Anatole Litvak was a Russian Jewish writer in the avant-garde theater of the early revolutionary period in the Soviet Union, eventually getting involved in the film industry there. He slipped out of the country in 1925, it’s not clear exactly how, and ended up directing films at UFA, the big German studio that was the home of Fritz Lang, F.W. Murnau and many others. He made a few films that were hits there, but when Hitler came to power in 1933, Litvak fled to Paris, where he enjoyed a moderate success for awhile. Then in 1936 he directed the film…

Two recent films explore new styles and meanings in the horror genre. I think it’s significant that in our current historical moment the most prevalent film genre is horror. It might have something to do with the scariest stuff these days not being in movies, but in the news. Well, there are plenty of routine formulaic horror films, but horror is also attracting new artists that have more on their minds than just saying “Boo!” Many horror films employ supernatural elements, like black magic or demonology. Weapons, written and directed by Zach Cregger, is one of those, but never attempts…

Agnès Varda’s film essay on gleaning explores the many implications of this ancient practice. Gleaning—gathering food left on the fields after harvest—is an ancient tradition in Europe. In France, as we learn in the great Agnès Varda’s endearingly personal film from 2000, The Gleaners and I, gleaning is protected by law, although the laws vary in different provinces, and with different crops. Varda was intrigued not only with this practice, but with all its echoes and implications—our attitudes and policies towards waste; our ideas about property, labor and sustenance; the dumpster-diving of the homeless in the cities; artwork based on…

A young woman professor is challenged by the memory of a traumatic event. Sorry, Baby is the debut feature from 31-year-old Eva Victor, who is the writer, director, and star of this drama about persevering through traumatic events with honesty and humor. Victor plays Agnes, a newly promoted professor at a New England school who is visited by her best friend and former college roommate Lydie, played by Naomi Ackie. Their affectionate ways with each other, their conversations and jokes, convey a genuine rapport. Then Lydie springs a surprise: she’s going to have a baby. The film is divided into…

A woman dying from cancer asks an old friend to be in the room next door when she takes her own life. The Room Next Door, the latest film from the grand artist of Spanish cinema, Pedro Almodóvar, is based on a novel by Sigrid Nunez that I have not read, but the story couldn’t be more well-suited to his style. Ingrid, a successful novelist, played by Julianne Moore, discovers that Martha, an old friend with whom she’s been out of touch for years, a former war correspondent played by Tilda Swinton, has cancer. When she visits her in the…

Charles Laughton’s only film as a director, from 1955, is the dark tale of a criminal (Robert Mitchum) pretending to be a preacher, who marries an unsuspecting woman (Shelley Winters) in order to find money that her deceased husband had hidden, and in the process terrorizes her and her two children. Charles Laughton was a renowned British actor who made it big in Hollywood, but someday wanted to direct a movie. In 1953, Paul Gregory, a producer and long-time friend, sent him a book by a new writer, Davis Grubb, called “The Night of the Hunter.” Laughton was captivated, and…

Documents the German occupation of Amsterdam from 1940 to 1945 by showing us many locations in the city as they appear today, while a narrator tells us what people and events from the Nazi period lived or took place in that location. Try to imagine your country being attacked, conquered, and then occupied by a hostile foreign power. It’s difficult unless you’ve been through it. The most prominent examples occurred during the Second World War, when Nazi Germany conquered most of the European countries, instituting its murderous practices into the fabric of these countries. We have countless testimonies and books.…

Raven Jackson’s debut feature shows the world of rural black Southern life through the eyes of a serious, sensitive girl. A black girl is being taught how to fish by her father. We see a close up of her hands turning the reel. “Not so fast,” he tells her. “Easy.” When she catches a fish she touches its scales with her fingers, feeling its curious texture. We see her face, with intense eyes, serious and still. A younger girl, her sister, is looking on. Eventually the father says “let’s go home,” but the girl pauses to touch the shallow water…

A pub owner in a depressed town in northern England helps welcome Syrian refugees into the community. British director Ken Loach announced his retirement a couple years ago, at the age of 86. Like everything else in his remarkable career, this was a modest and well considered decision. With 26 feature films, plus numerous shorts and TV programs, he’s been an important presence in cinema for 60 years—one of only ten directors to win the Golden Palm at Cannes twice. But because he never stopped making movies about the lives of working class people, their problems and underlying issues; and…

A parody of a host of film genres displays Wes Anderson’s style at its most avant-garde. I’ve talked a lot about Wes Anderson over the years. In fact I’ve reviewed seven of his films on this show. I’m at the point where I want to just assume you know something about his work by now, and that I don’t have to keep describing his style and methods, such as sets that look like marvelous intricate toys, everything in bold colors, block-like patterns, with the camera either facing the actors head on or from the side, precise geometrical movements, the love…