Film Method

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Film Method episodes

  • Episode Sixty-Eight: Lessons From Making Your First Feature
    Some people will tell you that you should go to film school if you want to be a filmmaker. Others will tell you that you should use that money to make your first feature instead. Rukmani and Derek decided to do both: they made their first feature while in film school. Listen as they share their experiences and the ups and downs of making a feature and then approaching the film festival circuit.
    Rukmani Bachal- Producer
    At 19, Bachal heeded her intuition and ventured on a path away from a conventional Indian life. A formative trainee-ship emphasized 'plusthought' that became the foundation for the quality of work and applicability of intelligence Bachal sought in every project she undertook. Bachal received tremendous support from her family that was crucial in making the decisions to move base constantly, working in various parts of the Advertising and Film Industry in India and then finally moving to Los Angeles, a step that to her felt like arriving at her core.
    In Los Angeles, Bachal furthered her passion into Producing, seeking out and producing for talented filmmakers, a diverse variety of promising short films, under her production label 'burning ghat cinema'. Bachal's zealous attitude, meticulous professionalism and creative problem-solving have been critical in the making of her films.
    Qualia Movie Website
    Derek LaPorte- Director
    Born in Pensacola, Florida, Derek LaPorte, has written and directed numerous short films, gaining increased technical competence while constantly testing his boundaries as a storyteller. On the verge of enrolling in law school, he decided to move to Los Angeles in 2007 and pursue his vision as a filmmaker, a career fraught with uncertainty albeit one for which he showed much promise.
    He constantly imbibes from the films of Michelangelo Antonioni, Andrei Tarkovsky, Robert Bresson, Bela Tarr and Terrence Malick, renowned names in American and Foreign cinema; filmmakers whose stories and style he considers unshakable. Not unlike his influences, Laporte's films aspire to bring to the fore strong thematic concepts, compelling characters and situations that aim to arrive at the truth and evoke real emotions in the viewer.
    From the austere style of One Note Song to the allegorical plot in The Pitch, LaPorte's films showcase this emerging filmmaker's visionary directing style, keenly attuned sense for perceptive story lines and cinematically appealing compositions.
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process. Before long she had moved from talent agencies to working in casting with such industry leaders as; Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Superbad, The Office).
    During this time Edwards was also able to gain valuable production experience working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers and has since successfully produced 4 feature films as well as co-hosting the Film Method podcast and teaching producing classes at New York Film Academy.
    After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they produced the first ever made-for-internet movie, In the Darkness, which premiered on Hulu.com. Mattoid has recently made the leap to distribution
    48 min
  • Episode Sixty-Seven: Communicating Your Vision
    When you arrive on set that first day, you want to make sure that your creative team has a plan in place. The goal is to take the vision that you've fleshed out and communicate that to your crew to execute the game plan in order to have a successful shoot! DP Geoff Goodloe and Director Ace Underhill join us to talk about their working relationship and also about the importance of having a plan in place before the first day of production.
    Geoff Goodloe- Director of Photography
    Geoff is a DP and Camera Operator from San Diego. While having only been in the business for 5 years, Geoff has worked on hundreds of productions, ranging from music videos and shorts to multi million dollar feature films. He attributes his success to being adaptable, and forging through when others would have walked away. Geoff currently resides in Los Angeles, but his work takes him around the country.
    Geoff's Facebook Page
    Ace Underhill- Director
    Ace Underhill has worked in the film and television industry for over 13 years, blending extensive technical knowledge with an award-winning artistic edge. He founded Brilliant Screen Studios, a full service film & television studio as well as a feature film production company. He has served on the San Diego Filmmakers Board of Directors and was part of the Advisory Group to the San Diego Film Commission. Brilliant Screen also supplies productions of all sizes with crew, consultation, and equipment. Brilliant Screen Studios
    Ace's Facebook Page
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process. Before long she had moved from talent agencies to working in casting with such industry leaders as; Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Superbad, The Office).
    During this time Edwards was also able to gain valuable production experience working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers and has since successfully produced 4 feature films as well as co-hosting the Film Method podcast and teaching producing classes at New York Film Academy.
    After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they produced the first ever made-for-internet movie, In the Darkness, which premiered on Hulu.com. Mattoid has recently made the leap to distribution, where they have acquired three feature documentaries to be released in 2011. The first, Adopting Haiti premiered as the #1 documentary on Hulu.com.
    Aside from continuing to work at Mattoid, Jenna is busy working on budgets for several independent films, producing 2 feature films and developing projects for television as well as teaching producing at New York Film Academy.
    Mattoid Entertainment Website
    Producing Sunflowers Website
    56 min
  • Episode Sixty-Six: Bank On It
    The second episode of our season about production, highlights a very important element in starting production, the money. Executive Producer Tony Boldi stops by to share some of his experiences with us and to explain the pros and cons of starting production without all the money in the bank.
    Tony Boldi- Executive Producer
    Tony has completed over 500 plus projects from acting to producing since moving to Southern California back in 1996. He is the project manager for a television series which is based on an Academy Award accredited feature film from his current distribution company.
    Tony is one of the owners of a very successful acting school in Hollywood (BCC: Boldi/Cardwell-Classes for the serious actor) with his business partner Steve Cardwell from his former acting school where he just received his PhD.
    Tony has drummed with, performed with and been the DJ to countless celebrities over his career and was even the Key Art Awards Stage Director at the famous Kodak Theatre where they hold the Academy Awards each year. He was the casting director as well as the drummer for the Armenian Grammy Award Winning Best Music Video of the Year Ashoon starring SAKO.
    Tony just recently finished writing two of his own original screen plays entitled Humble Pie and The Ultimate Chess Move which are both due out sometime in the near future.
    Jenna Edwards- Producer/Co-Host
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    59 min
  • Episode Sixty-Five: The First Day of Production
    Kicking off Season 3: Production is producing/directing team Chris Uettwiller and Tom Vaughan who recently finished their feature film, Playing House, which is Tom's directorial debut. Tom and Chris talk about the first day on set and the value of having solid pre-production. They also discuss their 7-year partnership and how that helped them to have a successful shoot.
    Tom Vaughan- Writer/Director
    Tom Vaughan studied at the University of Houston with Broadway legend Jose Quintero and three-time Pulitzer Prize winner Edward Albee. It was his work as a writer and director in Houston theatre that got him recognized by Hollywood. He was soon writing screenplays for, among others, Phoenix Pictures, Spelling Films, Rysher Entertainment, TNT, MTV Films, Castle Rock Entertainment, Sony Pictures, Disney and Warner Brothers.
    His productions as a writer include Blackout with Jane Seymour for CBS, and Critical Assembly with Katherine Heigl (Grey's Anatomy, Knocked Up) for NBC. He served as writer as well as Co-Producer on Atomic Twister with Sharon Lawrence and Dead in a Heartbeat with Penelope Anne Miller and Judge Reinhold, both for TBS. His feature film debut was Unstoppable, starring Wesley Snipes. His script, Bronwyn and Clyde, which he co-wrote with Kristy Dobkin, was recently set-up at Essential Entertainment. UV Pictures, his partnership with Chris Uettwiller, is producing with Dolly Hall. It is targeted for a $30 million production and Tom is fighting hard to have it filmed in Houston.
    Playing House, written with Ms. Dobkin, is his feature film directorial debut. They most recently wrote Hallelujah together, the English language debut for acclaimed Japanese director Kazuika Kiriya (Casshern, Goemon).
    Since returning to Houston he has dedicated himself to small organizations aimed at expanding Houston's theatre and film community. He has been teaching screenwriting for nine years and finds it as gratifying as actually practicing it.
    Chris Uettwiller- Producer
    Chris Uettwiller started his entertainment career in 1992 under the direction of acclaimed independent producer Dolly Hall. After working in a variety of production positions, he moved on to co-create and write Showtime's Twisted Puppet Theatre, and the award winning comedy series Chop Suey TV for USA Network. Chris again teamed up with Hall in 1998 at GreeneStreet Films, serving as Head of Production and R&D for the Digital Film Division. His division's first film was Griffin Dunne's Lisa Picard is Famous, which competed at the Cannes Film Festival. Subsequent films included Jessie Peretz' Inherited Chateau staring Paul Rudd, and Fisher Steven's directorial debut Just a Kiss.
    In 2000 Chris moved to Los Angeles to help start the Visual Effects/Production outfit The Orphanage where he served as Head of Production and Development. By the time Chris decided to make a move back to independent producing The Orphanage had grown to over 250 full time employees. It was then that UV Pictures was formed with Tom Vaughan.
    In 2004, Chris produced Elton John's The Red Piano (currently running in Las Vegas) and several music videos and commercials for acclaimed photographer/director David LaChapelle. In 2006 he was executive producer on the sports/reality series Guide House: Montauk, which aired on ESPN. He also serves as Creative Director and Executive Producer for several of RedBull North America's brand building events including Dragster Day, Flugtag and Billy Cart. His next project Bronwyn and Clyde, producing along with Dolly Hall, written by Vaughan and Dobkin will be financed by Essential Pictures.
    Jenna Edwards- Producer/Co-Host
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two yea
    1 hr 1 min
  • Episode Sixty-Four: A History of Distribution Part 2
    What better way to learn about distribution then from someone who oversaw distribution and marketing at Paramount, one of the most prestigious studios in the world. Barry London headed up marketing campaigns for some of the largest films of the 80's and 90's including Raiders of the Lost Ark, Fatal Attraction, and Forrest Gump. Barry sits down with us for a two part series and shares his experiences working at Paramount in various positions including Vice Chairman of Distribution.
    Barry London- Former Vice Chairman of Distribution at Paramount
    Barry London started at Paramount in distribution in 1971. He was promoted to salesman in the Los Angeles Branch in 1972 and then transferred to Kansas City in 1973 as Kansas City/St. Louis Manager. In 1981, Barry was transferred to Los Angeles as Vice President Western Division, overseeing the six western branches and in 1983 he was transferred to New York as Vice President, General Sales Manager, overseeing all distribution activities in the U.S. and Canada. Barry was promoted to President, Distribution, overseeing all distribution functions worldwide in 1984 and in 1985 he was promoted to President, Distribution and Marketing, adding marketing responsibilities, worldwide. In 1988 Barry was named President, Motion Picture Group, overseeing all distribution, marketing, video and pay TV operations, worldwide and in 1993 he was named Vice Chairman, Motion Picture Group. London left the executive position at Paramount in 1998 and took a production job there for two years. After he left Paramount he became Chairman and CEO of startup Destination Films. He left Destination Films in 1993 and has been consulting since. Some of the films Barry was involved in at Paramount were the Star Trek movies, the Indiana Jones movies, Top Gun, Fatal Attraction, The Addams Family, Beverly Hills Cop, Ghost, The Hunt for Red October, Patriot Games , Clear and Present Danger, Forrest Gump, and The Untouchables.
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    46 min
  • Episode Sixty-Three: A History of Distribution Part 1
    What better way to learn about distribution then from someone who oversaw distribution and marketing at Paramount, one of the most prestigious studios in the world. Barry London headed up marketing campaigns for some of the largest films of the 80's and 90's including Raiders of the Lost Ark, Fatal Attraction, and Forrest Gump. Barry sits down with us for a two part series and shares his experiences working at Paramount in various positions including Vice Chairman of Distribution.
    Barry London- Former Vice Chairman of Distribution at Paramount
    Barry London started at Paramount in distribution in 1971. He was promoted to salesman in the Los Angeles Branch in 1972 and then transferred to Kansas City in 1973 as Kansas City/St. Louis Manager. In 1981, Barry was transferred to Los Angeles as Vice President Western Division, overseeing the six western branches and in 1983 he was transferred to New York as Vice President, General Sales Manager, overseeing all distribution activities in the U.S. and Canada. Barry was promoted to President, Distribution, overseeing all distribution functions worldwide in 1984 and in 1985 he was promoted to President, Distribution and Marketing, adding marketing responsibilities, worldwide. In 1988 Barry was named President, Motion Picture Group, overseeing all distribution, marketing, video and pay TV operations, worldwide and in 1993 he was named Vice Chairman, Motion Picture Group. London left the executive position at Paramount in 1998 and took a production job there for two years. After he left Paramount he became Chairman and CEO of startup Destination Films. He left Destination Films in 1993 and has been consulting since. Some of the films Barry was involved in at Paramount were the Star Trek movies, the Indiana Jones movies, Top Gun, Fatal Attraction, The Addams Family, Beverly Hills Cop, Ghost, The Hunt for Red October, Patriot Games , Clear and Present Danger, Forrest Gump, and The Untouchables.
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    Mattoid Website
    40 min
  • Episode Sixty-Two: Distribution and Film Festivals
    We continue our month of episodes about distribution and celebrate the season of Sundance that is upon us as we speak to former Sundance short film programmer Roberta Munroe. As a festival programmer Roberta viewed tens of thousands of short films and has seen the best of the best and the worst of the worst. It is important as a filmmaker to know how to make a good film and to know your audience. It is equally as important to know what not to do! Join us for a candid talk about what festival programmers are looking for in a film.
    Roberta Munroe- Filmmaker/Author/Consultant
    Roberta Munroe is the author of How Not To Make A Short Film: Secrets From A Sundance Programmer- described as the "bible" for short filmmakers. Roberta packed this "bible" with insider tips gleaned from 5 years programming short films at Sundance, interviewing successful short filmmakers worldwide and sharing the horrors and the brilliance of her own award winning short filmmaking career.
    www.robertamunroe.com
    You can contact Roberta directly at [email protected]
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    Mattoid Website
    Aydrea ten Bosch- Writer/Producer
    Aydrea, a former news reporter, has been a freelance writer for Nickelodeon and Hawaii Film Partners, a staff writer for Disney and currently has a feature film in post production with Highlander Films. Aydrea has been a finalist in the AAA Creative Screenwriting Contest and while at Disney, one of her scripts was chosen to represent the network before the Emmy Nominating Committee. She also runs the blog The Oreo Experience.
    For more information about Aydrea or to contact her please visit her website at www.theoreoexperience.com
    White on the Inside Christmas Video
    1 hr
  • Episode Sixty-One: Digital Distribution and You
    Are you currently producing a feature film or have you recently finished production on one? Do you have big plans to sell it to a studio for a big payday or even, *gulp*, planning on sending it to Sundance? Those are both fantastic goals, but what is the likelihood of a big studio exec coming along and writing you a 6 figure check for your film or actually getting your film into Sundance? In the current climate it's becoming more and more unlikely that you and your film will take either path. Distribution expert Jason Brubaker from Filmmaking Stuff joins us to kick off our month of shows dedicated to the topic of distribution. Jason and guest hosts Jenna Edwards and Aydrea ten Bosch sit down to talk about the highs and lows that come with digitally distributing your content. Jason is also our guest blogger of the month and has graced us with his wisdom in the article "How to Sell Your Movie Checklist" on the Film Method site.
    Jason Brubaker- Producer/Author
    Jason Brubaker is a Hollywood based Independent Motion Picture Producer and an expert in Video On Demand distribution. He is focused on helping YOU make, market and sell movies more easily by growing your fan base, building buzz and creating community around your title.
    Jason is a contributing author of The Independent's Guide to Film Distributors, he is the founder of Filmmaking Stuff, a professional resource for independent filmmakers, and his articles on independent movie marketing, distribution and film production have been featured in The Independent, the New York Film Academy and Movie Maker Magazine.
    Brubaker has has lectured on these subjects to filmmakers from around the globe through various filmmaking seminars, panel discussions and workshops. www.freefilmmakingbook.com
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    Mattoid Website
    Aydrea ten Bosch- Writer/Producer
    Aydrea, a former news reporter, has been a freelance writer for Nickelodeon and Hawaii Film Partners, a staff writer for Disney and currently has a feature film in post production with Highlander Films. Aydrea has been a finalist in the AAA Creative Screenwriting Contest and while at Disney, one of her scripts was chosen to represent the network before the Emmy Nominating Committee. She also runs the blog The Oreo Experience.
    For more information about Aydrea or to contact her please visit her website at www.theoreoexperience.com
    White on...
    59 min
  • Episode Sixty: Pre-Production in a Nutshell
    You thought this day would never come, but it's here! The release of the last episode of our Pre-Production Season! For this episode we recap the previous season in all of its glory. Producers Jenna Edwards, Aydrea ten Bosch, and John Paul Rice join me to revisit the season and discuss just how important pre-production is and how to lay the best plans to make your film a success!
    Aydrea ten Bosch- Writer/Producer
    Aydrea, a former news reporter, has been a freelance writer for Nickelodeon and Hawaii Film Partners, a staff writer for Disney and currently has a feature film in post production with Highlander Films. Aydrea has been a finalist in the AAA Creative Screenwriting Contest and while at Disney, one of her scripts was chosen to represent the network before the Emmy Nominating Committee. She also runs the blog The Oreo Experience.
    For more information about Aydrea or to contact her please visit her website at www.theoreoexperience.com
    Jenna Edwards- Producer
    Jenna Edwards began her film career in Minnesota where she was signed on as talent with Easter Hailey. Quickly after being signed Edwards was hired by the agency as a full time employee giving her a head-start on her Hollywood education. After two years of rising through the Minnesota film community Edwards made the move to Los Angeles.
    Soon after Edwards moved to Los Angeles she was hired by Agent Jamie Ferrar. It was while Edwards was working for Ferrar that she developed an interest in the casting process, before long she had moved from talent agencies to working in casting with such industry leaders as Sally Steiner (Fresh Prince of Bel Air, Boy Meets World), Barbie Block (Jonas, Pepper Dennis) and Allison Jones (Super Bad, The Office). During this time Edwards was also able to gain valuable production experience working on shows such as Buffy the Vampire Slayer, Malcolm in the Middle, and working with studios like Disney, MTV, FOX and CBS.
    After several years of successfully navigating her career through the Hollywood studio system Edwards made the leap to independent film with her first feature April Showers. After her success with April Showers Edwards formed Mattoid Entertainment with partners Jeremy McGovern and Andrew Robinson where they made, In the Darkness, the first narrative feature to ever premiere on Hulu.com. Most recently Edwards made her way back to Nebraska, where she shot April Showers, to team up with some new filmmakers on a comedy film called Trunk'd.
    Mattoid Website
    John Paul Rice- Producer
    John Paul Rice attended Georgia State University in 1997 with a focus on Business. In 1999, while at college, Mr. Rice was given a rare opportunity to work on Jerry Bruckheimer's Remember the Titans. After working almost three months on the film, John returned to school and directed his studies toward learning the history of cinema. He moved to Los Angeles in January 2001 to pursue a career in film production. By mid 2001, John landed a position at the Los Angeles division of the German distribution company Senator International (which later became Mandate Pictures) lead by industry veteran Joseph Drake (Juno, The Grudge, Harold and Kumar Go to White Castle, 30 Days of Night, American Psycho). Under Joe's mentoring, John developed an interest and dedication to producing feature films. John left Mandate in the fall of 2005 to form No Restrictions Entertainment LLC with filmmaker Edgar Michael Bravo. In 2008, John produced his first feature One Hour Fantasy Girl with Edgar Michael Bravo directing, Levi Obery co-producing. In 2009, the team produced formed a new production entity, Bravo-Obery-Rice Productions, producing their second feature film now in post production, (psychological thriller) The Magic Stone, a journey into the mind of a homeless man who is trying to stay connected with reality as he struggles to protect a runaway boy and a girl he loves. John ...
    1 hr 13 min
  • Episode Fifty-Nine: S3LA Event with Film Method Part 2
    On November 11th, 2010 Film Method and Mental Eclectic held their first joint Shorts 'N Spirits Showcase together. The event featured many different web series and shorts and included industry speakers as well. Film Method was there to capture it! This is part two of the interviews we conducted at the event with filmmakers Tom Konkle and Thor Melsted from the short film Destiny's Stop, director Doug Cwiak and the cast of The Unemployment of Danny London and actor and artist Alexander Polinsky who was one of the speakers at the event.
    Tom Konkle- Actor/Writer/Producer
    Tom is apart of an acting and writing team with David Beeler, often performing as a British sketch duo in shows Good Night and Double Act. They are currently developing and writing several television series and download-able content and mobile TV through their company Pith-e Productions. Tom was the founder of the infamous sketch troupe, McFwap. He also writes comic short films with Gino C. Vianelli.
    Recently partnered with John Cleese as a performing team on a sketch comedy TV special. Developed three television series pilots with Beeler as well as two series with Brittney Powell.
    www.daveandtom.com
    Thor Melsted- Filmmaker
    Thor was born in Iceland, where he lived until age 24, at which point he moved to LA and went to film school and eventually earned a degree in Cinema. He has worked on several projects, doing visual effects for multiple projects, including one feature film. He met David Beeler and Tom Konkle in 2003 when he worked on their short film, Secret to Happiness is a Bad Memory. He became fast friends with the comedy duo, and has been associated with the "Dave and Tom" team in one way or another since then. Mostly behind the scenes in various roles, but ventured in front of the camera once as a Viking opposite Tom Konkle's time traveling documentarian. The surreal western Destiny's Stop is the first Dave and Tom project Thor has directed.
    www.thormelsted.com
    Doug Cwiak- Producer/Director
    Originally from Chicago, Illinois, Doug went to college at the University Of California, Los Angeles and received his bachelor's degree in Film and Television. His short film, The Beginning of December (2008), premiered at the GIAA Film Festival in New York and went on to play at 7 other film festivals. He has been professionally involved in the industry since 2000, working on projects in capacities including writer, director, director of photography, producer, and editor. He owns Industrial Media Arts a production/post-production company.
    www.dannylondon.com
    Alexander Polinsky- Actor/Writer/Producer
    Alexander has been a working actor in Hollywood for 27 years. As the youngest actor on the set of Charles in Charge (1987), Alex often found himself with nothing to do between takes. As a result he got into arts and crafts and just kept going with it. When the series ended, he got a job making movie-prop collectibles such as replicas of the mask worn by Jim Carrey in The Mask (1994). He trained to be a master mold maker with a special-effects company.
    In addition to teaching acting and voiceover Alexander is also a songwriter. He'd also like you to know that, "I make art for fun, I'm never bored, have a terrier, and I love Kombucha Tea!"
    AlexanderPolinsky.com
    www.avatarism.org
    29 min

About Film Method

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Have you ever wanted to make your own film, but you are not sure where to start? Film Method is the podcast that will take you through the nuts and bolts of independent filmmaking. In a roundtable…