First Online With Fran

I came to New York to meet people I read about in college like Joe Chaiken and Judith Malina, and I met them! I took workshops with Joe Chaiken, and he was very encouraging, and so how could I NOT stick with it if Joe Chaiken thinks I'm doing okay? It was a dream come true. ~Alyssa Simon

Alyssa Simon is an award-winning theatre and film actor, who has performed modern works, classics, cabarets and musicals in the U.S., U.K., Argentina and the Caribbean. She was selected as A Person Of The Year by Martin Denton of nytheatre.com for her acting work and she was also a Master Mason at the Caffe Cino award winning Brick Theatre.

Alot of the reasons why the male/female -- the binary, in general, was for men specifically like white men and colonizers, to assert dominance and control over people who were lesser than them or predominantly women and women of color is that they could marry them, own them, and enslave them. So, these containers were a sort of act of violence on people; that being said, claiming and reclaiming the labels can be an act of liberation.  ~Reid Pope

Reid Pope (they/them) is a comedian, playwright, and Jew (despite the ironic last name) who’s been featured in PAPER, Vulture, and Boys With Plants Magazine. They do stand-up around NYC and serve as the Head Writer and Executive Producer of Late Stage Live: a trans-led monthly late-night comedy news show on Brooklyn public access.

Theater is both a spiritual healing and emotional healing and even physical healing for me, and it's been my raison d'etre for most of my life, and that's been problematic, at times, because...as a professional actor there are going to be times when you're not engaged or employed in my chosen profession, but I still go back to the theater to look for sustenance, inspiration, community --all those imperatives that I cannot find anywhere else to date. 

Steven Hauck actor/playwright recently made his directorial debut with TOMORROW WE LOVE (co-author Jeffrey Vause) at the Chain Theater in New York. He directed that production, as well as plays and musicals at Newstage Theatre, Dixon Place, Theater for the New City, Geva Theater and the Red Barn Playhouse.

The theater is essential to the health of a nation - of any democracy. And perhaps we are so impoverished right now is because of our inability to communicate with each other and see anyone else's point of view other than our own is that we are theater starved. This is where one gets the whole package of the humanist code is in the theater. This is where the big ideas of the day are truly debated, and this has been going on since the Greeks! 



Emily Mann is a playwright, screenwriter, director, mentor, and McCarter Theater’s Artistic Director and Resident Playwright Emerita, dedicated to creating and supporting theater that impels conversation, debate, and empathy in an increasingly polarized world.

Harriet Tubman knows how to relate to the different groups because Harriet doesn't 'see' people like [cultural entities]; my audience is seen as humans, a beautiful mélange of people that are just there -- all together -- breathing in sync. ~Christine Dixon

Chris Dixon has been directing, producing, booking, and starring in the award-winning, one woman show Harriet Tubman Herself. This production first got its start with a grant from Staten Island Arts. She belongs to SAG-AFTRA, Arts Ignite, The African American Women in Cinema, The New York Women in Film & Television.

I believe that [National Women's History month] is about women and social change. Leaders of change reside with women.

Ellen W. Kaplan is Professor Emerita of acting and directing at Smith, a Fulbright Scholar in Costa Rica, Fulbright Senior Specialist in Pakistan, Romania and Hong Kong, an actress, director and playwright. Ellen works extensively with underserved and at-risk communities, including Arts in Special Education in Pennsylvania; Young Playwrights Festival; pre-GED literacy training; with women in prison, and death row inmates.

Theatre Responds to Social Trauma: Chasing the Demons. ed. Kaplan, Ellen W. (Routledge, 2024)

I would like to believe I attract heart-centered individuals to work with. I create a sense of safety in the rooms, empowerment and we are in service of the text. I pick plays that are going to take us on a journey that we all want to go on; that we're all going to leave a little bit better; that we're going to share with our audience, and we're all going to leave the experience a little bit better than when we came. That's my hope. ~ Janet Mitchko

Janet Mitchko is the Artistic Director at The Public Theatre, an Equity theatre located in Lewiston, Maine. She considers herself lucky to have spent most of her life earning a living in the theatre. Executive/Co-Artistic Director Christopher Schario will be retiring at the end of this season and her title has been changed from Co-Artistic Director to sole Artistic Director of The Public Theatre. An Executive Director has been hired as we pursue a new leadership model.

Losing or winning an argument is not just a zero-sum game. Working together, collaborating is something that you have to learn. The most important part is not you getting all you want all the time, but learning how to feel satisfaction, even if your collaborator talks you into something else. How to find satisfaction within that and helping them to do the same thing. This seems esoteric, but you know something, it's not. And I think that is something we've lost...and something that the world of The Arts could teach our public discourse.  

Robert Viagas is an author and historian specializing in theatre. He was an editor at Playbill for 24 years, during which time he created Playbill.com, the theatre news service that’s now the standard source in our industry.

"Art is ageless. There is no number on Art. As long as your heart is in it, you can do it. And that's a fantastic thing because very often we do put age limits on things, and we put age limits on PEOPLE, and I don't think that's necessarily so. I think these people are teaching us that it's absolutely possible."

ADRIENNE D. WILLIAMS is New York based actor, director, educator, and storyteller. She is an Artistic Associate at the Martha’s Vineyard Playhouse, and a member of The Honor Roll, The Bechdel Group and the Rattlestick Theatre Community. And holds an MFA in Acting from Binghamton University. 

"Artivism is a combination of Art and Activism. I wrote about Bayard Rustin who served as the right hand of Dr. Martin Luther King, Jr. for many years. He was a gay Quaker from Pennsylvania and a black man who was instrumental in organizing the March On Washington. Many had issues with Bayard working with Dr. King due to his sexuality. However, it was Bayard's influence that brought celebrities, politicians, and the like to support The March on Washington. Bayard was an amazing singer who combined his art and activism to change the world. Hence, the title The Artivist for my One-Man show."



Carla Debbie Alleyne is a playwright, screenwriter, and director who received her B.F.A. and M.F.A. in Film and Television and Dramatic Writing from New York University. Carla's play Hey, Little Walter was produced Off-Broadway at Playwright's Horizon as part of the Young Playwrights Festival when she was 16 years old.