The time has come. We've put the pens down (salute Aaron Sorkin) and our lists are ready to be unveiled. What surprises do the boys have up their sleeves? Who will experience instant regret after finalizing their list? Plus: what do picks 6-10 say about us?

We're playing catch up as we prepare to drop our top five lists of 2023. Sofia Coppola's PRISCILLA - a win for nepo babies everywhere? What's up with A24's Oscar campaign efforts this year? How does the story handle the fuzziness of the relationship dynamic? Plus: a long debate on Jacob Elordi and his movie star status.

We have never been so back. After our holiday break, we're reconnecting with an OG favorite trilogy. What unique flavors do the two directors bring to the trilogy? Have we re-evaluated our love for these movies after all these years? Plus: how does Bourne use the random citizens around him to his advantage, and how should that make us feel?

Merry Christmas and Happy New Year! Let's ring in the holidays with one of the year's most celebrated films, Todd Haynes' MAY DECEMBER. Which performance moved us the most? How do we parse the comedy versus tragedy classification? Plus: what *exactly* is Todd Haynes trying to say about our culture?

Merry Christmas, you philistines: Alexander Payne's THE HOLDOVERS charmed the socks off us. What are Giamatti's Oscar chances? How the hell was this shot on digital? Plus: a number of tangents ranging from Michael Mann to Jason Schwartzman.

Before the holidays and awards season kick into gear, we are taking a step back and recommending some movies, books, music, and recipes we've discovered.

Jed's roasted chicken thighs and radishes recipe: https://cafehailee.com/recipes/roasted-chicken-thighs-and-radishes/

This year, we are thankful for David Fincher. We dive into the self-parodic (or self-serious?) Fassbender voiceover. Is there such thing as too many Smiths needle drops? Plus: are we one of the many, or one of the few?

Can you find the wolves in this podcast? Scorsese has given us another masterpiece. We try to discern some of the impressionistic scenes and visuals. The emotional beats of this movie are almost too much to handle. Plus: do we have any career best performances here?

We apply stringent deductive reasoning and logical examination to our GUY Kenneth Branagh's latest detective story. Are we finally figuring out Branagh's casting choices? Did Jed get too spooked from this Halloween tale? Plus: who should be in the next Poirot tale?