
Sign up to save your podcasts
Or
In this episode of Faculty Spotlight, hosts Mark DeLucas and Lauren K. Wolfe sit down with Jude Webre, cultural historian and practicing musician, to discuss the life and legacy of Dawn Powell, the urbane, acerbic, and woefully undercelebrated “lady wit” of Greenwich Village in its mid-century heyday. Attracted, as many of her generation were, by the allure of bohemia, its promise of liberation and self-realization, Powell exchanged her native midwest environs for an artist’s life in the city. Known, if not unremittingly beloved, by nearly all the literary lights of 1940s New York City—Edmund Wilson, Ernest Hemingway, Diana Trilling, Dorothy Parker, John Dos Passos, e.e. Cummings, and Jean Stafford to name just a few—it is hard to reconcile Powell’s social acumen, bracing wit, and the vitality of her literary output with the obscurity into which her life’s work has fallen in the six decades since her burial in a pauper’s grave. What were the manners, mores, and moods of mid-20th-century American bohemia? And how did Powell both share in and depart from them, both capture and censure them? What is it to follow a moral judgment and an aesthetic conviction, be they ever so slightly out of step with prevailing tastes? And what, finally, accounts for lasting literary fame?
The Podcast for Social Research is produced by Ryan Lentini.
4.1
3232 ratings
In this episode of Faculty Spotlight, hosts Mark DeLucas and Lauren K. Wolfe sit down with Jude Webre, cultural historian and practicing musician, to discuss the life and legacy of Dawn Powell, the urbane, acerbic, and woefully undercelebrated “lady wit” of Greenwich Village in its mid-century heyday. Attracted, as many of her generation were, by the allure of bohemia, its promise of liberation and self-realization, Powell exchanged her native midwest environs for an artist’s life in the city. Known, if not unremittingly beloved, by nearly all the literary lights of 1940s New York City—Edmund Wilson, Ernest Hemingway, Diana Trilling, Dorothy Parker, John Dos Passos, e.e. Cummings, and Jean Stafford to name just a few—it is hard to reconcile Powell’s social acumen, bracing wit, and the vitality of her literary output with the obscurity into which her life’s work has fallen in the six decades since her burial in a pauper’s grave. What were the manners, mores, and moods of mid-20th-century American bohemia? And how did Powell both share in and depart from them, both capture and censure them? What is it to follow a moral judgment and an aesthetic conviction, be they ever so slightly out of step with prevailing tastes? And what, finally, accounts for lasting literary fame?
The Podcast for Social Research is produced by Ryan Lentini.
494 Listeners
143 Listeners
1,432 Listeners
1,552 Listeners
3,270 Listeners
3,878 Listeners
565 Listeners
178 Listeners
537 Listeners
1,961 Listeners
177 Listeners
263 Listeners
230 Listeners
922 Listeners
221 Listeners