Estelle Timar-Wilcox: Native and non-Native audiences have been raving about “For the People.” 

Colin Cash is a big theater fan and a member of the Mille Lacs Band of Ojibwe. When he saw it, he forgot he was even watching a play. He even offered to pay for people’s tickets so they could go, too.

Colin Cash: In my eyes, for me, it wasn’t just a play, it was an experience, and a look into the urban natives trying to find acceptance, community. There’s so many nuances, the writing is just brilliant and there’s layers to it. I’ve been recommending it to a lot of different people, because representation does matter.

ETW: “For the People” premiered at the Guthrie in October and ran through November 12th. The show follows April Dakota, a young Native woman with big dreams of opening a wellness center on Franklin Avenue. April means well, but she's a little misguided. Her plans for vegan regalia and new-age Indigenous yoga get some eye-rolls from her elders. She lands in a tangle of neighborhood politics and a partnership with a rich developer that goes very wrong. 

The Guthrie commissioned this show from playwrights Ty Defoe and Larissa FastHorse. FastHorse is a member of the Sicangu Lakota nation; her mom is from Minnesota, and she grew up in South Dakota. Defoe has Ojibwe and Oneida heritage, and grew up on Anishinaabe territory.

But they weren’t the only voices behind it. FastHorse said they developed the play using story circles – meetings with local Native people to see what they wanted to watch a play about. 

Larissa FastHorse: It's really about making sure that we aren't writing what we want to write, we're writing what the community wants us to write, and we're asking the community again and again, ‘hey, whoever wants to tell us what you want a play to be about — come on, let us know.’

ETW: The show mentions a lot of local landmarks and history — from the start of the American Indian Movement to Owamni.

And the biggest note they got: it has to be funny.

The result is a hilarious 90 minutes. The final battle features a yoga competition and a paintball bow-and-arrow. The comedy weaves through some really touching moments, too. 

Co-writer Ty Defoe was responsible for writing a lot of the jokes. 

Ty Defoe: That kind of comedy allows a type of a healing. When people either see themselves portrayed on stages or are a part of that process, I think there's something that allows the collective soul of Native people to come together in an urban environment that settler colonialism has so affected so that we can have a joy and a type of perseverance working together.

ETW: Lindy Sowmick is Saginaw Ojibwe. She grew up in Michigan and moved to Minnesota for college. She called “For the People” the greatest play she's ever seen. 

Lindy Sowmick: There's that feeling, deep in your heart, or in your stomach, when you're like, this is healing for my community. That's what art is meant to do, art's meant to tell a story. And you know, Indigenous folks have been storytellers for our entire generations. I think that this is just such a beautiful result of generations of us being storytellers.

ETW: The Guthrie advertised the show as the first Native-written play on its main stages. FastHorse said she’s glad it reached a wide audience. 

LF: That's the beauty of theater. It's a live experience where you go with people that are having completely different experiences, and then you get to talk about it. It makes you have to interrogate things in a different way, which we really love. We're very aware that we're writing for a predominantly white institution, with a dominantly white subscriber base, but there was so much work being put into making sure we had a broader audience coming to this. And we made sure that this play was for the people, right? 

There were a lot of things that didn’t read to the white people, and we were like, that’s okay. That part’s not for you, and that’s fine. (Laughter). 

TD: For! The! People!