Audio-interview with Elsa Kremser and Levin Peter on their film «Space Dogs», realised by Giuseppe Di Salvatore at the Locarno Film Festival 2019 - concept and editing by Ruth Baettig.

An essay by Giuseppe Di Salvatore on Béla Tarr's art of cinema, read by Julian Laybourne and edited by Jorge Cadena.

[...] What seems to me very particular in experiencing his films is not that we experience a sort of half-immersion half-distance regarding the moving images on the screen, but that he is able to intensify the feelings of both immersion and distance at the same time.

Audio interview with William Kentridge, realised by Giuseppe Di Salvatore in occasion of his exhibition at the Kunstmuseum Basel in 2019 and edited by Ruth Baettig. Music excerpts: (C) William Kentridge.

An exceptional podcast with a generous artist!

A critical text by Giuseppe Di Salvatore on RaMell Ross' film «Hale County This Morning, This Evening», read by Julian Laybourne and edited by Jorge Cadena.

[...] The incredible density of the film depends on the pulsating editing – which willingly plays with purely visual associations – but also on the photographic approach to almost every frame.

A critical text by Laura Davis on Petra Costa's film «Elena», read by Amy Lombardi and edited by Lena von Tscharner.

[...] The filmmaker embodies and thereby reanimates Elena. It is in this way her camera enables us access to reality without entirely carving out the insides of the first person...

A critical text by Giuseppe Di Salvatore on Wang Xiaoshuai's film «So Long, My Son», read by Amy Lombardi and edited by Jorge Cadena.

[...] The epic tonality of the tale does not find its accomplishment in glory or victory, but in piety. In its exclamative climax we feel the breath of humanism.

Two critical texts by Jorge Yglesias and Giuseppe Di Salvatore on Sergei Loznitsa's film «State Funeral», read by Amy Lombardi and edited by Lena von Tscharner.

[...] Turning propaganda material in a work of art, he demolishes the ideology that pervades the documents he´s dealing with.

Audio-Interview with Andrei Cohn on his film Arest at the festival Black Movie Geneva 2020, realised by Giuseppe Di Salvatore, edited by Ruth Baettig.

Here is the very exciting interview with Andrei Cohn on confrontation with the past, the normality of evil, the function of his particular way of editing, the shooting set, and the consequences of this film on the audience.

Discussion with Apichatpong Weerasethakul at the HEAD Cinéma in Geneva - November 2016 - edited by Ruth Baettig.