Cine Qua Non Screenwriting Lab and an international homage to Alice Guy Blache.

My goal, such as it is for any film festival outside of my daily driving ability, was to find the Registration room, pick up my badge and get the lay of the land.

Tribeca Film Festival is my backyard as a Reel Jersey Girl accessing the most interesting, spine-tingling, and controversial work for the nextfor eleven days.

Twelve years, on New Year's Eve, I put out my first podcast program calling it a tryst for indie film lovers around the film festival circuit worldwide.

Witnessing Jessica Sherr’s one-woman show, Bette Davis Ain’t for Sissies, we concur it’s a firecracker of a show where “you fasten your seatbelts– it’s going to be a bumpy night.”

While most films we've seen at Tribeca Film Festival depend upon a programmer's scheduling to fit with our own, there were several that fit perfectly with the Women in Film lineup that I focus on.

A one-of-a-kind cinematic experience The Public Image is Rotten combining performance and conversation with John Lydon, aka Johnny Rotten, original frontman for the punk rock band, the Sex Pistols.

My crazy as a March Hare month as I recall falling into the rabbit hole a decade ago with Fort Lee Film Commission introducing me to Alice Guy Blache, the first woman filmmaker and the godmother to all women in film.

Strad Style, winner of the 2017 Slamdance Documentary Feature and Audience Award literally knocked us off our feet.

Woodstock Film Festival 2016 Movies & Music on a recent perfect fall weekend in the Catskills. Check out Christina Kotlar and Yuri Turchyn absorbed in the art of conversation sorting through a carefully chosen weekend schedule of award winning films picking out the sounds that underscored the visually beautifully made sights.