
Sign up to save your podcasts
Or


Shawn and Gregory chat about the newest novel in the Jackson Gamble PI series set in Nashville, how Nashville is a great place to visit and set a series in, winning the Shamus Award then judging the Shamus Award, having enough time to read, hate mail, and never giving up.
Shawn and Clementine chat about her debut novel, the feeling of excited dread, coming-of-age love stories, writing stories we want to read, why everyone is so raw, and their fascination with both poetry and apples.
Shawn and Marlie chat about fires, old New York, the richer and poorer classes living together in the city, how people react in emergencies, and how there can be several truths true at the same time.
Shawn and Mary chat about East and West Coast living, keeping a series fresh, building characters, cozy vs. detective fiction and related body counts, being busy women, and collaborating on a short story together.
Shawn and Joe chat about perseverance in writing, getting through the hard times, living with no regrets, Ted Baxter, making up stories about strangers on the street, putting words in the bank, meeting Julia Child and having a child in Hollywood, dealing with the writers' strike and oddball projects.
Shawn and Alan chat about his new novel SANCTUARY MOTEL, life in Florida, police ride-alongs, Fish Kitchen, off-brand motels, upcoming anthology projects, and their mutual love of Stephen King.
Shawn and Rachel chat about uncovering our origins, library borrowing limits, spending time with writers, MFA programs, and being a teacher of creative writing.
Shawn and Matt discuss Siskel and Ebert and Matt's new book about the legendary film critics and their impact on movie watching through the years.
Shawn and Edward chat about books and art, finding inspiration during the pandemic, Edward creating a drawing a day, theater and politics.
ABOUT THE AUTHOR:
ABOUT THE BOOK:
The witty and entrancing story of a young woman trapped in a ramshackle English playhouse—and the mysterious figure who threatens the theater’s very survival.
From the publisher's feed