回到我的脑子里来，我对这个造成这场祸事的人感到一阵嫌恶。但是佯装不见也未免大孩子气，我还是对他点了点头，然后加快了脚步，继续走自己的路。可是马上就有一只手搭在我的肩膀上。

“你挺忙啊。”他热诚地说。

对于任何一个不屑于理他的人他总是非常亲切，这是思特里克兰德的一个特点；从我刚才同他打招呼时的冷淡态度，他清楚地知道我对他的看法。

“挺忙。”我的回答非常简短。

“我同你一起走一段路。”他说。

“干什么？”我问。

“因为高兴同你在一起。”

我没有说什么，他默不作声地伴着我走。我们就这样走了大约四分之一里路。我开始觉得有一点滑稽。最后我们走过一家文具店，我突然想到我不妨进去买些纸，这样我就可以把他甩掉了。

“我要进去买点东西，”我说，“再见。”

“我等着你。”

我耸了耸肩膀，便走进文具店去。我想到法国纸并不好，既然我原来的打算已经落空，自然也就用不着买一些我不需要的东西增加负担了。于是我问了一两样他们准不会有的东西，一分钟以后就走出来了。

“买到你要买的东西了吗？”他问。

“没有。”

我们又一声不响地往前走，最后走到一处几条路交叉的路口。我在马路边上停下来。

“你往哪边走？”我问他。

“同你走一条路。”

“我回家。”

“我到你那里去抽一斗烟。”

“你总得等人请你吧。”我冷冷地说。

“要是我知道有被邀请的可能我就等着了。”

“你看到前面那堵墙了吗？”我问，向前面指了一下。

“看到了。”

“要是你还有这种眼力，我想你也就会看到我并不欢迎你了。”

“说老实话，我猜到了这一点。”

我噗哧地一声笑了。我不能讨厌一个能惹我发笑的人，这也许是我性格上的一个弱点。但是我马上就绷起脸来。

“我觉得你是一个非常讨厌的人。我怎么会那么倒霉，认识了你这么一个最惹人嫌的东西。你为什么偏偏要缠着一个讨厌你、看不起你的人呢？”

“你以为我很注意你对我的看法吗，老兄？”

“真见鬼！”我说，因为感觉到我的动机一点也站不住脚，反而装出一副更加气愤的样子。“我不想认识你。”

“你怕我会把你带坏了吗？”

他的语气让我觉得自己非常可笑。我知道他正斜着眼睛看我，脸上带着讥嘲的笑容。

“我猜想你手头又窘了吧！”我傲慢地说。

“要是我还认为有希望从你手里借到钱，我真是个大傻瓜了。”

“要是你硬逼着自己讨别人喜欢，那说明你现在已经穷得没有办法了。”

他咧开嘴笑了笑。

“只要我不时地能叫你开开心，你是永远也不会真正讨厌我的。”

我不能不咬住嘴唇才憋着没有笑出来。他说的话尽管可恶，却有一定的真实性。此外，我的性格还有一个弱点：不论什么人，尽管道德上非常堕落，但只要能够和我唇枪舌剑，针锋相对，我还是愿意同他在一起的。我开始觉得我对思特里克兰德的厌恶只有靠我单方面努力才能维持下去。我认识到我精神上的弱点，看到我对他的态度实在有点儿装腔作势。而且我还知道，如果我自己已经感觉到这点，思特里克兰德的敏锐的观察力是不会看不到的。他肯定正在暗暗地笑我呢。我耸了耸肩膀，没有再说什么，让他在这场舌战中占了上风。

It was not only the bold simplification of the drawing which showed so rich and so singular a personality; it was not only the painting, though the flesh was painted with a passionate sensuality which had in it something miraculous; it was not only the solidity, so that you felt extraordinarily the weight of the body; there was also a spirituality, troubling and new, which led the imagination along unsuspected ways, and suggested dim empty spaces, lit only by the eternal stars, where the soul, all naked, adventured fearful to the discovery of new mysteries.

If I am rhetorical it is because Stroeve was rhetorical. (Do we not know that man in moments of emotion expresses himself naturally in the terms of a novelette?) Stroeve was trying to express a feeling which he had never known before, and he did not know how to put it into common terms. He was like the mystic seeking to describe the ineffable. But one fact he made clear to me; people talk of beauty lightly, and having no feeling for words, they use that one carelessly, so that it loses its force; and the thing it stands for, sharing its name with a hundred trivial objects, is deprived of dignity. They call beautiful a dress, a dog, a sermon; and when they are face to face with Beauty cannot recognise it. The false emphasis with which they try to deck their worthless thoughts blunts their susceptibilities. Like the charlatan who counterfeits a spiritual force he has sometimes felt, they lose the power they have abused. But Stroeve, the unconquerable buffoon, had a love and an understanding of beauty which were as honest and sincere as was his own sincere and honest soul. It meant to him what God means to the believer, and when he saw it he was afraid.

"What did you say to Strickland when you saw him?"

"I asked him to come with me to Holland. "

I was dumbfounded. I could only look at Stroeve in stupid amazement.

"We both loved Blanche. There would have been room for him in my mother's house. I think the company of poor, simple people would have done his soul a great good. I think he might have learnt from them something that would be very useful to him. "

"What did he say?"

"He smiled a little. I suppose he thought me very silly. He said he had other fish to fry. "

I could have wished that Strickland had used some other phrase to indicate his refusal.

"He gave me the picture of Blanche. "

I wondered why Strickland had done that. But I made no remark, and for some time we kept silence.

"What have you done with all your things?" I said at last.

"I got a Jew in, and he gave me a round sum for the lot. I'm taking my pictures home with me. Beside them I own nothing in the world now but a box of clothes and a few books. "

"I'm glad you're going home, " I said.

I felt that his chance was to put all the past behind him. I hoped that the grief which now seemed intolerable would be softened by the lapse of time, and a merciful forgetfulness would help him to take up once more the burden of life. He was young still, and in a few years he would look back on all his misery with a sadness in which there would be something not unpleasurable. Sooner or later he would marry some honest soul in Holland, and I felt sure he would be happy. I smiled at the thought of the vast number of bad pictures he would paint before he died.

Next day I saw him off for Amsterdam.

这幅画之所以能显示出这样强烈、这样独特的个性，并不只是因为它那极为大胆的简单的线条，不只是因为它的处理方法（尽管那肉体被画得带有一种强烈的、几乎可以说是奇妙的欲情），也不只是因为它给人的实体感，使你几乎奇异地感觉到那肉体的重量，而且还因为它有一种纯精神的性质，一种使你感到不安、感到新奇的精神，把你的幻想引向前所未经的路途，把你带到一个朦胧空虚的境界，那里为探索新奇的神秘只有永恒的星辰在照耀，你感到自己的灵魂一无牵挂，正经历着各种恐怖和冒险。

如果我在这里有些舞文弄墨，使用了不少形象比喻，这是因为施特略夫当时就是这么表达他自己的。（估量大家都知道，一旦感情激动起来，一个人会很自然地玩弄起文学词藻来的。）施特略夫企图表达的是一种他过去从来没经历过的感觉，如果用一般的言语，他简直不知道该如何说出口来。他象是一个神秘主义者费力地宣讲一个无法言传的道理。但是有一件事我还是清楚的：人们动不动就谈美，实际上对这个词并不理解；这个词已经使用得太滥，失去了原有的力量；因为成千上万的琐屑事物都分享了“美”的称号，这个词已经被剥夺掉它的崇高的含义了。一件衣服，一只狗，一篇布道词，什么东西人们都用“美”来形容，当他们面对面地遇到真正的美时，反而认不出它来了。他们用以遮饰自己毫无价值的思想的虚假夸大使他们的感受力变得迟钝不堪。正如一个假内行有时也会感觉到自己是在无中生有地伪造某件器物的精神价值一样，人们已经失掉了他们用之过滥的赏识能力。但是施特略夫，这位本性无法改变的小丑，对于美却有着真挚的爱和理解，正象他的灵魂也是诚实、真挚的一样。对他说来，美就象虔诚教徒心目中的上帝一样；一旦他见到真正美的事物，他变得恐惧万分。

“你见到思特里克兰德的时候，对他说什么了？”

“我邀他同我一起到荷兰去。”

我愣在那里，一句话也说不出来，目瞪口呆地直勾勾地望着他。

“我们两人都爱勃朗什。在我的老家也有地方给他住。我想叫他同贫寒、淳朴的人们在一起，对他的灵魂是有好处的。我想他也许能从这些人身上学到一些对他有用的东西。”

“他说什么？”

“他笑了笑。我猜想他一定觉得我这个人非常蠢。他说他没有那么多闲工夫。”

我真希望思特里克兰德用另一种措词拒绝施特略夫的邀请。

“他把勃朗什的这幅画送给我了。”

我很想知道思特里克兰德为什么要这样做，但是我什么也没有说。好大一会儿，我们两人都没有说话。

“你那些东西怎么处置了？”最后我问道。

“我找了一个收旧货的犹太人，他把全部东西都买了去，给了我一笔整钱。我的那些画我准备带回家去。除了画以外，我还有一箱子衣服，几本书，此外，在这个世界上我什么财产也没有了。”

“我很高兴你回老家去。”我说。

我觉得他还是有希望让过去的事成为过去的。我希望随着时间的流逝，现在他觉得无法忍受的悲痛会逐渐减轻，记忆会逐渐淡薄；老天是以慈悲为怀的！他终究会再度挑起生活的担子来的。他年纪还很轻，几年以后再回顾这一段惨痛遭遇，在悲痛中或许不无某种愉悦的感觉。或迟或早，他会同一个朴实的荷兰女人结婚，我相信他会生活得很幸福的。想到他这一辈子还会画出多少幅蹩脚的图画来，我的脸上禁不住浮现出笑容。

第二天我就送他启程回阿姆斯特丹去了。

When I left him, after we had buried poor Blanche, Stroeve walked into the house with a heavy heart. Something impelled him to go to the studio, some obscure desire for self-torture, and yet he dreaded the anguish that he foresaw. He dragged himself up the stairs; his feet seemed unwilling to carry him; and outside the door he lingered for a long time, trying to summon up courage to go in. He felt horribly sick. He had an impulse to run down the stairs after me and beg me to go in with him; he had a feeling that there was somebody in the studio. He remembered how often he had waited for a minute or two on the landing to get his breath after the ascent, and how absurdly his impatience to see Blanche had taken it away again. To see her was a delight that never staled, and even though he had not been out an hour he was as excited at the prospect as if they had been parted for a month. Suddenly he could not believe that she was dead. What had happened could only be a dream, a frightful dream; and when he turned the key and opened the door, he would see her bending slightly over the table in the gracious attitude of the woman in Chardin's Benedicite, which always seemed to him so exquisite. Hurriedly he took the key out of his pocket, opened, and walked in.

The apartment had no look of desertion. His wife's tidiness was one of the traits which had so much pleased him; his own upbringing had given him a tender sympathy for the delight in orderliness; and when he had seen her instinctive desire to put each thing in its appointed place it had given him a little warm feeling in his heart. The bedroom looked as though she had just left it: the brushes were neatly placed on the toilet-table, one on each side of the comb; someone had smoothed down the bed on which she had spent her last night in the studio; and her nightdress in a little case lay on the pillow. It was impossible to believe that she would never come into that room again.

But he felt thirsty, and went into the kitchen to get himself some water. Here, too, was order. On a rack were the plates that she had used for dinner on the night of her quarrel with Strickland, and they had been carefully washed. The knives and forks were put away in a drawer. Under a cover were the remains of a piece of cheese, and in a tin box was a crust of bread. She had done her marketing from day to day, buying only what was strictly needful, so that nothing was left over from one day to the next. Stroeve knew from the enquiries made by the police that Strickland had walked out of the house immediately after dinner, and the fact that Blanche had washed up the things as usual gave him a little thrill of horror. Her methodicalness made her suicide more deliberate. Her self-possession was frightening. A sudden pang seized him, and his knees felt so weak that he almost fell. He went back into the bedroom and threw himself on the bed. He cried out her name.

"Blanche. Blanche. "

The thought of her suffering was intolerable. He had a sudden vision of her standing in the kitchen -- it was hardly larger than a cupboard -- washing the plates and glasses, the forks and spoons, giving the knives a rapid polish on the knife-board; and then putting everything away, giving the sink a scrub, and hanging the dish-cloth up to dry -- it was there still, a gray torn rag; then looking round to see that everything was clean and nice. He saw her roll down her sleeves and remove her apron -- the apron hung on a peg behind the door -- and take the bottle of oxalic acid and go with it into the bedroom.

The agony of it drove him up from the bed and out of the room. He went into the studio. It was dark, for the curtains had been drawn over the great window, and he pulled them quickly back; but a sob broke from him as with a rapid glance he took in the place where he had been so happy. Nothing was changed here, either. Strickland was indifferent to his surroundings, and he had lived in the other's studio without thinking of altering a thing. It was deliberately artistic. It represented Stroeve's idea of the proper environment for an artist. There were bits of old brocade on the walls, and the piano was covered with a piece of silk, beautiful and tarnished; in one corner was a copy of the Venus of Milo, and in another of the Venus of the Medici. Here and there was an Italian cabinet surmounted with Delft, and here and there a bas-relief. In a handsome gold frame was a copy of Velasquez' Innocent X. , that Stroeve had made in Rome, and placed so as to make the most of their decorative effect were a number of Stroeve's pictures, all in splendid frames. Stroeve had always been very proud of his taste. He had never lost his appreciation for the romantic atmosphere of a studio, and though now the sight of it was like a stab in his heart, without thinking what he was at, he changed slightly the position of a Louis XV. table which was one of his treasures. Suddenly he caught sight of a canvas with its face to the wall. It was a much larger one than he himself was in the habit of using, and he wondered what it did there. He went over to it and leaned it towards him so that he could see the painting. It was a nude. His heart began to beat quickly, for he guessed at once that it was one of Strickland's pictures. He flung it back against the wall angrily -- what did he mean by leaving it there? -- but his movement caused it to fall, face downwards, on the ground. No mater whose the picture, he could not leave it there in the dust, and he raised it; but then curiosity got the better of him. He thought he would like to have a proper look at it, so he brought it along and set it on the easel. Then he stood back in order to see it at his ease.

He gave a gasp. It was the picture of a woman lying on a sofa, with one arm beneath her head and the other along her body; one knee was raised, and the other leg was stretched out. The pose was classic. Stroeve's head swam. It was Blanche. Grief and jealousy and rage seized him, and he cried out hoarsely; he was inarticulate; he clenched his fists and raised them threateningly at an invisible enemy. He screamed at the top of his voice. He was beside himself. He could not bear it. That was too much. He looked round wildly for some instrument; he wanted to hack the picture to pieces; it should not exist another minute. He could see nothing that would serve his purpose; he rummaged about his painting things; somehow he could not find a thing; he was frantic. At last he came upon what he sought, a large scraper, and he pounced on it with a cry of triumph. He seized it as though it were a dagger, and ran to the picture.

As Stroeve told me this he became as excited as when the incident occurred, and he took hold of a dinner-knife on the table between us, and brandished it. He lifted his arm as though to strike, and then, opening his hand, let it fall with a clatter to the ground. He looked at me with a tremulous smile. He did not speak.

"Fire away, " I said.

"I don't know what happened to me. I was just going to make a great hole in the picture, I had my arm all ready for the blow, when suddenly I seemed to see it. "

"See what?"

"The picture. It was a work of art. I couldn't touch it. I was afraid. "

Stroeve was silent again, and he stared at me with his mouth open and his round blue eyes starting out of his head.

"It was a great, a wonderful picture. I was seized with awe. I had nearly committed a dreadful crime. I moved a little to see it better, and my foot knocked against the scraper. I shuddered. "

I really felt something of the emotion that had caught him. I was strangely impressed. It was as though I were suddenly transported into a world in which the values were changed. I stood by, at a loss, like a stranger in a land where the reactions of man to familiar things are all different from those he has known. Stroeve tried to talk to me about the picture, but he was incoherent, and I had to guess at what he meant. Strickland had burst the bonds that hitherto had held him. He had found, not himself, as the phrase goes, but a new soul with unsuspected powers.

我们那天埋葬了可怜的勃朗什，分手以后，施特略夫怀着一颗沉重的心走进自己的房子。他被什么驱使着向画室走去，也许是被某种想折磨自己的模糊的愿望，尽管他非常害怕他必将感到的剧烈痛苦。他拖着双脚走上楼梯，他的两只脚好象很不愿意往那地方移动。他在画室外面站了很久很久，拼命鼓起勇气来推门进去。他觉得一阵阵地犯恶心，想要呕吐。他几乎禁不住自己要跑下楼梯去把我追回来，求我陪着一起进去。他有一种感觉，仿佛画室里有人似的。他记得过去气喘吁吁地走上楼梯，总要在楼梯口站一两分钟，让呼吸平静一些再进屋子，可是又由于迫不及待想见到勃朗什（心情那么急切多么可笑！）呼吸总是平静不下来。每次见到勃朗什都使他喜不自禁，哪怕出门还不到一个钟头，一想到同她会面也兴奋得无法自持，就象分别了一月之久似的。突然间他不能相信她已经死了。所发生的事只应是一个梦，一个噩梦；当他转动钥匙打开门以后，他会看到她的身躯微俯在桌子上面，同夏尔丹的名画《饭前祷告》里面那个妇女的身姿一样优美。施特略夫一向觉得这幅画精美绝伦。他急忙从口袋里掏出钥匙，把门打开，走了进去。

房间不象没人住的样子。勃朗什习性整洁，施特略夫非常喜次她这一点。他小时候的教养使他对别人爱好整洁的习惯极富同感。当他看到勃朗什出于天性样样东西都放得井井有条，他心里有一种热呼呼的感觉。卧室看上去象是她离开没有多久的样子：几把刷子整整齐齐地摆在梳妆台上，每一把放在一只梳子旁边；她在画室里最后一夜睡过的床铺不知有谁整理过，铺得平平整整；她的睡衣放在一个小盒子里，摆在枕头上面。真不能相信，她永远也不回这间屋子里来了。

他感到口渴，走进厨房去给自己弄一点水喝。厨房也整齐有序。她同思特里克兰德吵嘴的那天晚上，晚饭使用的餐具已经摆好在碗架上，而且洗得干干净净。刀叉收好在一只抽屉里。吃剩的一块干酪用一件什么器皿扣起来，一个洋铁盒里放着一块面包。她总是每天上街采购，只买当天最需要的东西，因此从来没有什么东西留到第二天。从进行调查的警察那里施特略夫了解到，那天晚上思特里克兰德一吃过晚饭就离开了这所房子，而勃朗什居然还象通常一样洗碟子刷碗，这真叫人不寒而栗。勃朗什临死以前还这样有条有理地做家务活儿，这说明了她的自杀是周密计划的。她的自制能力让人觉得可怕。突然间，施特略夫感到心如刀绞，两膝发软，几乎跌倒在地上。他回到卧室，一头扎在床上，大声地呼唤着她的名字：

“勃朗什！勃朗什！”

想到她受的那些罪孽，施特略夫简直无法忍受。他的脑子里忽然闪现出她的幻影：她正站在厨房里——一间比柜橱大不了多少的厨房——刷洗盘腕，擦拭刀叉，在刀架上把几把刀子飞快地蹭了几下，然后把餐具一一收拾起来。接着她把污水池擦洗了一下，把抹布挂起来——直到现在这块已经磨破的灰色抹布还在那里挂着。她向四边看了看，是否一切都已收拾整齐。他仿佛看见她把卷起的袖口放下来，摘下了围裙——围裙挂在门后边一个木栓上——，然后拿起了装草酸的瓶子，走进了卧室。

痛苦使他一下子从床上跳起来，冲出了屋子。他走进了画室。屋子里很黑，因为大玻璃窗上还挡着窗帘；他一把把窗帘拉开。但是当他把这间他在里面曾经感到那么幸福的房间飞快地看了一眼以后，不禁呜咽出声来。屋子一点也没有变样。思特里克兰德对环境漠不关心，他在别人的这间画室住着的时候从来没有想到把什么东西改换个位置。这间屋子经过施特略夫精心布置很富于艺术趣味，表现出施特略夫心目中艺术家应有的生活环境。墙上悬着几块织锦，钢琴上铺着一块美丽的但光泽已有些暗淡的丝织品，一个墙角摆着美洛斯的维纳斯①的复制品，另一个墙角摆着麦迪琪的维纳斯②复制品。这里立着一个意大利式的小柜橱，柜橱顶上摆着一个德尔夫特③的陶器；那里挂着一块浮雕美术品。一个很漂亮的金框子里镶着委拉斯凯兹的名画《天真的X》的描本，这是施特略夫在罗马的时候描下来的；另外，还有几张他自己的画作，嵌着精致的镜框，陈列得极富于装饰效果。施特略夫一向对自己的审美感非常自豪，对自己这间具有浪漫情调的画室他总是欣赏不够。虽然在目前这样一个时刻，这间屋子好象在他心头戳了一刀，他还是不由自主地把一张路易十五时代的桌子稍微挪动了一下。这张桌子是他的最珍爱的物品之一。突然，他发现有一幅画面朝里地挂在墙上。这幅画的尺寸比他自己通常画的要大得多，他很奇怪为什么屋子里摆着这么一幅画。他走过去把它翻转过来，想看一看上面画的是什么。他发现这是一张裸体的女人像。他的心开始剧烈地跳动起来，因为他马上就猜到这是思特里克兰德的作品。他气呼呼地把它往墙上一摔， ——思特里克兰德把画留在这里有什么用意？——因为用力过猛，画掉了下来，面朝下地落到地上。不管是谁画的，他也不能叫它扔在尘土里；他把它捡了起来。这时他的好奇心占了上风，他想要好好地看一看，于是他把这张画拿到画架上摆好，往后退了两步，准备仔细瞅一瞅。

①一称“断臂的阿芙罗底德”，1820年在希腊美洛斯发现的古希腊云石雕像，现存巴黎卢佛尔宫。

②十七世纪在意大利发掘出的雕像，因长期收藏在罗马麦迪琪宫，故得名，现收藏于佛罗伦萨乌非济美术馆。

③德尔夫特系荷兰西部一个小城，以生产蓝白色上釉陶器闻名。

他倒抽了一口气。画面是一个女人躺在长沙发上，一只胳臂枕在头底下，另一只顺着身躯平摆着，屈着一条腿，另一条伸直。这是一个古典的姿势。施特略夫的脑袋嗡的一下胀了起来。画面的女人是勃朗什。悲痛、忌妒和愤怒一下子把他抓住；他一句完整的话也说不出，只是嘶哑地喊叫了一声。他握紧了拳头对着看不见的敌人摇晃着。他开始扯直了喉咙尖叫起来。他快要发疯了。他实在忍受不了；这简直太过分了。他向四周看了看，想寻找一件器具，把这幅画砍个粉碎，一分钟也不允许它在这个世界上存在。但是身边并没有任何合手的武器，他在绘画用品里翻寻了一遍，不知为什么还是什么也没有找到。他简直发狂了。最后他终于找到了他需要的东西——一把刮油彩用的大刮刀。他一把把刮刀抄起来，发出一声胜利的喊叫，象擎着一把匕首似地向那幅图画奔去。

施特略夫给我讲这个故事的时候同事情发生的当时一样激动，他把放在我俩中间桌子上的一把餐刀拿起来，拼命挥舞着。他抬起一只胳臂，仿佛要扎下来的样子。接着，突然把手一松，刀子哐啷一声掉在地上。他望着我，声音颤抖地笑了笑，没有再说话。

“快说啊！”我催他道。

“我说不清楚自己是怎么回事，正当我要在画上戳个大洞的时候，当我已经抬起胳臂正准备往下扎的时候，突然间我好象看见它了。”

“看见什么了？”

“那幅画。一件珍贵的艺术品。我不能碰它。我害怕了。”

施特略夫又停顿下来，直勾勾地盯着我，张着嘴，一对又蓝又圆的眼珠似乎都要凸出来了。

“那真是一幅伟大的、奇妙的绘画。我一下子被它震骇住了。我几乎犯了一桩可怕的罪行。我移动了一下身体，想看得更清楚一些，我的脚踢在刮刀上。我打了个冷战。”

激动着施特略夫的那种感情我确实体会到了；他说的这些话奇怪地把我打动了。我好象突然被带进一个全部事物的价值都改变了的世界里。我茫然不知所措地站在一旁，好象一个到了异乡的陌生人，在那里，一个人对于他所熟悉的事物的各种反应都与过去的不同了。施特略夫尽量想把他见到的这幅画描述给我听，但是他说得前言不搭后语，许多意思都只能由我猜测。思特里克兰德已经把那一直束缚着的桎梏打碎了。他并没有象俗话所说的“寻找到自己”，而是寻找到一个新的灵魂，一个具有意料不到的巨大力量的灵魂。

I did not see him again for nearly a week. Then he fetched me soon after seven one evening and took me out to dinner. He was dressed in the deepest mourning, and on his bowler was a broad black band. He had even a black border to his handkerchief. His garb of woe suggested that he had lost in one catastrophe every relation he had in the world, even to cousins by marriage twice removed. His plumpness and his red, fat cheeks made his mourning not a little incongruous. It was cruel that his extreme unhappiness should have in it something of buffoonery.

He told me he had made up his mind to go away, though not to Italy, as I had suggested, but to Holland.

"I'm starting to-morrow. This is perhaps the last time we shall ever meet. "

I made an appropriate rejoinder, and he smiled wanly.

"I haven't been home for five years. I think I'd forgotten it all; I seemed to have come so far away from my father's house that I was shy at the idea of revisiting it; but now I feel it's my only refuge. "

He was sore and bruised, and his thoughts went back to the tenderness of his mother's love. The ridicule he had endured for years seemed now to weigh him down, and the final blow of Blanche's treachery had robbed him of the resiliency which had made him take it so gaily. He could no longer laugh with those who laughed at him. He was an outcast. He told me of his childhood in the tidy brick house, and of his mother's passionate orderliness. Her kitchen was a miracle of clean brightness. Everything was always in its place, and no where could you see a speck of dust. Cleanliness, indeed, was a mania with her. I saw a neat little old woman, with cheeks like apples, toiling away from morning to night, through the long years, to keep her house trim and spruce. His father was a spare old man, his hands gnarled after the work of a lifetime, silent and upright; in the evening he read the paper aloud, while his wife and daughter (now married to the captain of a fishing smack), unwilling to lose a moment, bent over their sewing. Nothing ever happened in that little town, left behind by the advance of civilisation, and one year followed the next till death came, like a friend, to give rest to those who had laboured so diligently.

"My father wished me to become a carpenter like himself. For five generations we've carried on the same trade, from father to son. Perhaps that is the wisdom of life, to tread in your father's steps, and look neither to the right nor to the left. When I was a little boy I said I would marry the daughter of the harness-maker who lived next door. She was a little girl with blue eyes and a flaxen pigtail. She would have kept my house like a new pin, and I should have had a son to carry on the business after me. "

Stroeve sighed a little and was silent. His thoughts dwelt among pictures of what might have been, and the safety of the life he had refused filled him with longing.

"The world is hard and cruel. We are here none knows why, and we go none knows whither. We must be very humble. We must see the beauty of quietness. We must go through life so inconspicuously that Fate does not notice us. And let us seek the love of simple, ignorant people. Their ignorance is better than all our knowledge. Let us be silent, content in our little corner, meek and gentle like them. That is the wisdom of life. "

To me it was his broken spirit that expressed itself, and I rebelled against his renunciation. But I kept my own counsel.

"What made you think of being a painter?" I asked.

He shrugged his shoulders.

"It happened that I had a knack for drawing. I got prizes for it at school. My poor mother was very proud of my gift, and she gave me a box of water-colours as a present. She showed my sketches to the pastor and the doctor and the judge. And they sent me to Amsterdam to try for a scholarship, and I won it. Poor soul, she was so proud; and though it nearly broke her heart to part from me, she smiled, and would not show me her grief. She was pleased that her son should be an artist. They pinched and saved so that I should have enough to live on, and when my first picture was exhibited they came to Amsterdam to see it, my father and mother and my sister, and my mother cried when she looked at it. " His kind eyes glistened. "And now on every wall of the old house there is one of my pictures in a beautiful gold frame. "

He glowed with happy pride. I thought of those cold scenes of his, with their picturesque peasants and cypresses and olive-trees. They must look queer in their garish frames on the walls of the peasant house.

"The dear soul thought she was doing a wonderful thing for me when she made me an artist, but perhaps, after all, it would have been better for me if my father's will had prevailed and I were now but an honest carpenter. "

"Now that you know what art can offer, would you change your life? Would you have missed all the delight it has given you?"

"Art is the greatest thing in the world, " he answered, after a pause.

He looked at me for a minute reflectively; he seemed to hesitate; then he said:

"Did you know that I had been to see Strickland?"

"You?"

I was astonished. I should have thought he could not bear to set eyes on him. Stroeve smiled faintly.

"You know already that I have no proper pride. "

"What do you mean by that?"

He told me a singular story.

又有将近一个星期我没有再看到他。一天晚上刚过七点他来找我，约我出去吃晚饭。他身服重孝，圆顶硬礼帽上系着一条很宽的黑带子，连使用的手帕也镶着黑边。他的这身丧服说明在一次灾祸中他已经失去了世界上的一切亲属，甚至连姨表远亲也没有了。他的肥胖的身躯、又红又胖的面颊同身上的孝服很不协调。老天也真是残忍，竟让他这种无限凄怆悲惨带上某种滑稽可笑的成分。

他告诉我他已打定主意要到外国去，但并不是去我所建议的意大利，而是荷兰。

“我明天就动身。这也许是我们最后一次见面了。”

我说了一句适当的答话，他勉强地笑了笑。

“我已经有五年没回老家了。我想家里的情况我都忘记了。我好象离开祖传的老屋那么遥远，甚至都不好意思再回去探望它了。但是现在我觉得这是我唯一的栖身之地。”

施特略夫现在遍体鳞伤，他的思想又让他回去寻找慈母的温情慰抚。多少年来他忍受的挪揄嘲笑现在好象已经把他压倒，勃朗什对他的背叛给他带来了最后一次打击，使他失去了以笑脸承受讥嘲的韧性。他不能再同那些嘲笑他的人一起放声大笑了。他已经成了一个摈弃于社会之外的人。他对我讲他在一所整洁有序的砖房子里消磨掉的童年。他的母亲生性爱好整洁，厨房收拾得干干净净、锃光瓦亮，简直是个奇迹。锅碗瓢盆都放得有条不紊，任何地方也找不出一星灰尘。说实在的，他母亲爱好清洁简直有些过头了。我仿佛看到了一个干净利落的小老太太，生着红里透白的面颊，从早到晚手脚不停闲，终生劬劳，把屋子收拾得井井有条，一尘不染。施特略夫的父亲是个瘦削的老人，因为终生劳动，两手骨节扭结，不言不语，诚实耿直。晚饭后他大声读着报纸，妻子和女儿（现在已经嫁给一个小渔船船长了）珍惜时间，埋头做针线活。文明日新月异，这个小城却好象被抛在后面，永远也不会发生什么事情，如此年复一年，直到死亡最后来临，象个老友似地给那些勤苦劳动一生的人带来永久的安息。

“我父亲希望我象他一样做个木匠。我们家五代人都是干的这个行业，总是父一代子一代地传下去。也许这就是生活的智慧——永远踩着父亲的脚印走下去，既不左顾也不右盼。小的时候我对别人说我要同隔壁一家做马具人家的女儿结婚。她是一个蓝眼睛的小女孩，亚麻色的头发梳着一根小辫。要是同这个人结了婚，她也会把我的家收拾得井井有条，还会给我生个孩子接替我的行业。”

施特略夫轻轻叹了一口气，沉默了一会儿。他的思想萦回在可能发生的这些图景上，他自动放弃的这种安全稳定的生活使他无限眷恋。

“世界是无情的、残酷的。我们生到人世间没有人知道为了什么，我们死后没有人知道到何处去。我们必须自甘卑屈。我们必须看到冷清寂寥的美妙。在生活中我们一定不要出风头、露头角，惹起命运对我们注目。让我们去寻求那些淳朴、敦厚的人的爱情吧。他们的愚昧远比我们的知识更为可贵。让我们保持着沉默，满足于自己小小的天地，象他们一样平易温顺吧。这就是生活的智慧。”

这一番话我听着象是他意志消沉的自白，我不同意他这种自暴自弃的态度。但是我也不想同他争辩，宣讲我的处世方针。

“是什么使你想起当画家来呢？”我问他道。

他耸了耸肩膀。

“我凑巧有点儿绘画的才能。在学校读书的时候画图画得过奖。我的可怜的母亲很为我这种本领感到自豪，买了一盒水彩送给我。她还把我的图画拿给牧师、医生和法官去看。后来这些人把我送到阿姆斯特丹，让我试一试能不能考取奖学金入大学。我考取了。可怜的母亲，她骄傲得了不得。尽管同我分开使她非常难过，她还是强颜欢笑，不叫我看出她的伤心来。她非常高兴，自己的儿子能成为个艺术家。他们老两口省吃俭用，好叫我能够维持生活。当我的第一幅绘画参加展出的时候，他们到阿姆斯特丹看来了，我的父亲、母亲和妹妹都来了。我的母亲看见我的图画，眼泪都流出来了。”说到这里，施特略夫自己的眼睛也挂上了泪花。“现在老家的屋子四壁都挂着我的一张张画，镶在漂亮的金框子里。”

他的一张脸因为幸福的骄傲而闪闪发亮。我又想起来他画的那些毫无生气的景物，穿得花花绿绿的农民啊、丝柏树啊、橄榄树啊什么的。这些画镶着很讲究的金框子，挂在一家村舍的墙上是多么不伦不类呀！

“我那可怜的母亲认为她把我培养成一个艺术家是干了一件了不起的事，但是说不定要是父亲的想法得以实现，我如今只不过是个老老实实的木匠，对我说来倒更好一些。”

“现在你已经了解了艺术会给人们带来些什么。你还愿意改变你的生活吗？你肯放弃艺术给与你的所有那些快感吗？”

“艺术是世界上最伟大的东西。”他沉吟了片刻说。

他沉思地看了我一会儿，好象对一件什么事拿不定主意。最后，他开口说：

“你知道我去看思特里克兰德了吗？”

“你？”

我吃了一惊。我本来以为他非常恨他，决不会同他见面的。施特略夫的脸浮起一丝笑容。

“你已经知道我这人是没有自尊心的。”

“这话是什么意思？”

他给我说了一个奇异的故事。

The next week was dreadful. Stroeve went twice a day to the hospital to enquire after his wife, who still declined to see him; and came away at first relieved and hopeful because he was told that she seemed to be growing better, and then in despair because, the complication which the doctor had feared having ensued, recovery was impossible. The nurse was pitiful to his distress, but she had little to say that could console him. The poor woman lay quite still, refusing to speak, with her eyes intent, as though she watched for the coming of death. It could now be only the question of a day or two; and when, late one evening, Stroeve came to see me I knew it was to tell me she was dead. He was absolutely exhausted. His volubility had left him at last, and he sank down wearily on my sofa. I felt that no words of condolence availed, and I let him lie there quietly. I feared he would think it heartless if I read, so I sat by the window, smoking a pipe, till he felt inclined to speak.

"You've been very kind to me, " he said at last. "Everyone's been very kind. "

"Nonsense, " I said, a little embarrassed.

"At the hospital they told me I might wait. They gave me a chair, and I sat outside the door. When she became unconscious they said I might go in. Her mouth and chin were all burnt by the acid. It was awful to see her lovely skin all wounded. She died very peacefully, so that I didn't know she was dead till the sister told me. "

He was too tired to weep. He lay on his back limply, as though all the strength had gone out of his limbs, and presently I saw that he had fallen asleep. It was the first natural sleep he had had for a week. Nature, sometimes so cruel, is sometimes merciful. I covered him and turned down the light. In the morning when I awoke he was still asleep. He had not moved. His gold-rimmed spectacles were still on his nose.

The circumstances of Blanche Stroeve's death necessitated all manner of dreadful formalities, but at last we were allowed to bury her. Dirk and I alone followed the hearse to the cemetery. We went at a foot-pace, but on the way back we trotted, and there was something to my mind singularly horrible in the way the driver of the hearse whipped up his horses. It seemed to dismiss the dead with a shrug of the shoulders. Now and then I caught sight of the swaying hearse in front of us, and our own driver urged his pair so that we might not remain behind. I felt in myself, too, the desire to get the whole thing out of my mind. I was beginning to be bored with a tragedy that did not really concern me, and pretending to myself that I spoke in order to distract Stroeve, I turned with relief to other subjects.

"Don't you think you'd better go away for a bit?" I said. "There can be no object in your staying in Paris now. "

He did not answer, but I went on ruthlessly:

"Have you made any plans for the immediate future?"

"No. "

"You must try and gather together the threads again. Why don't you go down to Italy and start working?"

Again he made no reply, but the driver of our carriage came to my rescue. Slackening his pace for a moment, he leaned over and spoke. I could not hear what he said, so I put my head out of the window. he wanted to know where we wished to be set down. I told him to wait a minute.

"You'd better come and have lunch with me, " I said to Dirk. "I'll tell him to drop us in the Place Pigalle. "

"I'd rather not. I want to go to the studio. "

I hesitated a moment.

"Would you like me to come with you?" I asked then.

"No; I should prefer to be alone. "

"All right. "

I gave the driver the necessary direction, and in renewed silence we drove on. Dirk had not been to the studio since the wretched morning on which they had taken Blanche to the hospital. I was glad he did not want me to accompany him, and when I left him at the door I walked away with relief. I took a new pleasure in the streets of Paris, and I looked with smiling eyes at the people who hurried to and fro. The day was fine and sunny, and I felt in myself a more acute delight in life. I could not help it; I put Stroeve and his sorrows out of my mind. I wanted to enjoy.

这以后的一个星期简直是一场噩梦。施特略夫每天去医院两次探听妻子的病况，勃朗什始终不肯见他。头几天他从医院回来心情比较宽慰，而且满怀希望，因为医院的人对他讲，勃朗什似乎日趋好转；但是几天以后，施特略夫便陷入痛苦绝望中，医生所担心的并发症果然发生了，病人看来没有希望了。护士对施特略夫非常同情，但是却找不到什么安慰他的言词。病人只是一动不动地躺在床上，一句话也不说，两眼凝视着半空，好象在望着死神的降临。看来这个可怜的女人只有一两天的活头儿了。一天晚上，已经很晚了，施特略夫走来看我。不等他开口，我就知道他是来向我报告病人的死讯的。施特略夫身心交瘁到了极点。往日他总是滔滔不绝地同我讲话，这一天却一语不发，一进屋子就疲劳不堪地躺在我的沙发上。我觉得无论说什么安慰的话也无济于事，便索性让他一声不响地躺在那里。我想看点书，又怕他认为我太无心肝，于是我只好坐在窗户前边默默地抽烟斗，等着他什么时候愿意开口再同他讲话。

“你对我太好了，”最后他说，“没有一个人不对我好的。”

“别胡说了，”我有些尴尬地说。

“刚才在医院里他们对我说我可以等着。他们给我搬来一把椅子，我就在病房外边坐着。等到她已经不省人事的时候他们叫我进去了。她的嘴和下巴都被酸液烧伤了。看到她那可爱的皮肤满是伤痕真叫人心痛极了。她死得非常平静，还是护士告诉了我我才知道她已经死了。”

他累得连哭的力气都没有了。他浑身瘫软地仰面躺着，好象四肢的力量都已枯竭，没过一会儿便昏昏沉沉地睡着了。这是一个星期以来他第一次不靠吃安眠药自己进入了梦乡。自然对人有时候很残忍，有时候又很仁慈。我给他盖上被，把灯熄掉。第二天早晨我醒来的时候他仍然没有睡醒。他一夜连身都没翻，金边眼镜一直架在鼻梁上。

勃朗什·施特略夫死后因为情况复杂需要一关一关地办理许多道手续，但是最后我们还是取得了殡葬的许可证。跟随柩车到墓地去送葬的只有我同戴尔克两个人。去的时候走得很慢，回来的路上马车却小跑起来，柩车的车夫不断挥鞭抽打辕马，在我心上引起一种奇怪的恐怖感，仿佛是马车夫耸耸肩膀想赶快把死亡甩在后面似的。我坐在后面一辆马车上不时地看到前边摇摇摆摆的柩车；我们的马车夫也不断加鞭，不让自己的车辆落后。我感到我自己也有一种赶快把这件事从心里甩掉的愿望。对这件实际上与我毫不相干的悲剧我已开始厌烦了，我找了另外一些话题同施特略夫谈起来；虽然我这样做是为了解除自己的烦闷，却骗自己说是为了给施特略夫分一分神。

“你是不是觉得还是到别的地方去走一走的好？”我说，“现在再待在巴黎对你说毫无意义了。”

他没有回答我，我却紧追不舍地问下去：

“你对于今后这一段日子有什么安排吗？”

“没有。”

“你一定得重新振作起来。为什么不到意大利去重新开始画画儿呢？”

他还是没有回答，这时我们的马车夫把我从窘境里解救了出来。他把速度降低了一些，俯过身来同我讲了一句什么。我听不清他说的是什么，只好把头伸出窗口去；他想知道我们在什么地方下车。我叫他稍微等一会儿。

“你还是来同我一起吃午饭吧，”我对戴尔克说，“我告诉马车夫在皮卡尔广场停车好不好？”

“我不想去了。我要回我的画室去。”

我犹豫了一会儿。

“你要我同你一起去吗？”我说。

“不要。我还是愿意独自回去。”

“好吧。”

我告诉车夫应该走的方向，马车继续往前走，我们两人又重新沉默起来。戴尔克自从勃朗什被送进医院那个倒霉的早上起就再也没回画室去。我很高兴他没有叫我陪伴他，我在他的门口同他分了手，如释重负地独自走开。巴黎的街道给了我新的喜悦，我满心欢喜地看着街头匆忙来往的行人。这一天天气很好，阳光灿烂，我感到我的心头洋溢着对生活的欢悦，这种感情比以往任何时候都更加强烈。我一点也由不得自己；我把施特略夫同他的烦恼完全抛在脑后。我要享受生活。

I scarcely know how we got through that day. Stroeve could not bear to be alone, and I exhausted myself in efforts to distract him. I took him to the Louvre, and he pretended to look at pictures, but I saw that his thoughts were constantly with his wife. I forced him to eat, and after luncheon I induced him to lie down, but he could not sleep. He accepted willingly my invitation to remain for a few days in my apartment. I gave him books to read, but after a page or two he would put the book down and stare miserably into space. During the evening we played innumerable games of piquet, and bravely, not to disappoint my efforts, he tried to appear interested. Finally I gave him a draught, and he sank into uneasy slumber.

When we went again to the hospital we saw a nursing sister. She told us that Blanche seemed a little better, and she went in to ask if she would see her husband. We heard voices in the room in which she lay, and presently the nurse returned to say that the patient refused to see anyone. We had told her that if she refused to see Dirk the nurse was to ask if she would see me, but this she refused also. Dirk's lips trembled.

"I dare not insist, " said the nurse. "She is too ill. Perhaps in a day or two she may change her mind. "

"Is there anyone else she wants to see?" asked Dirk, in a voice so low it was almost a whisper.

"She says she only wants to be left in peace. "

Dirk's hands moved strangely, as though they had nothing to do with his body, with a movement of their own.

"Will you tell her that if there is anyone else she wishes to see I will bring him? I only want her to be happy. "

The nurse looked at him with her calm, kind eyes, which had seen all the horror and pain of the world, and yet, filled with the vision of a world without sin, remained serene.

"I will tell her when she is a little calmer. "

Dirk, filled with compassion, begged her to take the message at once.

"It may cure her. I beseech you to ask her now. "

With a faint smile of pity, the nurse went back into the room. We heard her low voice, and then, in a voice I did not recognise the answer:

"No. No. No. "

The nurse came out again and shook her head.

"Was that she who spoke then?" I asked. "Her voice sounded so strange. "

"It appears that her vocal cords have been burnt by the acid. "

Dirk gave a low cry of distress. I asked him to go on and wait for me at the entrance, for I wanted to say something to the nurse. He did not ask what it was, but went silently. He seemed to have lost all power of will; he was like an obedient child.

"Has she told you why she did it?" I asked.

"No. She won't speak. She lies on her back quite quietly. She doesn't move for hours at a time. But she cries always. Her pillow is all wet. She's too weak to use a handkerchief, and the tears just run down her face. "

It gave me a sudden wrench of the heart-strings. I could have killed Strickland then, and I knew that my voice was trembling when I bade the nurse goodbye.

I found Dirk waiting for me on the steps. He seemed to see nothing, and did not notice that I had joined him till I touched him on the arm. We walked along in silence. I tried to imagine what had happened to drive the poor creature to that dreadful step. I presumed that Strickland knew what had happened, for someone must have been to see him from the police, and he must have made his statement. I did not know where he was. I supposed he had gone back to the shabby attic which served him as a studio. It was curious that she should not wish to see him. Perhaps she refused to have him sent for because she knew he would refuse to come. I wondered what an abyss of cruelty she must have looked into that in horror she refused to live.

我几乎说不清这一天我们是怎么过的了。施特略夫没人陪着根本不成，我想尽办法把他的思想岔开，因而弄得自己也疲劳不堪。我带他到卢佛尔宫去，他假装在欣赏图画，但是我看得出来他的思想一刻也没有离开他的妻子。我硬逼着他吃了一点东西；午饭以后，我又劝他躺下休息，但是他一丝睡意也没有。我留他在我的公寓住几天，他欣然接受了我的邀请。我找了几本书给他看，他只翻看一两页就把书放下，凄凄惨惨地茫然凝视着半空。吃过晚饭以后我们玩了无数局皮克牌，为了不叫我失望，他强自打起精神，装作玩得津津有味的样子。最后我让他喝了一口药水，尽管他睡得并不安宁，总算入了梦乡。

当我们再次去医院的时候，见到了一个女护士。她告诉我们勃朗什看上去好了一些。她走进病房，问她是否愿意见自己的丈夫。我们听到从勃朗什住的屋子里传出来的话语声，没过多久护士便走出来，告诉我们病人拒绝会见任何来探视她的人。我们事前已经同护士讲过，如果病人不愿见戴尔克，护士还可以问她一下愿意不愿意见我，但是病人也同样回绝了。戴尔克的嘴唇抖动起来。

“我不敢过分逼她，”护士说，“她病得很厉害。再过一两天也许她会改变主意的。”

“她想见什么人吗？”戴尔克问，他说话的声音非常低，几乎象是耳语。

“她说她只求不要有人打搅她。”

戴尔克做了个很奇怪的手势，好象他的两只手同身体不发生关系，自己在挥动似的。

“你能不能告诉她，如果她想见什么人的话，我可以把那人带来？我只希望使她快活。”

护士用她那双宁静、慈祥的眼睛望着戴尔克，这双眼睛曾经看到过人世的一切恐怖和痛苦，但是因为那里面装的是一个没有罪恶的世界的幻景，所以她的目光是清澈的。

“等她心情平静一些的时候我会告诉她的。”

戴尔克心头充满了无限悲悯，请求她立刻把这句话说给她听。

“也许这会治好她的病的。我求求你现在就去问她吧。”

护士的脸上泛起一丝怜悯的笑容，走进病室。我们听到她低声说了两句什么，接着就是一个我辨认不出的声音在回答：

“不，不，不。”

护士走出来，摇了摇头。

“刚才是她在说话吗？”我问。“她的嗓音全变了。”

“她的声带似乎被酸液烧坏了。”

戴尔克发出一声痛苦的低声叫喊。我叫他先到外面去，在进门的地方等着我，因为我要同护士说几句话。他并没有问我要说什么，便闷声不响地走开了。他好象失去了全部意志力，象个听话的小孩似地任凭别人支使。

“她对你说过没有，为什么她做出这件事来？”我问护士说。

“没有。她什么话也不说。她安安静静地仰面躺着，有时候一连几个钟头一动也不动。但是她却不停地流眼泪，连枕头都流湿了。她身体非常虚弱，连手帕也不会使用，就让眼泪从脸上往下淌。”

我突然感到心弦一阵绞痛。要是思特里克兰德在我跟前，我真能当时就把他杀死。当我同护士告别的时候，我知道连自己的声音都颤抖起来了。

我发现戴尔克正在门口台阶上等着我。他好象什么都没看见，直到我触到他的胳臂时，他才发觉我已经站到他身边。我们两个默默无言地向回走。我拼命地想象，究竟发生了什么事逼得这个可怜的人儿走上这条绝路。我猜想思特里克兰德已经知道发生的这个不幸事件了，因为警察局一定已经派人找过他，听取了他的证词。我不知道思特里克兰德现在在哪里。说不定他已经回到那间他当作画室的简陋的阁楼去了。她不想同他见面倒是有些奇怪。也许她不肯叫人去找他是因为她知道他绝不会来。我很想知道，她看到了一个什么样的悲惨的无底深渊才恐惧绝望、不想再活下去。

But though I was no less convinced than Stroeve that the connection between Strickland and Blanche would end disastrously, I did not expect the issue to take the tragic form it did. The summer came, breathless and sultry, and even at night there was no coolness to rest one's jaded nerves. The sun-baked streets seemed to give back the heat that had beat down on them during the day, and the passers-by dragged their feet along them wearily. I had not seen Strickland for weeks. Occupied with other things, I had ceased to think of him and his affairs. Dirk, with his vain lamentations, had begun to bore me, and I avoided his society. It was a sordid business, and I was not inclined to trouble myself with it further.

One morning I was working. I sat in my Pyjamas. My thoughts wandered, and I thought of the sunny beaches of Brittany and the freshness of the sea. By my side was the empty bowl in which the concierge had brought me my cafe au lait and the fragment of croissant which I had not had appetite enough to eat. I heard the concierge in the next room emptying my bath. There was a tinkle at my bell, and I left her to open the door. In a moment I heard Stroeve's voice asking if I was in. Without moving, I shouted to him to come. He entered the room quickly, and came up to the table at which I sat.

"She's killed herself, " he said hoarsely.

"What do you mean?" I cried, startled.

He made movements with his lips as though he were speaking, but no sound issued from them. He gibbered like an idiot. My heart thumped against my ribs, and, I do not know why, I flew into a temper.

"For God's sake, collect yourself, man, " I said. "What on earth are you talking about?"

He made despairing gestures with his hands, but still no words came from his mouth. He might have been struck dumb. I do not know what came over me; I took him by the shoulders and shook him. Looking back, I am vexed that I made such a fool of myself; I suppose the last restless nights had shaken my nerves more than I knew.

"Let me sit down, " he gasped at length.

I filled a glass with St. Galmier, and gave it to him to drink. I held it to his mouth as though he were a child. He gulped down a mouthful, and some of it was spilt on his shirt-front.

"Who's killed herself?"

I do not know why I asked, for I knew whom he meant. He made an effort to collect himself.

"They had a row last night. He went away. "

"Is she dead?"

"No; they've taken her to the hospital. "

"Then what are you talking about?" I cried impatiently. "Why did you say she'd killed herself?"

"Don't be cross with me. I can't tell you anything if you talk to me like that. "

I clenched my hands, seeking to control my irritation. I attempted a smile.

"I'm sorry. Take your time. Don't hurry, there's a good fellow. "

His round blue eyes behind the spectacles were ghastly with terror. The magnifying-glasses he wore distorted them.

"When the concierge went up this morning to take a letter she could get no answer to her ring. She heard someone groaning. The door wasn't locked, and she went in. Blanche was lying on the bed. She'd been frightfully sick. There was a bottle of oxalic acid on the table. "

Stroeve hid his face in his hands and swayed backwards and forwards, groaning.

"Was she conscious?"

"Yes. Oh, if you knew how she's suffering! I can't bear it. I can't bear it. "

His voice rose to a shriek.

"Damn it all, you haven't got to bear it, " I cried impatiently. "She's got to bear it. "

"How can you be so cruel?"

"What have you done?"

"They sent for a doctor and for me, and they told the police. I'd given the concierge twenty francs, and told her to send for me if anything happened. "

He paused a minute, and I saw that what he had to tell me was very hard to say.

"When I went she wouldn't speak to me. She told them to send me away. I swore that I forgave her everything, but she wouldn't listen. She tried to beat her head against the wall. The doctor told me that I mustn't remain with her. She kept on saying, `Send him away!' I went, and waited in the studio. And when the ambulance came and they put her on a stretcher, they made me go in the kitchen so that she shouldn't know I was there. "

While I dressed -- for Stroeve wished me to go at once with him to the hospital -- he told me that he had arranged for his wife to have a private room, so that she might at least be spared the sordid promiscuity of a ward. On our way he explained to me why he desired my presence; if she still refused to see him, perhaps she would see me. He begged me to repeat to her that he loved her still; he would reproach her for nothing, but desired only to help her; he made no claim on her, and on her recovery would not seek to induce her to return to him; she would be perfectly free.

But when we arrived at the hospital, a gaunt, cheerless building, the mere sight of which was enough to make one's heart sick, and after being directed from this official to that, up endless stairs and through long, bare corridors, found the doctor in charge of the case, we were told that the patient was too ill to see anyone that day. The doctor was a little bearded man in white, with an offhand manner. He evidently looked upon a case as a case, and anxious relatives as a nuisance which must be treated with firmness. Moreover, to him the affair was commonplace; it was just an hysterical woman who had quarrelled with her lover and taken poison; it was constantly happening. At first he thought that Dirk was the cause of the disaster, and he was needlessly brusque with him. When I explained that he was the husband, anxious to forgive, the doctor looked at him suddenly, with curious, searching eyes. I seemed to see in them a hint of mockery; it was true that Stroeve had the head of the husband who is deceived. The doctor faintly shrugged his shoulders.

"There is no immediate danger, " he said, in answer to our questioning. "One doesn't know how much she took. It may be that she will get off with a fright. Women are constantly trying to commit suicide for love, but generally they take care not to succeed. It's generally a gesture to arouse pity or terror in their lover. "

There was in his tone a frigid contempt. It was obvious that to him Blanche Stroeve was only a unit to be added to the statistical list of attempted suicides in the city of Paris during the current year. He was busy, and could waste no more time on us. He told us that if we came at a certain hour next day, should Blanche be better, it might be possible for her husband to see her.

虽然我同施特略夫一样也认为思特里克兰德同勃朗什的关系将以一场灾难收场，我却没有料到这件事会演成这样一出悲剧。夏天来了，天气郁闷得令人喘不过气来，连夜间也没有一丝凉意，使人们疲劳的神经能够得到一点休息。被太阳晒得炙热的街道好象又把白天吸收的热气散发回来；街头行人疲劳不堪地拖着两只脚。我又有好几个星期没有见到思特里克兰德了。因为忙于其他事务，我甚至连这个人同他们那档子事都不去想了。戴尔克一见到我就长吁短叹，开始叫人生厌；我尽量躲着他不同他在一起。我感到整个这件事龌龊不堪，我不想再为它伤脑筋了。

一天早上，我正在工作，身上还披着睡衣。但是我的思绪却游移不定，浮想联翩。我想到布里坦尼阳光灿烂的海滨和清澈的海水。我身边摆着女看门人给我端来的盛咖啡牛奶的空碗和一块吃剩的月芽形小面包。我的胃口很不好，没能吃完。隔壁的屋子里，女看门人正在把我浴盆里的水放掉。突然，门铃叮铃铃地响起来，我让她去给我开门。不大的工夫我就听到施特略夫的声音，打听我在不在家。我大声招呼他进来，而没有离开我的座位。施特略夫慌慌张张地走了进来，一直走到我坐的桌子前面。

“她死了，”他声音嘶哑地说。

“你说什么？”我吃惊地喊叫起来。

他的嘴唇动了动，好象在说什么，但是什么声音也没有发出来。他象个白痴似地胡乱地说了一些没有意义的话。我的一颗心在胸腔里扑腾腾地乱跳，不知为什么，我突然发起火来。

“看在上帝面上，你镇定点儿好不好？”我说，“你究竟在说些什么？”

他的两只手做了几个绝望的姿势，仍然说不出一句整话来。他好象突然受到巨大的惊吓，变成哑巴了。我不知道自己为什么火冒三丈，我抓着他的肩膀拼命地摇撼。我猜想前几夜我一直休息不好，叫我的神经也崩溃了。

“让我坐一会儿，”最后他上气不接下气地说。

我给他倒了一杯圣加米叶酒。我把杯子端到他的嘴边好象在喂一个孩子。他咕咚一声喝了一口，有好些洒在衬衫前襟上。

“谁死了？”

我不懂为什么我还要问这句话，因为我完全知道他说的是谁。他挣扎着想使自己平静下来。

“昨天夜里他们吵嘴了。他离开家了。”

“她已经死了吗？”

“没有，他们把她送到医院去了。”

“那么你说的是什么？”我不耐烦地喊起来。“为什么你说她死了？”

“别生我的气。你要是这样同我讲话，我就什么也告诉不了你了。”

我握紧了拳头，想把心里的怒气压下去。我努力摆出一副笑脸来。

“对不起。你慢慢说吧，不用着急。我不怪罪你。”

他的近视镜片后面的一对又圆又蓝的眼睛因为恐惧叫人看着非常可怕。他戴的放大镜片使这双眼睛变形了。

“今天早晨看门人上楼去给他们送信，按了半天门铃也没有人回答。她听见屋子里有人呻吟。门没有上闩，她就走进去了。勃朗什在床上躺着，情况非常危险。桌子上摆着一瓶草酸。”

施特略夫用手捂着脸，一边前后摇晃着身体，一边呻吟。

“她那时候还有知觉吗？”

“有。啊，如果你知道她多么痛苦就好了。我真受不了。我真受不了。”

他的声音越来越高，成了一种尖叫。

“他妈的，你有什么受不了的，”我失去耐心地喊起来，“她这是自作自受。”

“你怎么能这么残忍呢？”

“你后来做什么了？”

“他们叫了医生，也把我找去，还报告了警察。我以前给过看门人二十法郎，告诉她如果发生了什么事就通知我。”

他沉吟了一会儿，我看出来他下面要告诉我的一番话是很难启齿的。

“我去了以后她不同我讲话。她告诉他们叫我走开。我向她发誓，不管她做过什么事我都原谅她，但是她根本不听我讲话。她把头往墙上撞。医生叫我不要待在她身边。她不住口地叫喊：‘叫他走开！’我只好离开她身边，在画室里等着。等救护车来了，他们把她抬上担架的时候，他们叫我躲进厨房去，让她以为我已经离开那里了。”

在我穿衣服的当儿——因为施特略夫要我立刻同他一起到医院去——，他告诉我他已经在医院为他的妻子安排了一个单间病室，免得她住在人群混杂、空气污浊的大病房。走在路上的时候他又向我解释，为什么他要我陪他去——如果她仍然拒绝同他见面，也许她愿意见我。他求我转告她，他仍然爱她，他丝毫也不责怪她，只希望能帮她一点儿忙。他对她没有任何要求，在她病好以后决不劝说她回到自己身边，她是绝对自由的。

终于到了医院——一座凄清阴惨的建筑物，一看见就让人心里发凉。我们从一个办公室被支到另一个办公室，爬上数不尽的楼梯，穿过走不到头儿的光秃秃的走廊，最后找到主治的医生，但是我们却被告诉说，病人健康状况太坏，这一天不能接见任何探视的人。同我们讲话的这个医生蓄着胡须、身材矮小，穿着一身白衣服，态度一点也不客气。他显然只把病人当作病人，把焦急不安的亲属当作惹厌的东西，毫无通融的余地。此外，对他说来，这类事早已司空见惯；这只不过是一个歇斯底里的女人同爱人吵了嘴、赌气服了毒而已，这是经常发生的事。最初他还以为戴尔克是罪魁祸首，毫无必要地顶撞了他几句。在我向他解释了戴尔克是病人的丈夫、渴望宽恕她以后，医生突然用炯炯逼人的好奇目光打量起他来。我好象在医生的目光里看到一丝挪揄的神色；施特略夫的长相一望而知是个受老婆欺骗的窝囊汉子。医生把肩膀微微一耸。“目前没有什么危险，”他回答我们的询问说，“还不知道她吞服了多少。也很可能只是一场虚惊。女人们不断为了爱情而自寻短见，但是一般说来她们总是做得很小心，不让自杀成为事实。通常这只是为了引起她们情人的怜悯或者恐怖而作的一个姿态。”

他的语气里有一种冷漠、轻蔑的味道。对他说来，勃朗什·施特略夫显然不过是即将列入巴黎这一年自杀未遂的统计表中的一个数字。医生非常忙，不可能为了我们浪费自己的时间。他告诉我们，如果我们在第二天某一个时刻来，假如勃朗什好一些，她的丈夫是可以见到她的。

Two or three days later Dirk Stroeve called on me.

"I hear you've seen Blanche, " he said.

"How on earth did you find out?"

"I was told by someone who saw you sitting with them. Why didn't you tell me?"

"I thought it would only pain you. "

"What do I care if it does? You must know that I want to hear the smallest thing about her. "

I waited for him to ask me questions.

"What does she look like?" he said.

"Absolutely unchanged. "

"Does she seem happy?"

I shrugged my shoulders.

"How can I tell? We were in a cafe; we were playing chess; I had no opportunity to speak to her. "

"Oh, but couldn't you tell by her face?"

I shook my head. I could only repeat that by no word, by no hinted gesture, had she given an indication of her feelings. He must know better than I how great were her powers of self-control. He clasped his hands emotionally.

"Oh, I'm so frightened. I know something is going to happen, something terrible, and I can do nothing to stop it. "

"What sort of thing?" I asked.

"Oh, I don't know, " he moaned, seizing his head with his hands. "I foresee some terrible catastrophe. "

Stroeve had always been excitable, but now he was beside himself; there was no reasoning with him. I thought it probable enough that Blanche Stroeve would not continue to find life with Strickland tolerable, but one of the falsest of proverbs is that you must lie on the bed that you have made. The experience of life shows that people are constantly doing things which must lead to disaster, and yet by some chance manage to evade the result of their folly. When Blanche quarrelled with Strickland she had only to leave him, and her husband was waiting humbly to forgive and forget. I was not prepared to feel any great sympathy for her.

"You see, you don't love her, " said Stroeve.

"After all, there's nothing to prove that she is unhappy. For all we know they may have settled down into a most domestic couple. "

Stroeve gave me a look with his woeful eyes.

"Of course it doesn't much matter to you, but to me it's so serious, so intensely serious. "

I was sorry if I had seemed impatient or flippant.

"Will you do something for me?" asked Stroeve.

"Willingly. "

"Will you write to Blanche for me?"

"Why can't you write yourself?"

"I've written over and over again. I didn't expect her to answer. I don't think she reads the letters. "

"You make no account of feminine curiosity. Do you think she could resist?"

"She could -- mine. "

I looked at him quickly. He lowered his eyes. That answer of his seemed to me strangely humiliating. He was conscious that she regarded him with an indifference so profound that the sight of his handwriting would have not the slightest effect on her.

"Do you really believe that she'll ever come back to you?" I asked.

"I want her to know that if the worst comes to the worst she can count on me. That's what I want you to tell her. "

I took a sheet of paper.

"What is it exactly you wish me to say?"

This is what I wrote:

DEAR MRS. STROEVE, Dirk wishes me to tell you that if at any time you want him he will be grateful for the opportunity of being of service to you. He has no ill-feeling towards you on account of anything that has happened. His love for you is unaltered. You will always find him at the following address:

两三天以后，戴尔克·施特略夫来找我。

“听说你见到勃朗什了？”他说。

“你怎么会知道的？”

“有人看见你同他们坐在一起，告诉我了。你干嘛不告诉我？”

“我怕会使你痛苦。”

“使我痛苦又有什么关系？你必须知道，只要是她的事，哪怕最微不足道的，我也想知道。”

我等着他向我提问。

“她现在是什么样子？”他问。

“一点儿也没改变。”

“你看她的样子幸福吗？”

我耸了耸肩膀。

“我怎么知道？我们是在咖啡馆里，我在同思特里克兰德下棋。我没有机会同她谈话。”

“啊，但是你从她的面容看不出来吗？”

我摇了摇头。我只能把我想到的给他讲了一遍：她既没用话语也没用手势向我透露她的任何感情。他一定比我更了解，她自我克制的力量多么大。戴尔克感情激动地两手紧握在一起。

“啊，我非常害怕。我知道一定会发生一件事，一件可怕的事，可是我却没有办法阻止它。”

“会发生什么样儿的事？”我问道。

“啊，我也不知道，”他用两手把头抱住，呻吟道，“我预见到一件可怕的灾难。”

施特略夫一向就很容易激动，现在简直有些神经失常了。我根本无法同他讲道理。我认为很可能勃朗什·施特略夫已经发觉不可能再同思特里克兰德继续生活下去，但是人们经常说的那句俗话“自作自受”，实在是最没有道理的。生活的经验让我们看到的是，尽管人们不断地做一些必然招灾惹祸的事，但总能找个机会逃避掉这些蠢事带来的后果。当勃朗什同思特里克兰德吵了架以后，她只有离开他一条路好走，而她丈夫却在低声下气地等着，准备原谅她，把过去的事忘掉。我对勃朗什是不想寄予很大同情的。

“你知道，你是不喜欢她的。”施特略夫说。

“归根结底，现在还没有迹象说明她生活得不幸福。据我们所知道，说不定这两人已经象夫妻一样过起日子来了。”

施特略夫用他那对愁苦的眼睛瞪了我一眼。

“当然了，这对你是无所谓的，可是对我说，这件事很重要，极端重要。”

如果当时我的神色有些不耐烦，或者不够严肃，我是有点儿对不起施特略夫的。

“你愿意不愿意替我做一件事？”施特略夫问我。

“愿意。”

“你能不能替我给勃朗什写一封信？”

“你为什么自己不写呢？”

“我已经写了不知多少封了。我早就想到她不会回信。我猜我写的那些信她根本就不看。”

“你没有把妇女的好奇心考虑在内。你认为她抵拒得了自己的好奇心吗？”

“她没有好奇心——对于我。”

我很快地看了他一眼。他垂下了眼皮。他的这句回答我听着有一种奇怪的自暴自弃的味道。他清楚地意识到她对他冷漠到极点，见到他的笔迹一丝一毫的反响也没有。

“你真的相信有一天她会回到你身边来吗？”我问道。

“我想叫她知道，万一有什么不幸的事情发生，她还是可以指望我的。我要让你写信告诉她的就是这一点。”

我拿出来一张信纸。

“你要说的具体是什么？”

下面是我写的信：

亲爱的施特略夫太太：

戴尔克让我告诉你，不论任何时候如果你要他做什么事，他将会非常感激你给他一个替你效劳的机会。对于已经发生的事，他对你并无嫌怨。他对你的爱情始终如一。你在下列地址随时可以和他取得联系。