MON TAXI (2026), which premiered at the 2026 Tribeca Film Festival, is a "love letter to the filmmaker's dad." Architect + filmmaker Meriem Sakrouhi created a film that is part New York, part Moroccan, and altogether touching cinema, and we talk about how she did it for the podcast.
Along with directing, she edited and produced the first Moroccan entry at Tribeca in 20 years. Given that she pitched a project at Cannes Docs this year and beautifully describes what Moroccan influence looks like, we shouldn't have to wait that long for another.
In this episode, Meriem and I discuss:
why Tribeca for this particular film;
growing up in Morocco and how she got involved in filmmaking;
how architecture informs her filmmaking;
how she describes MON TAXI and what she wants viewers to feel -- "the film is about communication about my dad after he passed";
editing, producing, shooting the film -- how did she make it all work?
what is the Moroccan influence on the film?
what's next for her and what she pitched at Cannes Docs.
Meriem's Indie Film Highlight: BOUCHRA (2025) dir. by Orian Barki; Meriem Bennani
Links:
Follow Meriem On Instagram
MON TAXI Website