We break down the biggest comics news and releases before diving into one of the wildest books on the stands right now. American Caper is messy, violent, hilarious, and packed with characters who seem one bad decision away from total collapse and that is exactly what makes it work.

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NEWS

Our Top Books of the Week:

Dave:

Alex:​​

Standout KAPOW moment of the week:

Alex: Super Creepshow #1 (Kieron Gillen, Rossi Gifford)

Dave: Infernal Hulk #5 (Phillip Kennedy Johnson, Kev Walker)

TOP BOOKS FOR NEXT WEEK

JUDGING BY THE COVER JR.

American Caper Interview: Producer & Additional Writing Lazlow, Editor Shelly Bond, and Finishes Chris Anderson

1. Dan Houser described American Caper as being fueled by his fascination with “hypocrites, sociopaths, political idiots, dysfunctional families, and violence.” When you first saw the concept for this story, what immediately stood out to you as something that felt especially relevant to the moment we’re living in?

2. The series pulls together a wild mix of characters. A Mormon hitman, a gambling-addicted lawyer, escaped convicts in love, a billionaire playing cowboy. How did you approach balancing such a large ensemble so the story feels chaotic in a good way rather than overwhelming?

3. Verona, Wyoming feels like a pressure cooker where crime, politics, and personal drama all collide. What was important to you in making this small town feel believable while still allowing it to host such extreme characters and situations?

4. The book leans hard into satire, sometimes feeling like it’s taking shots at every side of the political spectrum. Was there ever a concern about walking that line between satire that provokes thought and satire that might alienate readers?

5. The story’s interconnected crimes and morally gray characters gave me flashes of crime epics like 100 Bullets, where one event ripples across many lives. When building a narrative this tangled, how do you keep track of the cause and effect between characters?

6. Lazlow, your background includes storytelling in massive open-world games like Grand Theft Auto and Red Dead Redemption. Did working on a comic require a different approach to pacing and structure compared to interactive storytelling?

7. (Fun question) If each of you had to survive in Verona, Wyoming for a week, which of these characters would you trust the most to have your back, and which one would you avoid at all costs?