Farced Perspective

In this super-sized anniversary analysis, enjoy Anna and Ben's discussion about whether children's entertainment has a duty to be moral, whether Gene WIlder was scripted or unhinged, and whether this film holds up to either scrutiny or our childhood memories. And try not to count how many times Ben says something is "Fascinating..."

For the low, low cost of your entire savings, Ben and Nathan will remove this broadcast containing "sponsored" content by the University of Edinburgh Press, musings on the academic definition of satire, and pointed trivia about Royal societies, all of which could add up to divorce, premature retirement, and criminal proceedings for a company director in Bromsgrove...

Anna and Ben cough, gasp, and wheeze their way through the 1971 Norman Lear satire about a whole town that tries to quit smoking, Cold Turkey. Will they come to a consensus about whether the film unfairly judges the characters or successfully establishes stakes, or will Big Tobacco keep their findings from the light of day?

Anna and Ben venture into the heretofore unknown territory of 1971, and investigate Jules Feiffer's and Alan Arkin's Little Murders. They forensically dissect the romantic power dynamics between Elliot Gould's and Marcia Rodd's characters, but come to very different conclusions about the essence and impact of Donald Sutherland's satirical preacher. If they agree, fine; if they disagree, also fine! He will not put them down for that.

The BBC would like to apologize for the following summary: just for the halibut, Nathan and Ben fish through the episode's many inside references and call-backs, floundering to find a unifying theme. They cod have found something better than this one, but you know what they say: hake it 'til you make it! Reach for the stars and bream big!

Tonight, on "It's the Mind", we examine the phenomenon of déja vu, that strange sensation when it feels like Nathan and Ben have already talked about the possibility of last minute edits, Scottish "racism", the hilarity of explosions, and the world record for balancing eggs before.

Anna and Ben divert somewhat from the traditional format of the podcast and after comparing The Aristocats to its canine antecedents and pondering feline genetic— and financial! — inheritance, they get lost in the weeds of discussing Disney's influence on and responsibility to popular culture. So much so that after the quiz on "catnappings", there was no time left for their five favourite moments!

Anna and Ben convene in a fallout shelter under the Houston Astrodome to discuss the fiftieth anniversary of Robert Altman's dark fable. They discuss whether commercial art can be "High Art", whether fairy tales need to make sense, and the great Marshmallow Test of all our lives.

Anna and Ben receive a mysterious package that sends them on a journey of critical analysis regarding Chuck Jones' animated adaptation of The Phantom Tollbooth. They confer about educational theory, converse about mindless tasks, and chat about wordplay before being subjected to the demon that is the terrible Trivium, um, trivia contest.

Nathan and Ben discuss the increasing public ire the six Python Boys are willing to display about the BBC, whether the existing show was the result of last minute edits, and charm of expecting a running gag. But nobody expects a quiz about the 1963 film Charade and a digression about 1992's tech espionage film Sneakers!  Bwah-ha-ha-haaa!