On this week's episode of The Culture Journalist, we talk about collab houses: The McMansion-sized influencer incubators where young social media celebrities shack up to shoot TikTok videos, churn out brand deliverables, and generally lead glamorous lives for the sake of turning those experiences into content. 

Just when we thought we couldn’t read another take on the phenomenon, a contributing editor for Harper's named Barrett Swanson dropped a mammoth work of culture journalism about these Black Mirror-esque abodes. “The Anxiety of Influencers: Educating the TikTok Generation” transports readers to a wildfire-engulfed Los Angeles, where he spends five days shadowing a crew of "well-complected," college-aged collab house residents as they seek fame and fortune in the wilds of the American influencer industry. 

Barrett's is the best piece we've read about the phenomenon—and not just because of its pitch-perfect detailing of a world where your every word, White Claw bender, and Macarena-simple dance move becomes a vector for hundreds of thousands of views. More than a work of cultural anthropology, it's a searing indictment of for-profit social media, one that connects the worlds of influencing, higher education, and journalism to excavate the existential anguish we all face as we negotiate how much of ourselves we want to share with the world. That is, to the extent that it is even possible to conceive of a self at all beyond the one we project for others online: Though "the angle of our pose may be different," he writes, "all of us bow unfailingly at the altar of the algorithm."

Join us for a conversation about life in a TikTok mansion, navigating a world that asks us "to create [ourselves] in full view of the public," and Barrett's new book of essays, Lost in Summerland. Much like the piece, it’s an exploration of the collapse of the grand narrative in American culture and the bizarre fascinations and ideologies that are sweeping society in its wake. 

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