Projects of excellence are projects of passion. However, passion can become dangerous. Left unchecked, they can cause every Creative’s easiest weakness and worst fear: Loving their project too much. But what are the signs of runaway love? And what is the Biblical cure?

To celebrate FlyingFaith Talks’ 20th episode, let’s countdown six ways the Bible can help you break your creative dry-spell!

A wicked sorcerer…his mute slave…and the rise of a prophecy….What kind of adventure does C. S. Wachter’s novel offer? And in what ways can the author herself extend her God-given talents?

‘Everyone in their heart of hearts knows the Biblical God’, but is that true? Are people truly as ignorant of God as we believe them to be? Are they truly as clueless as they believe themselves to be? Or do their hearts truly echo back the truth of God’s Word and bear an innate knowledge of Him?

John Gwynne’s “Shadow of the Gods” promises to be the start of a nordic, epic trilogy worthy of the Icelandic Sagas. But how does his writing skills and his story’s moral center stack up against Biblical standards?

Let’s Biblically evaluate and review the second and third books in Brian McClellan’s “Gods of Blood and Powder” trilogy.

Painting, composing, designing, and writing are what creative people do, whether for livelihood or as a humble hobby. Still, every craft effects its artist as much as the artist effects it. But what about full-blown transformation? Can God use a craft to fully transform its user? What does a creativity that sanctifies look like? (Part 2 of 2)

Painting, composing, designing, and writing are what creative people do, whether for livelihood or as a humble hobby. Still, every craft effects its artist as much as the artist effects it. But what about full-blown transformation? Can God use a craft to fully transform its user? What does a creativity that sanctifies look like? (Part 1 of 2)

No two snowflakes are alike. No two Christian Creatives are alike,…and in God’s sight, that couldn’t be more perfect. So what should change when creative differences drive us apart?

The head of a creative person spins with all sorts of advice. When to create, how to create, habits to cultivate, habits to lose; the methods are never-ending. ‘Creatives should find their personal pattern,’ so they say. But what if you never found yours? Are you a hopeless case? Or are you perfectly positioned for something that inspires far more consistently than ‘pattern’?