Over 20 years since its release, Hedwig and the Angry Inch remains as relevant as ever to the politics of the day. A child of division, Hedwig refuses to be caught between categories, instead evading gender description and embracing herself as lovingly as one can. Writer/director/actor John Cameron Mitchell joins moderator Patrice Petro, Dick Wolf Director of the Carsey-Wolf Center, to discuss a post-screening of Hedwig and the Angry Inch. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40922]

Film curators Michelle Baroody and Maggie Hennefeld join moderator Patrice Petro for a discussion of their program “Archives of Anonymous Labor: From Farce to Liberation.” The program juxtaposes five films that about anonymity and labor, from silent films that show the invisible labor of housemaids and film editors to films that highlight the erased labor of decolonial struggle. This program is part of the Carsey-Wolf Center annual conference Anonymous Labor in Film and Media. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40920]

Carol Stabile (Clark Honors College, University of Oregon) joins moderator Patrice Petro for a discussion of “CBS and the 1950s Blacklist,” a program that included an episode of the television sitcom The Goldbergs and William N. Robson’s radio broadcast titled “Open Letter on Race Hatred.” They discuss the history of anti-communist activism in the U.S. and how CBS capitulated to the FBI and its blacklisting campaign. Stabile also outlines how the FBI targeted public intellectuals and artists. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40918]

Filmmaker RaMell Ross discusses "Nickel Boys", his 2024 feature film adaptation of Colson Whitehead’s Pulitzer Prize–winning novel. Directed and co-written by Ross, the film follows two Black teenagers—Elwood (Ethan Herisse) and Turner (Brandon Wilson)—at a brutal reform school in Jim Crow–era Florida, modeled on the real-life Arthur G. Dozier School. Shot entirely in first-person perspective, the film alternates between the boys’ viewpoints to create an immersive, visceral experience. Drawing on his documentary background ("Hale County This Morning, This Evening") and large-format visual style, Ross shares insights into adapting the novel’s moral complexity, crafting the film’s distinctive visual language, and using point-of-view cinematography to deepen viewer empathy and emotional connection. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40545]

Filmmaker Adamu Chan joins UC Santa Barbara’s Althea Wasow for a powerful conversation about "What These Walls Won’t Hold", a documentary he created while incarcerated at San Quentin during the COVID-19 pandemic. The film, which aired nationally on PBS’s "America ReFramed", captures the resilience and activism of incarcerated people and their communities in the face of crisis. Chan shares how filmmaking became a tool for resistance and healing, offering an inside look at life behind bars. This discussion explores the film’s creative process, its social justice impact, and the importance of centering incarcerated voices. It’s an inspiring program about storytelling, humanity, and the power of community—even in the most challenging circumstances. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40540]

The Carsey-Wolf Center welcomes Jeff Bridges and Amy Brenneman, the award-winning stars of The Old Man, for a conversation with director/writer/producer Brad Silberling. Bridges and Brenneman share their creative perspectives on the series’ treatment of aging and discuss other aspects of their unique collaboration. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40544]

The Moon and Back marks the feature‑length directorial debut of UCSB Film & Media Studies alumnus Leah Bleich. The film follows high‑school senior Lydia Gilbert (Isabel May) as she grapples with her father’s death and mounting family challenges. When she discovers a space‑opera screenplay her dad left behind, Lydia assembles a low‑budget crew—armed only with a VHS camera—to bring his story to life. Shot in just nine days on a $50,000 budget through the Six Feet Apart Experiment, the project won “Best Women’s Film” at the 2022 San Diego International Film Festival and screened at numerous festivals. Bleich returns to UCSB for a conversation with moderator Ross Melnick, sharing insights into the making and inspiration behind her heartfelt coming‑of‑age drama. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40543]

In collaboration with the Transnational Italian Studies Program, the Carsey-Wolf Center presents a discussion examining the long history of Black African life in Italy with filmmakers Daphne Di Cinto and Medhin Paolos and UCSB moderator Stephanie Malia Hom. They discuss the short films Il Moro and Asmarina.

Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40541]

Screenwriter and playwright Phyllis Nagy joins moderator Patrice Petro for a discussion of Alfred Hitchcock’s 1951 classic Strangers on a Train. Adapted from Patricia Highsmith’s debut novel, the film follows tennis player Guy Haines (Farley Granger), who meets the charming but disturbed Bruno Anthony (Robert Walker) during a chance encounter on a train. Bruno proposes they “swap” murders—he’ll kill Guy’s wife, and Guy will kill Bruno’s father—eliminating any obvious motive. When Bruno follows through, Guy finds himself caught in a dangerous game of blackmail and suspense. Known for its striking visual style and psychological complexity, Strangers on a Train is celebrated as one of Hitchcock’s most influential thrillers, offering a masterclass in tension and moral ambiguity. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40542]

Nicholas Baer, author of Historical Turns: Weimar Cinema and the Crisis of Historicism, joins moderator and Carsey-Wolf Center Director Patrice Petro for a discussion of Sunrise: A Song of Two Humans. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 40537]