THE OLD MAN & THE GUN (2018) feels less like a typical crime movie and more like a gentle farewell  not just to a character, but to an entire Hollywood era. Directed by David Lowery, the film stars Robert Redford as Forrest Tucker, a lifelong bank robber whose crimes are defined not by violence, but by charm, politeness, and an irresistible love of the game.  

As the final entry in our Robert Redford Arc, this episode explores why THE OLD MAN & THE GUN works as a perfect swan song. The film distills everything that made Redford an icon: effortless charisma, moral ambiguity, romanticism without sentimentality, and a deep understanding of aging, obsession, and identity. What emerges is a crime story with almost no tension  and yet carries enormous emotional weight.  

Lowery shoots the film on Super 16mm, giving it the texture and warmth of a 1970s classic, while Redford delivers one of his most restrained and expressive performances. Paired with a beautifully understated turn from Sissy Spacek, and supported by a stacked cast that includes Casey Affleck, Danny Glover, and Tom Waits, the film becomes a meditation on what it means to keep doing the thing you love even when the world tells you it’s time to stop.  

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SPY GAME (2001) looks like a slick, early-2000s spy thriller, but beneath Tony Scott’s kinetic style is a surprisingly thoughtful film about loyalty, institutional cynicism, and the quiet mechanics of real espionage. Rather than gadgets or superhuman assassins, SPY GAME is about phone calls, favors, leverage, and knowing the system well enough to bend it without breaking it.  

Robert Redford plays Nathan Muir, a veteran CIA operative on his final day before retirement, racing against the clock to save his former protégé Tom Bishop (Brad Pitt), who has been captured in a Chinese prison after going off-mission. What unfolds is less an action spectacle and more a chess match fought through bureaucracy, institutional blind spots, and decades of accumulated spycraft.  

As the film moves between past missions and present-day interrogation rooms, SPY GAME becomes a story about mentorship, moral compromise, and the cost of serving systems that treat people as expendable assets. Redford delivers one of his most restrained performances, while Tony Scott proves that a “popcorn director” can still find real heart beneath the spectacle.

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QUIZ SHOW (1994) shouldn’t work on paper: a quiet film about a 1950s game-show scandal, congressional hearings, and a rigged trivia show with no violence, no twist ending, and no flashy hook. And yet Robert Redford turns it into one of the most compelling American dramas of the decade: a deceptively sharp story about class, ambition, performance, and the birth of mass media.

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Robert Redford and Paul Newman reunite for one of the greatest con-artist films ever made and one of the most purely entertaining movies Hollywood has ever produced. In the first episode of our Robert Redford Arc, Four Play dives into The Sting (1973), a film that blends slick plotting, old-school charm, and razor-sharp chemistry between two of cinema’s most charismatic stars.

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Mary Shelley’s Frankenstein is one of the most influential works of horror, science fiction, and gothic literature, but does Guillermo del Toro’s long-awaited 2025 adaptation succeed in its representation of the novel? In this episode of Four Play, MonteCristo, Thorin, and Richard Lewis dig into why this debate the merits of the films visuals, story, and faithfulness to the original themes.

While our hosts may not enjoy the source material, the ideas behind the story could be compelling on film if interpreted properly. However, considering the narrative inconsistencies and the surprising lack of tension, the hosts explore how Frankenstein ends up being a film that has all the pieces but none of the spark that makes the story immortal.

Along the way, they talk about the legacy of gothic horror, the challenges of adapting philosophical novels for modern audiences, how del Toro’s filmmaking strengths and weaknesses show through, and why this version feels more like a visual poem than a fully realized narrative.

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Before Black Mirror, before Love, Death & Robots, there was The Twilight Zone: television’s original nightmare machine.

For this special Four Play: One Night Stand episode, MonteCristo, Thorin, and Richard Lewis step into another dimension to revisit four of the most terrifying Twilight Zone stories ever made: tales of paranoia, existential dread, and cosmic irony that still haunt audiences more than sixty years later.

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Suspiria is one of the most beautiful and unsettling horror films ever made. Dario Argento’s 1977 masterpiece drenches witchcraft in light and color, turning a simple story about a dance academy into a surreal nightmare of sound, architecture, and occult energy.

In this episode, MonteCristo, Thorin, and Richard Lewis close out Four Play’s Occult Horror Arc by examining how Suspiria reshaped the language of horror cinema. From Goblin’s legendary score to Argento’s impossible lighting, they explore why this film’s dreamlike atmosphere endures nearly fifty years later and whether its magic still holds up in 2025.

They also discuss the legacy of Italian auteur Dario Argento, the power of color as horror, and how Suspiria’s female hierarchy and dream logic differ from modern horror storytelling. Finally, the hosts announce their next series: the Robert Redford Arc, celebrating the career of one of cinema’s most charismatic and influential figures.

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When a wealthy family hires shamans to exhume a cursed grave, they awaken something far older and far more dangerous than they imagined. Exhuma (파묘) blends Korean shamanism, feng shui geomancy, and postwar trauma into one of the most striking horror hits of the decade.

In this episode of Four Play, MonteCristo, Thorin, and Richard Lewis explore how Exhuma became Korea’s highest-grossing film of 2024, unpack the collision of modern faith and ancient ritual, and break down how the movie’s haunting finale exorcises not just spirits but centuries of buried history.

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Hereditary marks the rebirth of modern horror with a story where fate, family, and madness collide under the control of unseen forces. Ari Aster’s directorial debut turns grief into tragedy and domestic life into ritual, where every characters fate is inescapable and preordained. With Toni Collette’s raw, unforgettable performance at its center, this film doesn’t ask if evil exists, it simply shows what happens when it wins.

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Roman Polanski’s Rosemary’s Baby (1968) didn’t just invent occult horror: it cursed Hollywood itself. A young couple moves into New York’s Dakota building, only to find their new neighbors are part of an ancient Satanic conspiracy. What begins as domestic paranoia becomes a slow descent into psychological terror and a film that redefined horror forever.

Richard Lewis, MonteCristo, and Thorin open the Four Play: Occult Horror Arc with the movie that birthed the genre, discussing Polanski’s eerie direction, Mia Farrow’s haunting performance, and how Rosemary’s Baby set the stage for everything from Hereditary to Suspiria.

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