The longest, but possibly the most interesting episode of all 6 seasons! Gregg Hale shares stories from getting “The Blair Witch Project” funded and picked up at Sundance (later earning hundreds of millions$) and also for the first time reveals plans for his next big project “Emerald Anvil”!

Scott duPont interviews filmmaker Mark Mosrie on how he and his team quickly changed course when Covid started. They successfully funded their movie and even came in under budget.

Host Scott duPont stresses the importance of adding one or two veteran producers to your project (and the business plan) which will help attract more potential investors.

Scott duPont shares a new solution for the “chicken & egg” syndrome. How do you come up with the initial seed money (development funds) to get your project 100% ready to share with investors, if you have no money to start with?

Scott duPont explains why if you don’t get this mindset right from the beginning (believing you don’t know anyone who could invest in your movie), you’ll likely never get funded!

Host Scott duPont shares specific reasons why these types of investors and capital investor groups are usually not a good fit for indie films.

Host Scott duPont shares a few stats he has studied over the years to help filmmaker focus more on what gets results and what things NOT to do that won’t help your project get financed.

Filmmaker Jack Cook reveals how he’s releasing “The Private Eye” to theaters and shares a little about his next two projects that he’s putting together now.

Filmmaker Jack Cook goes into detail about how he cut the budget down to about $1M and then raised the money to shoot his dream project “The Private Eye” during the pandemic.

Host Scott duPont shares a specific example of how showing a script to potential investors (or actual investors in this case) is a terrible idea!