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In honor of NaNoWriMo, this month Fable and the Verbivore are talking about beginnings, middles, and endings.
Spoiler alert! - Today, we're wrapping up this series by talking about story endings, and we’re not holding back from discussing final plot points from some of our favorites. Consider yourself warned.
In our conversation, we cover a lot of ground - talking as both readers and writers. We touch on the common writing advice that good endings are both surprising and inevitable, looking at how Veronica Roth’s ending of the Divergent series exemplified that principle.
We also look at endings that felt out of place or as if they ended at the wrong point - or that felt right but like they’re missing something we’d hoped for as readers. We dive into the satisfaction of a story that mirrors something from the beginning (and possibly midpoint) of the story - showing change, as well as ones that subtly plant seeds and then pay them off. One of of our favorite types of endings are ones that offer some hope for the future, even if the ending isn’t what we’d typically call happy.
Here are a few books whose endings we explore:
Mexican Gothic by Silvia Moreno-Garcia
The Scorpio Races by Maggie Stiefvater
The Hunger Games / Mockingjay by Suzanne Collins
The Wrath and the Dawn / The Rose and the Dagger by Renée Ahdieh
Caraval / Finale by Stephanie Garber
We realize how much an ending can come down to personal preference - as well as author intention and the needs of the story being told. So, one of our key takeaways as writers was how important getting beta reader feedback is to ensure that the ending lands and that there aren’t any setups that you have in your story that don’t pay off - unless you’re doing that on purpose. :-)
We hope you enjoy this episode! Keep reading, writing, and putting your voice out there!
Into the woods,
Fable & The Verbivore