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It takes a genius to play a genius, which is why Kenneth Branagh cast himself as Poirot in his adaptation of the classic Agatha Christie mystery, Murder on the Orient Express. Don't be surprised if you find yourself spontaneously weeping or wracked with uncontrollable spasms of laughter as you watch the legend hunt for clues—that's just the power of Branagh. The slightest furrow of his noble brow can melt the coldest heart and stir the most inert loins. It's hard to find words that do justice to the Great Man and his film (probably the greatest ever made), but we do our best in our review.
We also look at the new Alex Gibney documentary No Stone Unturned, in which he investigates an unsolved massacre in Ireland with the tireless patience and forensic attention to detail of a Kenneth Branagh. Finally, we review The Florida Project, another delightful slice of "pop realism" from Tangerine director Sean Baker—who in my opinion is a Kenneth Branagh in the making.
Plus, we check in with our fave hubristic corporate behemoths, Disney and Amazon. One is making a pointless-sounding TV series, the other has been lashing out unwisely at the LA Times. Listen to find out which is which!!
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THIS week we pour ourselves a nice glass of Chianti and cook some fava beans to enjoy as we give a reappraisal of The Silence of the Lambs. It's generally considered to be a masterpiece but does that FilmChat hivemind agree?
THEN, Danny casts a critical eye over the supernatural coming of age film Thelma by Joaquim Trier. Was he bewitched by the film or did he think it should be drowned in a well? FYI the film is about witchcraft so that the last sentence was a brilliant joke.
AND we give a scorching hot take on Yorgos Lanthimos latest slice of cultural satire/bleak tragicomedy in the form of The Killing of A Sacred Deer. Is Colin Farrell's performance in it better than his iconic turn as Bullseye in Dare Devil? I mean obviously of course not but it's still pretty good.
PLUS we detail Disney's strongarming of cinemas in the build-up to the new Star Wars release, chat about the latest heads to roll in the ever-unfolding sexual harassment scandal and debate whether Antony's Hopkins performance as Odin in the Thor films is the one he'll be most remembered for.
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This week, we review the one millionth Marvel film, Thor: Ragnarok — a breezy, colourful adventure that shows that the studio has finally developed the confidence to include jokes in its movies. We also give our verdict on Luca Guadagnino's sumptuous and incredibly horny drama Call Me By Your Name and Armando Iannucci's The Death of Stalin, which sees the veteran satirist transferring the "sweary bureaucrats" mode of comedy he honed in The Thick of It to Soviet Russia, with bizarre results.
PLUS! We discuss whether Woody Allen's newest project suggests he felt the romantic age gap in his film Manhattan was simply not wide enough, and Mark Wahlberg's inexplicable guilt over starring in by far the best film of his career.
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This week Film Chat sharpened its knives to deliver four career ending eviscerations of four mediocre projects that have the audacity to call themselves "films".
First up Sam takes on The Party, Sally Potter's film about a bunch of middle-class twats bumming about. He didn't like it.
THEN Danny reviews The Meyerowitz Stories, Noah Baumbach's film about a bunch of boring New Yorkers gazing up their own arses. He didn't care for it.
THEN Sam tackles Brawl in Cell Block 99, S. Craig Zahler's film about Vince Vaughn being a righteous white guy doing some murders or something. He despised it.
THEN Sam gets to grips with The Mountain Between Us, Hany Abu-Assad's film about a couple of self-obsessed rich wankers wandering about the wilderness. He thought it was shit.
We also discuss how much we all fancy Colin Farrell.
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As Denis Villeneuve kept saying on the set of Blade Runner 2049: "It's Blade Runner time!" The much-anticipated sci-fi sequel has been hailed as a "cortex-wobbling spectacle of pure hallucinatory craziness" by the Guardian's Peter Bradshaw—but did we deem it worth of such lofty rhetoric or describe it merely as "not bad"? Tune in to find out.
Plus! Sam reviews Sam the lowkey British drama Daphne, we survey the unfolding horror of the Harvey Weinstein sexual assault scandal, and we talk about some Star Wars stuff.
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Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
Hosted on Acast. See acast.com/privacy for more information.
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