Ben Wheatley's 2011 Kill List is an obscure film, but one with surprisingly deep themes of class conflict, PTSD, the pressure of everyday life, and the oppressive nature of society. The movie is cloaked in a veneer of hitman action and occult activity, but can be confusing or unsatisfying if purely viewed and interpreted at face value. Richard, Thorin, and Monte discuss why they love Kill List especially because of its pretentiousness and incredible ambition.

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This week, Four Play watches our first Korean film: Gonjiam: Haunted Asylum directed by Jung Bum-shik in 2018. The film is part of the found footage horror genre, popularized by other movies like the Blair Witch Project, but takes an extremely modern approach using YouTube and livestreaming to make the premise seem fresh and relevant today. While the storyline may be a weak point, Gonjiam delivers and excellent premise and incredible editing that makes the movie feel like a well-wrought haunted house.

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Kiyoshi Kurosawa's breakout film Cure released in 1997 and, over the years, has become both a cult classic and darling of modern directors. Uniquely disturbing and brilliant, Cure begins as a police procedural and then dives into a totally unique atmosphere of dread as the mesmerist Mamiya confounds his rival, the detective Takabe. The film uses visuals and background sound to hypnotize the audience while treating violence as almost incidental or inconsequential, leading to a sickening mismatch between on-screen action and tone. A masterpiece of story and direction, Cure also delivers incredible performances from the two lead actors, Koji Yakusho and Masato Hagiwara.

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Four Play's Scary Deep Cuts arc begins with a brooding, psychological horror film that few have seen: Session 9 by director Brad Anderson. Filmed at the derelict Danvers State Medical Hospital in Massachusetts using props left in the building, the movie tells the story of an asbestos removal team losing their sanity in an apparently haunted building. Anchored by solid performances by Peter Mullan and David Caruso, alongside a host of talented character actors, Session 9 delivers a slow burning plot dripping with dread.

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The timeless classic Casablanca from 1942 closes our Money Shot arc with one of Roger Ebert's top films of all time. Featuring iconic performances from Humphrey Bogart, Ingrid Bergman, and Claude Rains, the film deftly portrays the confusion and chaos of World War II even in a seemingly far-flung Moroccan city. Thorin, Richard, and Monte discuss the themes of self-sacrifice, lost love, and duty to a higher cause that permeate the movie as well as explaining important historical context.

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Our Money Shot Arc continues with Richard's pick of Martin Scorsese's Goodfellas. While this film borrows some ideas from The Godfather, it instead focuses on the lower-level underbelly of organized crime, showing the brutal and unglamorous side of organized crime. We also explore the connections between this film and HBO's The Sopranos, Joe Pesci's terrifically terrifying performance, and the film's controversial ending.

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The Godfather, an American epic gangster film which debuted in 1972, is Thorin's selection for the Money Shot arc. Hailed as one of the greatest films of all time, director Francis Ford Coppola weaves an engaging story centered around the transformation of Al Pacino's Michael Corleone into a hardened mafia boss. Marlon Brando stands out in his role as the titular "Godfather," but the rest of the ensemble cast deliver strong performances as well. The Godfather remains one of the best films ever created, even after over 50 years since its release.

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Our "Money Shot" arc features each of our hosts selecting a film that they believe the rest of the group will enjoy. We begin with MonteCristo's pick: Steven Spielberg's 1993 blockbuster Jurassic Park. Based on the Michael Crichton novel of the same name, this film opened to rave reviews and box office success. It also remains culturally relevant and memeable to this day. However, the film is not without its flaws, especially in the ways that John Hammond's character strays from the source material. How does this beloved classic hold up after over 30 years? Watch along with us and decide for yourself!

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We conclude our Four Play Spit Roast arc with a film that Roger Ebert inexplicably gave four stars, director Marc Webb's (500) Days of Summer from 2009. Richard, Thorin, and Monte all loathe this film for its poor writing, acting, and non-existent character arcs. A relic of hipster culture from the late 2000s, the hosts discuss the subculture from which this movie emerged and how it ends up as anti-art. Some consider this film a cult classic, we consider it absolute garbage.

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We conclude our Four Play Spit Roast arc with a film that Roger Ebert inexplicably gave four stars, director Marc Webb's (500) Days of Summer from 2009. Richard, Thorin, and Monte all loathe this film for its poor writing, acting, and non-existent character arcs. A relic of hipster culture from the late 2000s, the hosts discuss the subculture from which this movie emerged and how it ends up as anti-art. Some consider this film a cult classic, we consider it absolute garbage.