Mixing the traditional documentary form with elements of Brechtian theatre, director Kaouther Ben Hania’s (“The Man Who Sold His Skin, “Beauty and the Dogs”) Cannes-winning “Four Daughters” creates a highly intense and emotional experience — for both the audience and the principal characters.

Joining Ken on the pod, Kaouther discusses the challenges and breakthroughs of her hybrid approach. In the film, actors play various roles and intermingle with the “real” sisters and mother in a Tunisian family ripped apart by family strife and Islamic extremism. How did the four sisters respond to their mother’s controlling grip and violent outbursts? What happened during a particularly intense scene to cause the lone male actor in the film to ask the director to shut off the cameras? How does this troupe navigate a familial and cultural landscape in which women are marginalized but also forge an unbreakable bond of sisterhood?

“Four Daughters” is shortlisted for the Academy Award for Best Documentary Feature Film and Best International Feature Film. The film is released by Kino Lorber.

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