Jake Ricker has been shooting the Golden Gate Bridge everyday, all day, for the past 6 years: an interior view of something we usually only experience in exterior.

Today we get to know Arthur Drooker, a creative photographer I first discovered with his brilliant "Conventional Wisdom" -- peering inside some niche gatherings. But today his book of 37 Views of the Golden Gate has sold out, and we look at his interesting career.

I've long been fascinated by the photographs made by Wallace "Wally" Wilson in the 1970s-1980s; he was a professor of photography at the University of Florida when I was a kid, alongside other historic faculty like Jerry Uelsmann, Evon Streetman, Doug Prince, and Todd Walker. Wilson was part of an exciting time in the history of photography, as well as being a cool example of what I would describe as "haiku photography" -- although he would never have described his work that way.

Today we're joined by John Lambert and William Loftus, successful tech professionals and excellent amateur photographers, who were recent students in Rubin's experimental "The Art of Composition -- Reimagined" workshop. The group discuss the difficult topic and what it means to be a photographer.

The great photographer Elliott Erwitt passed away last November, but we sat down with his son-in-law, the Internationally acclaimed photographer Rick Smolan, to discuss Erwitt's life and work. Few have had such a close vantage on this inspiration to so many photographers today.

Where we catch up and review some travel photography, the definition of photography, the passing of the great Elliott Erwitt, the nature of composition and other various rants.

We're joined by professor and photographic artist Ed Bateman, from the University of Utah, to discuss Rubin's issues with "pure seeing" and the 100-years debate about how much modification can you do to a photo before you change it fundamentally.

We're back and catching up on workshops, lessons from the summer, Rubin's new camera and, of course, Suzanne's hat.

Rubin and Suzanne sit down with emerging Canadian landscape photographer Jason Pettit to unpack how—after only a handful of years behind the camera—he’s already producing quietly powerful, introspective work. Pettit, who lives in Prince Edward County, Ontario, describes his photographs as “emotional equivalents” of his own life; he wants viewers to feel nature rather than simply see it. Drawing inspiration from masters like Minor White, Guy Tal, Eliot Porter and others, he explains how slowing down, working close to home and embracing “border seasons” (those ambiguous weeks between autumn and winter or winter and spring) let him translate subtle landscapes into metaphors for the human condition.

Nina and Rubin meet in Paris and go shooting. Rubin's haiku book is finished and Nina's Duologues book is ready for pre-orders! It's a fun catch up with Welch-Kling!